List of unnamed tracks (KHIII)

The following is a list of music tracks introduced in Kingdom Hearts III and Kingdom Hearts III Re Mind that have not been released on an official album. Many of these tracks are arrangements of existing Kingdom Hearts songs, while others either incorporate elements from previous tracks or are wholly original compositions. As all of these tracks are untitled, the name of the cutscene they first appear in is used to distinguish them. Unless otherwise noted, the arranger of each individual track is unknown.

Gambit

Gambit

This piece is a tranquil piano solo. The first half is an arrangement of "Destiny's Union", while the second half incorporates elements from the melody of "Dearly Beloved". The melody returns to "Destiny's Union" for the track's conclusion.

• Scala ad Caelum: "Gambit"

Prelude to Adventure

First track

Prelude to Adventure

This is a calm arrangement of "Magical Mystery". It led by piano with a constant string backing; instrumentation also includes plucked strings, horns, and bells. This same arrangement appears in the cutscene "A Fresh Start" with an additional dramatic introduction that lasts about 25 seconds.

• The Mysterious Tower: "Prelude to Adventure", "A Fresh Start"

Second track

Prelude to Adventure

The track is a brief arrangement of "Sora", lasting about 25 seconds. While its instrumentation is similar to the original track, this version omits the melody, leaving only the supporting voices.

• The Mysterious Tower: "Prelude to Adventure"

Third track

Prelude to Adventure

This is a calm and playful arrangement of "Sora". The main melody is played by a flute and violin, while other voices include strings, piano, and clarinet.

• The Mysterious Tower: "Prelude to Adventure"
• Gummi Ship: "Heart Within a Heart"

Fourth track

Prelude to Adventure

This arrangement of "Hand in Hand" is brief and triumphant. It is similar in instrumentation to the original version of the track.

• The Mysterious Tower: "Prelude to Adventure"

Return of the Titans

First Track

Return of the Titans

This is a short tack that accompanies the world logo of Olympus. It incorporates elements of "Olympus Coliseum". The fanfare is cheerful for most of the piece, but ends on a sinister note.

• Olympus: "Return of the Titans"

Second Track

Return of the Titans

This is a lighter arrangement of "Villains of a Sort". It is played by strings with woodwind support, plucked notes accenting the main bowed melody.

• Olympus: "Return of the Titans"

Maleficent's Desire

Maleficent's Desire

The first part is an arrangement of "No Time to Think", lasting for shortly over 20 seconds. The remaining 40 seconds of the piece contains an original melody that incorporates parts of "Olympus Coliseum". The track begins frantic and energetic and gradually becomes more triumphant as it approaches the climax.

• Olympus: "Maleficent's Desire"

The Collapsing Building

The Collapsing Building

This track is suspenseful and energetic. The piece incorporates the melodies of "Olympus Coliseum" and "Hand in Hand", both transposed to a minor key. The instrumentation consists of brass, strings, and marching percussion.

• Olympus: "The Collapsing Building"

Xigbar's Admonition

First track

Xigbar's Admonitio

This track is primarily based on "No Time to Think", with similar instrumentation to the original. Brass instruments layer on the melody of "Olympus Coliseum" in a minor key.

• Olympus: "Xigbar's Admonition"

Second track

Xigbar's Admonition

This is an arrangement of "Organization XIII". It incorporates parts of the string accompaniment from "Xigbar", itself an arrangement of "Organization XIII". The melody is passed between piano, strings, and a choir section led by a female voice.

• Olympus: "Xigbar's Admonition", "Strategic Moves"^{[KH III RM]}

Olympus's Splendor

Olympus's Splendor

The piece is an entirely original composition of about 20 seconds. It is cheerful fanfare led by brass, choir, and strings.

• Olympus: "Olympus's Splendor"

Showdown with the Titans

Showdown with the Titans

This is a medley of "Road to a Hero", "Villains of a Sort", and "Hand in Hand", with an original melody woven throughout. The instrumentation consists of brass, strings, and percussion.

• Olympus: "Showdown with the Titans"

A Sore Loser

A Sore Loser

This first 30 seconds of this track is an arrangement of "The Deep End", while the remainder of the piece switches between an original melody and sections based on "Olympus Coliseum", with a hint of the melody of "Villains of a Sort". Like much of the fanfare in Olympus, this piece is led by brass, strings, and percussion.

• Olympus: "A Sore Loser"

Where He Belongs

Where He Belongs

This is an arrangement of "Olympus Coliseum". It is about a minute long; the first half stays close to the original arrangement, while the second half works the melody into a triumphant conclusion.

