List of unnamed tracks (KHIII): Difference between revisions
(Nearly complete) |
(Formatting) |
||
| Line 17: | Line 17: | ||
This piece is a tranquil piano solo. The first half is an arrangement of "[[Destiny's Union]]", while the second half incorporates elements from the melody of "[[Dearly Beloved]]". The melody returns to "Destiny's Union" for the track's conclusion. | This piece is a tranquil piano solo. The first half is an arrangement of "[[Destiny's Union]]", while the second half incorporates elements from the melody of "[[Dearly Beloved]]". The melody returns to "Destiny's Union" for the track's conclusion. | ||
*[[Scala ad Caelum]]: "Gambit" | *[[Scala ad Caelum]]: "Gambit" | ||
| Line 28: | Line 27: | ||
This is a calm arrangement of "[[Magical Mystery]]". It led by piano with a constant string backing; instrumentation also includes plucked strings, horns, and bells. This same arrangement appears in the cutscene "A Fresh Start" with an additional dramatic introduction that lasts about 25 seconds. | This is a calm arrangement of "[[Magical Mystery]]". It led by piano with a constant string backing; instrumentation also includes plucked strings, horns, and bells. This same arrangement appears in the cutscene "A Fresh Start" with an additional dramatic introduction that lasts about 25 seconds. | ||
*[[The Mysterious Tower]]: "Prelude to Adventure", "A Fresh Start" | *[[The Mysterious Tower]]: "Prelude to Adventure", "A Fresh Start" | ||
| Line 38: | Line 36: | ||
The track is a brief arrangement of "{{c|Sora|track}}", lasting about 25 seconds. While its instrumentation is similar to the original track, this version omits the melody, leaving only the supporting voices. | The track is a brief arrangement of "{{c|Sora|track}}", lasting about 25 seconds. While its instrumentation is similar to the original track, this version omits the melody, leaving only the supporting voices. | ||
*[[The Mysterious Tower]]: "Prelude to Adventure" | *[[The Mysterious Tower]]: "Prelude to Adventure" | ||
| Line 48: | Line 45: | ||
This is a calm and playful arrangement of "{{c|Sora|track}}". The main melody is played by a flute and violin, while other voices include strings, piano, and clarinet. | This is a calm and playful arrangement of "{{c|Sora|track}}". The main melody is played by a flute and violin, while other voices include strings, piano, and clarinet. | ||
*[[The Mysterious Tower]]: "Prelude to Adventure" | *[[The Mysterious Tower]]: "Prelude to Adventure" | ||
*[[Gummi Ship]]: "Heart Within a Heart" | *[[Gummi Ship]]: "Heart Within a Heart" | ||
| Line 59: | Line 55: | ||
This arrangement of "[[Hand in Hand]]" is brief and triumphant. It is similar in instrumentation to the original version of the track. | This arrangement of "[[Hand in Hand]]" is brief and triumphant. It is similar in instrumentation to the original version of the track. | ||
*[[The Mysterious Tower]]: "Prelude to Adventure" | *[[The Mysterious Tower]]: "Prelude to Adventure" | ||
| Line 70: | Line 65: | ||
This is a short fanfare that accompanies the world logo of [[Olympus]]. It incorporates elements of "{{c|Olympus Coliseum|track}}". | This is a short fanfare that accompanies the world logo of [[Olympus]]. It incorporates elements of "{{c|Olympus Coliseum|track}}". | ||
*[[Olympus]]: "Return of the Titans" | *[[Olympus]]: "Return of the Titans" | ||
| Line 80: | Line 74: | ||
This is a lighter arrangement of "[[Villains of a Sort]]". It consists entirely of strings, with plucked notes accenting the main bowed melody. | This is a lighter arrangement of "[[Villains of a Sort]]". It consists entirely of strings, with plucked notes accenting the main bowed melody. | ||
*[[Olympus]]: "Return of the Titans" | *[[Olympus]]: "Return of the Titans" | ||
| Line 90: | Line 83: | ||
The first part is an arrangement of "[[No Time to Think]]", lasting for shortly over 20 seconds. The remaining 40 seconds of the piece contains an original melody that incorporates parts of "{{c|Olympus Coliseum|track}}". The track begins frantic and energetic and gradually becomes more triumphant as it approaches the climax. | The first part is an arrangement of "[[No Time to Think]]", lasting for shortly over 20 seconds. The remaining 40 seconds of the piece contains an original melody that incorporates parts of "{{c|Olympus Coliseum|track}}". The track begins frantic and energetic and gradually becomes more triumphant as it approaches the climax. | ||