• Olympus: "Where He Belongs"

A Fresh Start

First track

A Fresh Start

This is an original composition. It is playful in tone, consisting of a cheerful flute melody and light string support.

• The Mysterious Tower: "A Fresh Start"

Second track

A Fresh Start

This track is an arrangement of "Aqua". Like the original, it is a somber piece. This version has lighter instrumentation, consisting only of piano and strings.

• The Mysterious Tower: "A Fresh Start"

Third track

A Fresh Start

After a brief introduction based on the melody of "Sora", this piece transitions into an original composition. It is a collected piece led by strings and piano.

• The Mysterious Tower: "A Fresh Start"

Fourth track

A Fresh Start

This is an arrangement of "Sora" with certain phrases transposed to a minor key, building tension in an otherwise light and cheerful arrangement. After about 50 seconds, the piece becomes an arrangement of "Link to All". The first part is performed by flute, strings, piano, and percussion, while the second part uses clarinet, strings, and piano.

• The Mysterious Tower: "A Fresh Start"

Heart Within a Heart

First track

Heart Within a Heart

This track is an arrangement of "Shipmeisters' Humoresque", lasting about one minute. It is similar in tone and instrumentation to the original song.

• Gummi Ship: "Heart Within a Heart"

Second track

Heart Within a Heart

This track is an arrangement "Sora". It begins calm and builds to a triumphant finish.

• Gummi Ship: "Heart Within a Heart"

The First of the Xehanorts

First track

The First of the Xehanorts

This is an entirely original composition, about 25 seconds in length. It has a playful introduction and incorporates brass, strings, and cymbals.

• Toy Box: "The First of the Xehanorts"

Second track

The First of the Xehanorts

This track alternates between sections based on "Xehanort" and an original melody. It begins as an unsettling piece before shifting to a more battle-like tone. The ending incorporates the melody of "Sora".

• Toy Box: "The First of the Xehanorts"

Rex Impresses

Rex Impresses

This is a brief arrangement of "No Time to Think", shortly over 20 seconds long. The percussion and string melody pause around halfway through the piece, leaving only a sustained dissonance on the supporting strings, before all instruments return for the track's conclusion.

• Toy Box: "Rex Impresses"

Buzz's Doubts

Buzz's Doubts

This is an original piece, forlorn in nature. Strings are the main focus, supported by piano and muted brass.

• Toy Box: "Buzz's Doubts"

Not Buzz, Too!

Not Buzz, Too!

This track is a new version of "Shaded Truths", arranged by Takeharu Ishimoto. It is similar in style and instrumentation to the original piece.

• Toy Box: "Not Buzz, Too!"

Marluxia's Request

Marluxia's Request

This is an arrangement of "Thirteenth Discretion". It is lighter than the original song, but still mysterious in tone.

• Kingdom of Corona: "Marluxia's Request"

The New Seven Hearts

First track

The New Seven Hearts

The first part of this track is an arrangement of "Drops of Poison", while the second half is a calmer original melody.

• Kingdom of Corona: "The New Seven Hearts"

Second track

The New Seven Hearts

This is an arrangement of "The Nightmare". The first half is restrained, while the second half introduces a percussive beat and a frantic string section. However, only the first portion of the track plays in the cutscene, leaving the rest unused.

• Kingdom of Corona: "The New Seven Hearts"

To the Tower!

First track

To the Tower!

This piece is an original composition. The introduction of the piece is dramatic and incorporates elements of "Happy Hair Day" in a minor key, while the second half is far calmer. After a brief pause, the track concludes with a short phrase based on "Laughter and Merriment".

• Kingdom of Corona: "To the Tower!"

Second track

To the Tower!

This track is an arrangement of "Sora". The accompaniment is played in a higher octave than the original, giving this version of the song a lighthearted feel.

• Kingdom of Corona: "To the Tower!"

Third track

To the Tower!

The introduction of this piece incorporates parts of "Happy Hair Day" in a minor key, while the remainder is an original melody. It is a tense and energetic composition.

• Kingdom of Corona: "To the Tower!"

Doesn't Sound Very Caring

First track

Doesn't Sound Very Caring

This is a fun and jazzy composition which incorporates elements of "Monstropolis Now". Instrumentation consists of piano, bass, saxophone, muted horns, strings, and drum set.