*[[Olympus]]: "Maleficent's Desire" | *[[Olympus]]: "Maleficent's Desire" | ||
| Line 100: | Line 92: | ||
This track is suspenseful and energetic. The piece incorporates the melodies of "{{c|Olympus Coliseum|track}}" and "[[Hand in Hand]]", both transposed to a minor key. The instrumentation consists of brass, strings, and marching percussion. | This track is suspenseful and energetic. The piece incorporates the melodies of "{{c|Olympus Coliseum|track}}" and "[[Hand in Hand]]", both transposed to a minor key. The instrumentation consists of brass, strings, and marching percussion. | ||
*[[Olympus]]: "The Collapsing Building" | *[[Olympus]]: "The Collapsing Building" | ||
| Line 111: | Line 102: | ||
This track is primarily based on "[[No Time to Think]]", with similar instrumentation to the original. Brass instruments layer on the melody of "{{c|Olympus Coliseum|track}}" in a minor key. | This track is primarily based on "[[No Time to Think]]", with similar instrumentation to the original. Brass instruments layer on the melody of "{{c|Olympus Coliseum|track}}" in a minor key. | ||
*[[Olympus]]: "Xigbar's Admonition", "Strategic Moves"{{RM}} | *[[Olympus]]: "Xigbar's Admonition", "Strategic Moves"{{RM}} | ||
| Line 121: | Line 111: | ||
This is an arrangement of "{{c|Organization XIII|track}}". It incorporates parts of the string accompaniment from "{{c|Xigbar|track}}", itself an arrangement of "Organization XIII". The melody is passed between piano, strings, and a choir section led by a female voice. | This is an arrangement of "{{c|Organization XIII|track}}". It incorporates parts of the string accompaniment from "{{c|Xigbar|track}}", itself an arrangement of "Organization XIII". The melody is passed between piano, strings, and a choir section led by a female voice. | ||
*[[Olympus]]: "Xigbar's Admonition" | *[[Olympus]]: "Xigbar's Admonition" | ||
| Line 131: | Line 120: | ||
The piece is an entirely original composition of about 20 seconds. It is cheerful fanfare led by brass, choir, and strings. | The piece is an entirely original composition of about 20 seconds. It is cheerful fanfare led by brass, choir, and strings. | ||
*[[Olympus]]: "Olympus's Splendor" | *[[Olympus]]: "Olympus's Splendor" | ||
| Line 141: | Line 129: | ||
This is a medley of "[[Road to a Hero]]", "[[Villains of a Sort]]", and "[[Hand in Hand]]", with an original melody woven throughout. The instrumentation consists of brass, strings, and percussion. | This is a medley of "[[Road to a Hero]]", "[[Villains of a Sort]]", and "[[Hand in Hand]]", with an original melody woven throughout. The instrumentation consists of brass, strings, and percussion. | ||
*[[Olympus]]: "Showdown with the Titans" | *[[Olympus]]: "Showdown with the Titans" | ||
| Line 151: | Line 138: | ||
This first 30 seconds of this track is an arrangement of "[[The Deep End]]", while the remainder of the piece switches between an original melody and sections based on "{{c|Olympus Coliseum|track}}", with a hint of the melody of "[[Villains of a Sort]]". Like much of the fanfare in Olympus, this piece is led by brass, strings, and percussion. | This first 30 seconds of this track is an arrangement of "[[The Deep End]]", while the remainder of the piece switches between an original melody and sections based on "{{c|Olympus Coliseum|track}}", with a hint of the melody of "[[Villains of a Sort]]". Like much of the fanfare in Olympus, this piece is led by brass, strings, and percussion. | ||
*[[Olympus]]: "A Sore Loser" | *[[Olympus]]: "A Sore Loser" | ||
| Line 161: | Line 147: | ||
This is an arrangement of "{{c|Olympus Coliseum|track}}". It is about a minute long; the first half stays close to the original arrangement, while the second half works the melody into a triumphant conclusion. | This is an arrangement of "{{c|Olympus Coliseum|track}}". It is about a minute long; the first half stays close to the original arrangement, while the second half works the melody into a triumphant conclusion. | ||
*[[Olympus]]: "Where He Belongs" | *[[Olympus]]: "Where He Belongs" | ||
| Line 172: | Line 157: | ||
This is an original composition. It is playful in tone, consisting of a cheerful flute melody and light string support. | This is an original composition. It is playful in tone, consisting of a cheerful flute melody and light string support. | ||