• Monstropolis: "Doesn't Sound Very Caring"

Second track

Doesn't Sound Very Caring

This track is an arrangement of "Laughter and Merriment". It keeps the playful tone and adds a flute countermelody. While the version in the cutscene "Doesn't Sound Very Caring" ends abruptly, leading into a dissonant string note as the conclusion, the song is played in full in "Enter the Black Coat", allowing the brass-led conclusion to be heard.

• Monstropolis: "Doesn't Sound Very Caring", "Enter the Black Coat"

Randall's Revenge

Randall's Revenge

This is a lighter arrangement of "Broken Reality", with similar instrumentation to the original song. While the arrangement loops in the cutscene "Randall's Revenge", the version in "Enter the Black Coat" resolves the tension of the piece with an added conclusion.

• Monstropolis: "Randall's Revenge", "Enter the Black Coat"

A Splash of Color

A Splash of Color

This piece is an arrangement of "Innocent Times". The tone and instrumentation is similar to the original arrangement.

• Monstropolis: "A Splash of Color", "Boo the MVP"

Boo the MVP

Boo the MVP

This track is an original composition with a lighthearted tone. The piece's instrumentation is almost entirely strings, with an occasional clarinet or bell interjection.

• Monstropolis: "Boo the MVP"

Enter the Black Coat

Enter the Black Coat

This track is an arrangement of "Shaded Truths", arranged by Takeharu Ishimoto. It places slightly more emphasis on the driving percussion, but is otherwise similar in instrumentation and feel to the original song.

• Monstropolis: "Enter the Black Coat"

Smell Ya Later

First track

Smell Ya Later

This is a short original composition, about 25 seconds in length. The piece is generally playful, with strings, flute, clarinet, and mallet percussion; brass joins the instrumentation for the dramatic conclusion.

• Monstropolis: "Smell Ya Later"

Second track

Smell Ya Later

This track is an original composition that loosely incorporates elements of "Monstropolis Now". The first portion of the piece has the melody played on strings and flute over a plucked string foundation, with brass and percussion joining for a triumphant ending.

• Monstropolis: "Smell Ya Later"

Third track

Smell Ya Later

This is a short upbeat track, about 20 seconds long. Instrumentation consists of flute, strings, and trombone.

• Monstropolis: "Smell Ya Later"

Extermination Complete

Extermination Complete

This track is an arrangement of "Monstropolis Now". The first half is lighter in instrumentation, creating a carefree tone, while the second half adds brass to the strings, piano, and woodwinds of the first section to create an exultant finale.

• Monstropolis: "Extermination Complete"

The Ice Palace

The Ice Palace

This track is an arrangement of "Shaded Truths", arranged by Takeharu Ishimoto. The track begins with an unsettling tone, like the original, but becomes more and more frantic as the piece approaches the conclusion.

• Arendelle: "The Ice Palace"

Thirteen Darknesses

Thirteen Darknesses

This is an original composition which incorporates elements of "Frozen Wonderland". It begins somber, with a solo piano over strings, before adding flute, clarinet, bells, chimes, and eventually brass and cymbals for the piece's ending.

• Arendelle: "Thirteen Darknesses"

An Unexpected Encounter

An Unexpected Encounter

This track is an arrangement of "The Deep End". It begins with piano, strings, and metronomic percussion, building up suspense until the full instrumentation kicks in with a battle-like feel closer to the original piece.

• Realm of Darkness: "An Unexpected Encounter"

100 Acre Wood Mini-games

100 Acre Wood Mini-games
File:Unnamed track (HAW Mini-games) KHIII.ogg

Uniquely, this unnamed track does not appear in a cutscene, but rather in mini-games. It is a fast-paced and energetic piece that plays when time is low. Instrumentation consists of a full array of strings, along with flute, tambourine, and mallet percussion.

• 100 Acre Wood: Tigger's Vegetable Spree, Lumpy's Fruit Parade, Pooh's Hunny Harvest

The Organization's Origins

The Organization's Origins

This piece is an arrangement of "Organization XIII". It is similar in tone to the original track, while the vocal line of the original has been replaced with strings.

• Keyblade Graveyard: "The Organization's Origins"

Running Out of Sea

Running Out of Sea

The first part of this track is an arrangement of "No Time to Think", with emphasis placed on the low brass and percussive hits. After about 12 seconds, this section gives way to the theme that accompanies the world logo of The Caribbean, which incorporates elements of "Hearts of Courage".

• The Caribbean: "Running Out of Sea"

The Dead Man's Chest

The Dead Man's Chest

This is an arrangement of "Drops of Poison". While the supporting instruments are much softer compared to the original, reducing the dissonance of the track, it retains the unsettling tone of the original arrangement.

• The Caribbean: "The Dead Man's Chest"

That's Desertion!

That's Desertion!

This is a brief track, about 25 second long. The first half is triumphant and similar in composition and instrumentation to "The Victorious", while the second half is more mysterious.

• The Caribbean: "That's Desertion!"

An Arrangement

An Arrangement
No proper recording of this track exists.

This is an original ambient arrangement. The instrumentation consists solely of strings.

• The Caribbean: "An Arrangement"

Parley with Luxord

Parley with Luxord

This piece is an arrangement of "Strange Whispers". It alternates twice between a soft section with strings and a louder section which features brass and male choir, with the second half adding piano to both sections.

• The Caribbean: "Parley with Luxord"

Atonement

Atonement

This is an energetic arrangement of "Apprehension". The melody is played by strings over light percussion and a new rhythmic string foundation. Brass accents and cymbals are added as the piece climaxes.

• Twilight Town: "Atonement"

The AR Device

The AR Device

This is a very short theme based on the melody of "Sora", lasting only about five seconds.

• San Fransokyo: "The AR Device"

Finding an Edge

Finding an Edge

This is an arrangement "Sora" with electronic touches. It is very similar in composition to "Hero Upgrade", which plays immediately following this theme.

• San Fransokyo: "Finding an Edge"

Upgraded

First Track

Upgraded

This piece is an arrangement of "Road to a Hero". It has significantly less percussion than the original and adds electronic flourishes to the piece.

• San Fransokyo: "Upgraded"

Second Track

Upgraded

This is a subdued arrangement of "Strange Whispers". Instrumentation primarily consists of piano and synth, giving an almost muffled feel.

• San Fransokyo: "Upgraded"

Making Up the Difference

Making Up the Difference

This track is an arrangement of "Distant from You...". It shares an identical piano line to the first part of "Baymax Rebooted", which is also an arrangement of "Distant from You...", but differs from that piece in where the string, flute, and clarinet parts accompany the piano.

• San Fransokyo: "Making Up the Difference"

Enter the Supervillain

Enter the Supervillain

This is a haunting arrangement of "Strange Whispers". An added guitar, a distant vocal line, and the gradual growth of an electronic beat make this piece mysterious and unnerving.

• San Fransokyo: "Enter the Supervillain"

A Riku From the Past?

A Riku From the Past?
File:Unnamed track (A Riku From the Past?) 01 KHIII.ogg

This piece is an arrangement of "Xehanort -The Early Years-". The melody is played on strings, while the electronic feel of the original backing has been toned down.

• San Fransokyo: "A Riku From the Past?"

Braving the Darkness

Braving the Darkness

This track begins as an arrangement of "Sora" before shifting to the melody of "Dearly Beloved" about halfway through. Overall, the piece has a hopeful and relieved tone.

• Realm of Darkness: "Braving the Darkness"

An End to Slumber

An End to Slumber

This piece is an arrangement of "Ventus". The arrangement maintains the wistful tone of the original, adding two grand crescendos near the finale.

• Land of Departure: "An End to Slumber"

A World of Only Hearts

A World of Only Hearts

This is an arrangement of "Dream Eaters". It is slightly slower than the original and has a far fuller sound, with instrumentation consisting of strings and choir.

• The Final World: "A World of Only Hearts", "As The Heart Commands"^{[KH III RM]}

A Corridor of Light

A Corridor of Light

This piece features and original melody, while using the melody of "Magical Mystery" as a backing rhythm. The use of horns gives this track a grand feel. The conclusion of the piece incorporates the melody of "Hand in Hand".

• Keyblade Graveyard: "A Corridor of Light"

A Vain Promise

A Vain Promise

This is an arrangement of "Organization XIII". It is notably slower than the original version. The melody is played on piano, accompanied by strings and occasional notes from a bell set.

• Keyblade Graveyard: "A Vain Promise", "Past Redux: A Vain Promise"^{[KH III RM]}

The Gambler's Lot

The Gambler's Lot

This is an arrangement of "Organization XIII". The melody is played by strings and clarinet in addition to piano, while the piece incorporates many unique flourishes. The arrangement frequently shifts to a major key, giving this version a far more peaceful feel.

• Keyblade Graveyard: "The Gambler's Lot", "Past Redux: The Gambler's Lot"^{[KH III RM]}

An Unspoken Secret

An Unspoken Secret

This is an arrangement of "Organization XIII". Flute, bells, and harp join the piano and strings, with extra piano notes filling out the piece. While not upbeat, this arrangement is far less sinister than the original.