*[[The Mysterious Tower]]: "A Fresh Start" | *[[The Mysterious Tower]]: "A Fresh Start" | ||
| Line 182: | Line 166: | ||
This track is an arrangement of "{{c|Aqua|track}}". Like the original, it is a somber piece. This version has lighter instrumentation, consisting only of piano and strings. | This track is an arrangement of "{{c|Aqua|track}}". Like the original, it is a somber piece. This version has lighter instrumentation, consisting only of piano and strings. | ||
*[[The Mysterious Tower]]: "A Fresh Start" | *[[The Mysterious Tower]]: "A Fresh Start" | ||
| Line 192: | Line 175: | ||
After a brief introduction based on the melody of "{{c|Sora|track}}", this piece transitions into an original composition. It is a collected piece led by strings and piano. | After a brief introduction based on the melody of "{{c|Sora|track}}", this piece transitions into an original composition. It is a collected piece led by strings and piano. | ||
*[[The Mysterious Tower]]: "A Fresh Start" | *[[The Mysterious Tower]]: "A Fresh Start" | ||
| Line 202: | Line 184: | ||
This is an arrangement of "{{c|Sora|track}}" with certain phrases transposed to a minor key, building tension in an otherwise light and cheerful arrangement. After about 50 seconds, the piece becomes an arrangement of "[[Link to All]]". The first part is performed by flute, strings, piano, and percussion, while the second part uses clarinet, strings, and piano. | This is an arrangement of "{{c|Sora|track}}" with certain phrases transposed to a minor key, building tension in an otherwise light and cheerful arrangement. After about 50 seconds, the piece becomes an arrangement of "[[Link to All]]". The first part is performed by flute, strings, piano, and percussion, while the second part uses clarinet, strings, and piano. | ||
*[[The Mysterious Tower]]: "A Fresh Start" | *[[The Mysterious Tower]]: "A Fresh Start" | ||
| Line 212: | Line 193: | ||
This track is an arrangement of "[[Shipmeisters' Humoresque]]", lasting about one minute. It is similar in tone and instrumentation to the original song. | This track is an arrangement of "[[Shipmeisters' Humoresque]]", lasting about one minute. It is similar in tone and instrumentation to the original song. | ||
*[[Gummi Ship]]: "Heart Within a Heart" | *[[Gummi Ship]]: "Heart Within a Heart" | ||
| Line 223: | Line 203: | ||
This is an entirely original composition, about 25 seconds in length. It has a playful introduction and incorporates brass, strings, and cymbals. | This is an entirely original composition, about 25 seconds in length. It has a playful introduction and incorporates brass, strings, and cymbals. | ||
*[[Toy Box]]: "The First of the Xehanorts" | *[[Toy Box]]: "The First of the Xehanorts" | ||
| Line 233: | Line 212: | ||
This track alternates between sections based on "{{c|Xehanort|track}}" and an original melody. It begins as an unsettling piece before shifting to a more battle-like tone. The ending incorporates the melody of "{{c|Sora|track}}". | This track alternates between sections based on "{{c|Xehanort|track}}" and an original melody. It begins as an unsettling piece before shifting to a more battle-like tone. The ending incorporates the melody of "{{c|Sora|track}}". | ||
*[[Toy Box]]: "The First of the Xehanorts" | *[[Toy Box]]: "The First of the Xehanorts" | ||
| Line 243: | Line 221: | ||
This is a brief arrangement of "[[No Time to Think]]", shortly over 20 seconds long. The percussion and string melody pause around halfway through the piece, leaving only a sustained dissonance on the supporting strings, before all instruments return for the track's conclusion. | This is a brief arrangement of "[[No Time to Think]]", shortly over 20 seconds long. The percussion and string melody pause around halfway through the piece, leaving only a sustained dissonance on the supporting strings, before all instruments return for the track's conclusion. | ||
*[[Toy Box]]: "Rex Impresses" | *[[Toy Box]]: "Rex Impresses" | ||
| Line 253: | Line 230: | ||
This is an original piece, forlorn in nature. Strings are the main focus, supported by piano and muted brass. | This is an original piece, forlorn in nature. Strings are the main focus, supported by piano and muted brass. | ||
*[[Toy Box]]: "Buzz's Doubts" | *[[Toy Box]]: "Buzz's Doubts" | ||
| Line 263: | Line 239: | ||
This track is a new version of "[[Shaded Truths]]", arranged by Takeharu Ishimoto. It is similar in style and instrumentation to the original piece. | This track is a new version of "[[Shaded Truths]]", arranged by Takeharu Ishimoto. It is similar in style and instrumentation to the original piece. | ||
*[[Toy Box]]: "Not Buzz, Too!" | *[[Toy Box]]: "Not Buzz, Too!" | ||
| Line 273: | Line 248: | ||
This is an arrangement of "[[Thirteenth Discretion]]". It is lighter than the original song, but still mysterious in tone. | This is an arrangement of "[[Thirteenth Discretion]]". It is lighter than the original song, but still mysterious in tone. | ||
*[[Kingdom of Corona]]: "Marluxia's Request" | *[[Kingdom of Corona]]: "Marluxia's Request" | ||
| Line 284: | Line 258: | ||
The first part of this track is an arrangement of "[[Drops of Poison]]", while the second half is a calmer original melody. | The first part of this track is an arrangement of "[[Drops of Poison]]", while the second half is a calmer original melody. | ||
*[[Kingdom of Corona]]: "The New Seven Hearts" | *[[Kingdom of Corona]]: "The New Seven Hearts" | ||
| Line 294: | Line 267: | ||
This is an arrangement of "[[The Nightmare]]". The first half is restrained, while the second half introduces a percussive beat and a frantic string section. However, only the first portion of the track plays in the cutscene, leaving the rest unused.<ref>See [[Removed content#Music|Removed content]] for more information.</ref> | This is an arrangement of "[[The Nightmare]]". The first half is restrained, while the second half introduces a percussive beat and a frantic string section. However, only the first portion of the track plays in the cutscene, leaving the rest unused.<ref>See [[Removed content#Music|Removed content]] for more information.</ref> | ||
*[[Kingdom of Corona]]: "The New Seven Hearts" | *[[Kingdom of Corona]]: "The New Seven Hearts" | ||
| Line 305: | Line 277: | ||
This piece is an original composition. The introduction of the piece is dramatic and incorporates elements of "[[Happy Hair Day]]" in a minor key, while the second half is far calmer. After a brief pause, the track concludes with a short phrase based on "[[Laughter and Merriment]]". | This piece is an original composition. The introduction of the piece is dramatic and incorporates elements of "[[Happy Hair Day]]" in a minor key, while the second half is far calmer. After a brief pause, the track concludes with a short phrase based on "[[Laughter and Merriment]]". | ||
*[[Kingdom of Corona]]: "To the Tower!" | *[[Kingdom of Corona]]: "To the Tower!" | ||
| Line 315: | Line 286: | ||
This track is an arrangement of "{{c|Sora|track}}". The accompaniment is played in a higher octave than the original, giving this version of the song a lighthearted feel. | This track is an arrangement of "{{c|Sora|track}}". The accompaniment is played in a higher octave than the original, giving this version of the song a lighthearted feel. | ||
*[[Kingdom of Corona]]: "To the Tower!" | *[[Kingdom of Corona]]: "To the Tower!" | ||
| Line 325: | Line 295: | ||
The introduction of this piece incorporates parts of "[[Happy Hair Day]]" in a minor key, while the remainder is an original melody. It is a tense and energetic composition. | The introduction of this piece incorporates parts of "[[Happy Hair Day]]" in a minor key, while the remainder is an original melody. It is a tense and energetic composition. | ||
*[[Kingdom of Corona]]: "To the Tower!" | *[[Kingdom of Corona]]: "To the Tower!" | ||
| Line 336: | Line 305: | ||
This is a fun and jazzy composition which incorporates elements of "[[Monstropolis Now]]". Instrumentation consists of piano, saxophone, muted horns, strings, and drum set. | This is a fun and jazzy composition which incorporates elements of "[[Monstropolis Now]]". Instrumentation consists of piano, saxophone, muted horns, strings, and drum set. | ||
*[[Monstropolis]]: "Doesn't Sound Very Caring" | *[[Monstropolis]]: "Doesn't Sound Very Caring" | ||
| Line 346: | Line 314: | ||