• Keyblade Graveyard: "An Unspoken Secret", "Past Redux: An Unspoken Secret"^{[KH III RM]}

Reclaiming His Identity

Reclaiming His Identity

This is an arrangement of "Organization XIII". It is characterized by light strings, wind chimes, and harp, with instrumentation also including flute, clarinet, and piano. This arrangement is calm and peaceful.

• Keyblade Graveyard: "Reclaiming His Identity", "Past Redux: Reclaiming His Identity"^{[KH III RM]}

From Chains to Bonds

First track

From Chains to Bonds

This piece is a frantic arrangement of "Dismiss". A steady percussion beat drives the track forward, with the vocal line becoming far more prominent as well.

• Keyblade Graveyard: "From Chains to Bonds", "Terra's Heart"^{[KH III RM]}

Second track

From Chains to Bonds

This track is a dramatic arrangement of "Terra". Although the instrumentation is generally similar to the original, this arrangement has a grander feel, with a choir joining in for the finale. After the climax of the piece, the final phrase incorporates the melody of "Dearly Beloved".

• Keyblade Graveyard: "From Chains to Bonds", "Terra's Heart"^{[KH III RM]}

The Last Light

First track

The Last Light

The first section of this composition incorporates elements of "Organization XIII" and the first movement of "Darkness of the Unknown". This part is an intense battle theme, with strings, brass, piano, and percussion. The latter half of the track has a forlorn feel, with flute and clarinet replacing the brass and percussion of the first half.

• Keyblade Graveyard: "The Last Light", "Roxas's Heart"^{[KH III RM]}

Second track

The Last Light

This track is an arrangement of "Musique pour la tristesse de Xion" with elements of "Organization XIII". It is a flowing piece led by flute, clarinet, strings, and piano.

• Keyblade Graveyard: "The Last Light", "Roxas's Heart"^{[KH III RM]}

More to Seek

More to Seek

This is an arrangement of "Organization XIII". While initially dark, the tone of the piece becomes calmer – almost sad – as the track progresses.

• Keyblade Graveyard: "More to Seek", "Journey's End"^{[KH III RM]}

A First Surge of Emotion

A First Surge of Emotion

This is an arrangement of "Organization XIII". It has a distorted feel throughout, and the first section accentuates this tone by playing primarily in the lower register.

• Keyblade Graveyard: "A First Surge of Emotion", "The Power Within"^{[KH III RM]}

Good-bye, Sora

Good-bye, Sora

This track is an arrangement of "Xehanort". There is constant natural percussion moving the piece forward, and the melody is played in a higher register. Increasingly frantic orchestra hits signal the piece's conclusion.

• Keyblade Graveyard: "Good-bye, Sora", "Good-bye, Sora"^{[KH III RM]}

Kingdom Hearts

First track

Kingdom Hearts

This is an original arrangement based on various elements of "Destati". The piece incorporates a few notes from "Kairi", which lead into a moment of calm before the piece crescendos back into the climactic "Destati" introduction on strings and organ.

• Keyblade Graveyard: "Kingdom Hearts", "Kairi's Whereabouts"^{[KH III RM]}

Second track

Kingdom Hearts

This piece is an initially delicate arrangement of "The Key of Darkness". As the piece progresses, the string section is joined by organ, percussion, choir, and brass for a foreboding conclusion.

• Keyblade Graveyard: "Kingdom Hearts", "Kairi's Whereabouts"^{[KH III RM]}

Third track

Kingdom Hearts

This track begins with a piano phrase which uses the melody of "Musique pour la tristesse de Xion". The piece then transitions into an arrangement of "Always on My Mind", followed by an original melody, and finally a triumphant conclusion based on "Dearly Beloved".

• Keyblade Graveyard: "Kingdom Hearts", "Kairi's Whereabouts"^{[KH III RM]}

The Plan

The Plan

This is primarily an arrangement of "Organization XIII", although the introduction is based on "Destati". Certain portions of the track incorporate a string rhythm similar to that of the "Organization XIII" arrangement introduced in the cutscene "Xigbar's Admonition". Instrumentation consists of piano, strings, and choir.