This track is an arrangement of "[[Laughter and Merriment]]". It keeps the playful tone and adds a flute countermelody. While the version in the cutscene "Doesn't Sound Very Caring" ends abruptly, leading into a dissonant string note as the conclusion, the song is played in full in "Enter the Black Coat", allowing the brass-led conclusion to be heard. | This track is an arrangement of "[[Laughter and Merriment]]". It keeps the playful tone and adds a flute countermelody. While the version in the cutscene "Doesn't Sound Very Caring" ends abruptly, leading into a dissonant string note as the conclusion, the song is played in full in "Enter the Black Coat", allowing the brass-led conclusion to be heard. | ||
*[[Monstropolis]]: "Doesn't Sound Very Caring", "Enter the Black Coat" | *[[Monstropolis]]: "Doesn't Sound Very Caring", "Enter the Black Coat" | ||
| Line 356: | Line 323: | ||
This is a lighter arrangement of "[[Broken Reality]]", with similar instrumentation to the original song. While the arrangement loops in the cutscene "Randall's Revenge", the version in "Enter the Black Coat" resolves the tension of the piece with an added conclusion. | This is a lighter arrangement of "[[Broken Reality]]", with similar instrumentation to the original song. While the arrangement loops in the cutscene "Randall's Revenge", the version in "Enter the Black Coat" resolves the tension of the piece with an added conclusion. | ||
*[[Monstropolis]]: "Randall's Revenge", "Enter the Black Coat" | *[[Monstropolis]]: "Randall's Revenge", "Enter the Black Coat" | ||
| Line 366: | Line 332: | ||
This piece is an arrangement of "[[Innocent Times]]". The tone and instrumentation is similar to the original arrangement. | This piece is an arrangement of "[[Innocent Times]]". The tone and instrumentation is similar to the original arrangement. | ||
*[[Monstropolis]]: "A Splash of Color", "Boo the MVP" | *[[Monstropolis]]: "A Splash of Color", "Boo the MVP" | ||
| Line 376: | Line 341: | ||
This track is an original composition with a lighthearted tone. The piece's instrumentation is almost entirely strings, with an occasional clarinet or bell interjection. | This track is an original composition with a lighthearted tone. The piece's instrumentation is almost entirely strings, with an occasional clarinet or bell interjection. | ||
*[[Monstropolis]]: "Boo the MVP" | *[[Monstropolis]]: "Boo the MVP" | ||
| Line 386: | Line 350: | ||
This track is an arrangement of "[[Shaded Truths]]", arranged by Takeharu Ishimoto. It places slightly more emphasis on the driving percussion, but is otherwise similar in instrumentation and feel to the original song. | This track is an arrangement of "[[Shaded Truths]]", arranged by Takeharu Ishimoto. It places slightly more emphasis on the driving percussion, but is otherwise similar in instrumentation and feel to the original song. | ||
*[[Monstropolis]]: "Enter the Black Coat" | *[[Monstropolis]]: "Enter the Black Coat" | ||
| Line 397: | Line 360: | ||
This is a short original composition, about 25 seconds in length. The piece is generally playful, with strings, flute, clarinet, and mallet percussion; brass joins the instrumentation for the dramatic conclusion. | This is a short original composition, about 25 seconds in length. The piece is generally playful, with strings, flute, clarinet, and mallet percussion; brass joins the instrumentation for the dramatic conclusion. | ||
*[[Monstropolis]]: "Smell Ya Later" | *[[Monstropolis]]: "Smell Ya Later" | ||
| Line 407: | Line 369: | ||
This track is an original composition that loosely incorporates elements of "[[Monstropolis Now]]". The first portion of the piece has the melody played on strings and flute over a plucked string foundation, with brass and percussion joining for a triumphant ending. | This track is an original composition that loosely incorporates elements of "[[Monstropolis Now]]". The first portion of the piece has the melody played on strings and flute over a plucked string foundation, with brass and percussion joining for a triumphant ending. | ||
*[[Monstropolis]]: "Smell Ya Later" | *[[Monstropolis]]: "Smell Ya Later" | ||
| Line 417: | Line 378: | ||
This is a short upbeat track, about 20 seconds long. Instrumentation consists of flute, strings, and trombone. | This is a short upbeat track, about 20 seconds long. Instrumentation consists of flute, strings, and trombone. | ||
*[[Monstropolis]]: "Smell Ya Later" | *[[Monstropolis]]: "Smell Ya Later" | ||
| Line 427: | Line 387: | ||
This track is an arrangement of "[[Monstropolis Now]]". The first half is lighter in instrumentation, creating a carefree tone, while the second half adds brass to the strings, piano, and woodwinds of the first section to create an exultant finale. | This track is an arrangement of "[[Monstropolis Now]]". The first half is lighter in instrumentation, creating a carefree tone, while the second half adds brass to the strings, piano, and woodwinds of the first section to create an exultant finale. | ||
*[[Monstropolis]]: "Extermination Complete" | *[[Monstropolis]]: "Extermination Complete" | ||
| Line 437: | Line 396: | ||
This track is an arrangement of "[[Shaded Truths]]", arranged by Takeharu Ishimoto. The track begins with an unsettling tone, like the original, but becomes more and more frantic as the piece approaches the conclusion. | This track is an arrangement of "[[Shaded Truths]]", arranged by Takeharu Ishimoto. The track begins with an unsettling tone, like the original, but becomes more and more frantic as the piece approaches the conclusion. | ||
*[[Arendelle]]: "The Ice Palace" | *[[Arendelle]]: "The Ice Palace" | ||
| Line 447: | Line 405: | ||
This is an original composition which incorporates elements of "[[Frozen Wonderland]]". It begins somber, with a solo piano over strings, before adding flute, clarinet, bells, chimes, and eventually brass and cymbals for the piece's ending. | This is an original composition which incorporates elements of "[[Frozen Wonderland]]". It begins somber, with a solo piano over strings, before adding flute, clarinet, bells, chimes, and eventually brass and cymbals for the piece's ending. | ||
*[[Arendelle]]: "Thirteen Darknesses" | *[[Arendelle]]: "Thirteen Darknesses" | ||
| Line 457: | Line 414: | ||
This track is an arrangement of "[[The Deep End]]". It begins with piano, strings, and metronomic percussion, building up suspense until the full instrumentation kicks in with a battle-like feel closer to the original piece. | This track is an arrangement of "[[The Deep End]]". It begins with piano, strings, and metronomic percussion, building up suspense until the full instrumentation kicks in with a battle-like feel closer to the original piece. | ||
*[[Realm of Darkness]]: "An Unexpected Encounter" | *[[Realm of Darkness]]: "An Unexpected Encounter" | ||
| Line 467: | Line 423: | ||
Uniquely, this unnamed track does not appear in a cutscene, but rather in [[mini-game]]s. It is a fast-paced and energetic piece that plays when time is low. Instrumentation consists of a full array of strings, along with flute, tambourine, and mallet percussion. | Uniquely, this unnamed track does not appear in a cutscene, but rather in [[mini-game]]s. It is a fast-paced and energetic piece that plays when time is low. Instrumentation consists of a full array of strings, along with flute, tambourine, and mallet percussion. | ||
*[[100 Acre Wood]]: [[Tigger's Vegetable Spree]], [[Lumpy's Fruit Parade]], [[Pooh's Hunny Harvest]] | *[[100 Acre Wood]]: [[Tigger's Vegetable Spree]], [[Lumpy's Fruit Parade]], [[Pooh's Hunny Harvest]] | ||
| Line 477: | Line 432: | ||
This piece is an arrangement of "{{c|Organization XIII|track}}". It is similar in tone to the original track, while the vocal line of the original has been replaced with strings. | This piece is an arrangement of "{{c|Organization XIII|track}}". It is similar in tone to the original track, while the vocal line of the original has been replaced with strings. | ||
*[[Keyblade Graveyard]]: "The Organization's Origins" | *[[Keyblade Graveyard]]: "The Organization's Origins" | ||
| Line 487: | Line 441: | ||
The first part of this track is an arrangement of "[[No Time to Think]]", with emphasis placed on the low brass and percussive hits. After about 12 seconds, this section gives way to the theme that accompanies the world logo of [[The Caribbean]], which incorporates elements of "[[Hearts of Courage]]". | The first part of this track is an arrangement of "[[No Time to Think]]", with emphasis placed on the low brass and percussive hits. After about 12 seconds, this section gives way to the theme that accompanies the world logo of [[The Caribbean]], which incorporates elements of "[[Hearts of Courage]]". | ||
*[[The Caribbean]]: "Running Out of Sea" | *[[The Caribbean]]: "Running Out of Sea" | ||
| Line 497: | Line 450: | ||
This is an arrangement of "[[Drops of Poison]]". While the supporting instruments are much softer compared to the original, reducing the dissonance of the track, it retains the unsettling tone of the original arrangement. | This is an arrangement of "[[Drops of Poison]]". While the supporting instruments are much softer compared to the original, reducing the dissonance of the track, it retains the unsettling tone of the original arrangement. | ||