• Keyblade Graveyard: "The Plan"^{[KH III RM]}

Long Awaited Showdown

Long Awaited Showdown

The introduction to this track is an original composition that features piano, strings, timpani, and low woodwinds. About 45 seconds into the piece, the piano line begins to incorporate elements of the first movement of "Darkness of the Unknown", the melody of which is picked up by an organ shortly thereafter. The next section of the piece is based on "Organization XIII". The piece ends with a tension-building sting from the string section identical to that used in the cutscene "The Last Light".

• Keyblade Graveyard: "Long Awaited Showdown"^{[KH III RM]}

Roxas's Heart

Roxas's Heart

This track is a sorrowful composition that grows more hopeful as it progresses. The piece features the melodies of "Organization XIII", "Kairi" and "Dearly Beloved".

• Keyblade Graveyard: "Roxas's Heart"^{[KH III RM]}

The Final Key

First track

The Final Key

This piece begins with the melody of "Musique pour la tristesse de Xion" before shifting into a section based on "Roxas". It maintains the wistful tone of both original songs.

• Keyblade Graveyard: "The Final Key"^{[KH III RM]}

Second Track

The Final Key

The first part of this piece is shared with the first track in the cutscene "The Last Light" and, to a lesser degree, "Long Awaited Showdown". This piece continues to expand further on the melody of the first movement of "Darkness of the Unknown", incorporating parts of "Organization XIII" as well. This section builds up until a sudden pause about halfway through the track. The next section is a darker arrangement which uses elements of "Sora", dipping into a somber tone before the conclusion.

• Keyblade Graveyard: "The Final Key"^{[KH III RM]}

The Sigil

First track

The Sigil

This is a short composition, about 25 seconds long. It is a strong arrangement of "Roxas" that gradually crescendos to the climax at the end of the piece, which subtly incorporates elements of "Organization XIII" in a similar manner to "Hearts as One".

• Keyblade Graveyard: "The Sigil"^{[KH III RM]}

Second track

The Sigil

This track is an original composition that incorporates elements of many different tracks: "Kairi", "Roxas", "Sora", "Organization XIII", and "Musique pour la tristesse de Xion". It is a flowing piece that features piano, strings, flute, clarinet, and various percussion instruments.

• Keyblade Graveyard: "The Sigil"^{[KH III RM]}

Battle of the Guardians

Battle of the Guardians

This is a tense and ominous piece that centers around the descending pattern of "Replicas". It is led by strings, with brass and percussion joining in as the piece crescendos.

• Keyblade Graveyard: "Battle of the Guardians"^{[KH III RM]}

Sora and Kairi

Sora and Kairi

The first part of this track has an ethereal feel, with synth, wind chimes, piano, and light strings. The second half, based on "Destati", is significantly faster and more aggressive. Strings and horns push the piece forward, with percussion joining at the end.

• Scala ad Caelum: "Sora and Kairi"^{[KH III RM]}

Connecting Hearts

First track

Connecting Hearts

This track begins with a section based on "Guardians of Light". The piece then accelerates, transitioning into a section based on "Dearly Beloved" before slowing down once more for the finale. Overall, it is an light and excited composition.

• Scala ad Caelum: "Connecting Hearts"^{[KH III RM]}

Second track

Connecting Hearts

This is a conclusive arrangement of "Link to All" with an emphasis on brass fanfare.

• Scala ad Caelum: "Connecting Hearts"^{[KH III RM]}

Sora and Yozora

Sora and Yozora

This is an original composition with a calm, almost weightless feel. Following an introduction led by a female voice, the piece has a lot of emptiness. There is a soft piano melody which loosely quotes the melody of "Sora". The conclusion of the piece has a fuller sound, adding bursts of energy to an otherwise serene track.

• The Final World: "Sora and Yozora"^{[KH III RM]}

I've Been Having These Weird Thoughts Lately

I've Been Having These Weird Thoughts Lately
No proper recording of this track exists.

This is a solemn composition that incorporates elements of "Nachtflügel" on violin. The conclusion of the piece features the melody of "Dearly Beloved", ending on a pensive note. Instrumentation is primarily led by strings and piano, while the introduction uses vocals as well.

• Quadratum: "I've Been Having These Weird Thoughts Lately"^{[KH III RM]}

Like, Is Any of This for Real or Not?

Like, Is Any of This for Real or Not?
No proper recording of this track exists.

This composition mirrors that of "I've Been Having These Weird Thoughts Lately". The first section has more focus on piano, likewise incorporating parts of "Nachtflügel". The ending section resolves the melody of "Dearly Beloved", contributing to a more complete and satisfied tone.

• Quadratum: "Like, Is Any of This for Real or Not?"^{[KH III RM]}