*[[The Caribbean]]: "The Dead Man's Chest" | *[[The Caribbean]]: "The Dead Man's Chest" | ||
| Line 507: | Line 459: | ||
This is a brief track, about 25 second long. The first half is triumphant and similar in composition and instrumentation to "[[The Victorious]]", while the second half is more quiet and mysterious. | This is a brief track, about 25 second long. The first half is triumphant and similar in composition and instrumentation to "[[The Victorious]]", while the second half is more quiet and mysterious. | ||
*[[The Caribbean]]: "That's Desertion!" | *[[The Caribbean]]: "That's Desertion!" | ||
| Line 519: | Line 470: | ||
This is an original ambient arrangement. The instrumentation consists solely of strings. | This is an original ambient arrangement. The instrumentation consists solely of strings. | ||
*[[The Caribbean]]: "An Arrangement" | *[[The Caribbean]]: "An Arrangement" | ||
| Line 529: | Line 479: | ||
This piece is an arrangement of "[[Strange Whispers]]". It alternates twice between a soft section with strings and a louder section which features brass and male choir, with the second half adding piano to both sections. | This piece is an arrangement of "[[Strange Whispers]]". It alternates twice between a soft section with strings and a louder section which features brass and male choir, with the second half adding piano to both sections. | ||
*[[The Caribbean]]: "Parley with Luxord" | *[[The Caribbean]]: "Parley with Luxord" | ||
| Line 539: | Line 488: | ||
This is an energetic arrangement of "[[Apprehension]]". The melody is played by strings over light percussion and a new rhythmic string foundation. Brass accents and cymbals are added as the piece climaxes. | This is an energetic arrangement of "[[Apprehension]]". The melody is played by strings over light percussion and a new rhythmic string foundation. Brass accents and cymbals are added as the piece climaxes. | ||
*[[Twilight Town]]: "Atonement" | *[[Twilight Town]]: "Atonement" | ||
| Line 549: | Line 497: | ||
This is a very short theme based on the melody of "{{c|Sora|track}}", lasting only about five seconds. | This is a very short theme based on the melody of "{{c|Sora|track}}", lasting only about five seconds. | ||
*[[San Fransokyo]]: "The AR Device" | *[[San Fransokyo]]: "The AR Device" | ||
| Line 559: | Line 506: | ||
This is an arrangement "{{c|Sora|track}}" with electronic touches. It is very similar in composition to "[[Hero Upgrade]]", which plays immediately following this theme. | This is an arrangement "{{c|Sora|track}}" with electronic touches. It is very similar in composition to "[[Hero Upgrade]]", which plays immediately following this theme. | ||
*[[San Fransokyo]]: "Finding an Edge" | *[[San Fransokyo]]: "Finding an Edge" | ||
| Line 570: | Line 516: | ||
This piece is an arrangement of "[[Road to a Hero]]". It has significantly less percussion than the original and adds electronic flourishes to the piece. | This piece is an arrangement of "[[Road to a Hero]]". It has significantly less percussion than the original and adds electronic flourishes to the piece. | ||
*[[San Fransokyo]]: "Upgraded" | *[[San Fransokyo]]: "Upgraded" | ||
| Line 580: | Line 525: | ||
This is a subdued arrangement of "[[Strange Whispers]]". Instrumentation primarily consists of piano and synth, giving an almost muffled feel. | This is a subdued arrangement of "[[Strange Whispers]]". Instrumentation primarily consists of piano and synth, giving an almost muffled feel. | ||
*[[San Fransokyo]]: "Upgraded" | *[[San Fransokyo]]: "Upgraded" | ||
| Line 590: | Line 534: | ||
This track is an arrangement of "[[Distant from You...]]". It shares an identical piano line to the first part of "[[Baymax Rebooted]]", which is also an arrangement of "Distant from You...", but differs from that piece in where the string, flute, and clarinet parts accompany the piano. | This track is an arrangement of "[[Distant from You...]]". It shares an identical piano line to the first part of "[[Baymax Rebooted]]", which is also an arrangement of "Distant from You...", but differs from that piece in where the string, flute, and clarinet parts accompany the piano. | ||
*[[San Fransokyo]]: "Making Up the Difference" | *[[San Fransokyo]]: "Making Up the Difference" | ||
| Line 600: | Line 543: | ||
This is a haunting arrangement of "[[Strange Whispers]]". An added guitar, a distant vocal line, and the gradual growth of an electronic beat make this piece mysterious and unnerving. | This is a haunting arrangement of "[[Strange Whispers]]". An added guitar, a distant vocal line, and the gradual growth of an electronic beat make this piece mysterious and unnerving. | ||
*[[San Fransokyo]]: "Enter the Supervillain" | *[[San Fransokyo]]: "Enter the Supervillain" | ||
| Line 610: | Line 552: | ||
This piece is an arrangement of "[[Xehanort -The Early Years-]]". The melody is played on strings, while the electronic feel of the original backing has been toned down. | This piece is an arrangement of "[[Xehanort -The Early Years-]]". The melody is played on strings, while the electronic feel of the original backing has been toned down. | ||
*[[San Fransokyo]]: "A Riku From the Past?" | *[[San Fransokyo]]: "A Riku From the Past?" | ||
| Line 620: | Line 561: | ||
This track begins as an arrangement of "{{c|Sora|track}}" before shifting to the melody of "[[Dearly Beloved]]" about halfway through. Overall, the piece has a hopeful and relieved tone. | This track begins as an arrangement of "{{c|Sora|track}}" before shifting to the melody of "[[Dearly Beloved]]" about halfway through. Overall, the piece has a hopeful and relieved tone. | ||
*[[Realm of Darkness]]: "Braving the Darkness" | *[[Realm of Darkness]]: "Braving the Darkness" | ||
| Line 630: | Line 570: | ||
This piece is an arrangement of "{{c|Ventus|track}}". The arrangement maintains the wistful tone of the original, adding two grand crescendos near the finale. | This piece is an arrangement of "{{c|Ventus|track}}". The arrangement maintains the wistful tone of the original, adding two grand crescendos near the finale. | ||
*[[Land of Departure]]: "An End to Slumber" | *[[Land of Departure]]: "An End to Slumber" | ||
| Line 640: | Line 579: | ||
This is an arrangement of "{{c|Dream Eaters|track}}". It is slightly slower than the original and has a far fuller sound, with instrumentation consisting of strings and choir. | This is an arrangement of "{{c|Dream Eaters|track}}". It is slightly slower than the original and has a far fuller sound, with instrumentation consisting of strings and choir. | ||
*[[The Final World]]: "A World of Only Hearts", "As The Heart Commands"{{RM}} | *[[The Final World]]: "A World of Only Hearts", "As The Heart Commands"{{RM}} | ||
| Line 650: | Line 588: | ||
This piece features and original melody, while using the melody of "[[Magical Mystery]]" as a backing rhythm. The use of horns gives this track a grand feel. The conclusion of the piece incorporates the melody of "[[Hand in Hand]]". | This piece features and original melody, while using the melody of "[[Magical Mystery]]" as a backing rhythm. The use of horns gives this track a grand feel. The conclusion of the piece incorporates the melody of "[[Hand in Hand]]". | ||
*[[Keyblade Graveyard]]: "A Corridor of Light" | *[[Keyblade Graveyard]]: "A Corridor of Light" | ||
| Line 660: | Line 597: | ||
This is an arrangement of "{{c|Organization XIII|track}}". It is notably slower than the original version. The melody is played on piano, accompanied by strings and occasional notes from a bell set. | This is an arrangement of "{{c|Organization XIII|track}}". It is notably slower than the original version. The melody is played on piano, accompanied by strings and occasional notes from a bell set. | ||
*[[Keyblade Graveyard]]: "A Vain Promise", "Past Redux: A Vain Promise"{{RM}} | *[[Keyblade Graveyard]]: "A Vain Promise", "Past Redux: A Vain Promise"{{RM}} | ||
| Line 670: | Line 606: | ||
This is an arrangement of "{{c|Organization XIII|track}}". The melody is played by strings and clarinet in addition to piano, while the piece incorporates many unique flourishes. The arrangement frequently shifts to a major key, giving this version a far more peaceful feel. | This is an arrangement of "{{c|Organization XIII|track}}". The melody is played by strings and clarinet in addition to piano, while the piece incorporates many unique flourishes. The arrangement frequently shifts to a major key, giving this version a far more peaceful feel. | ||
*[[Keyblade Graveyard]]: "The Gambler's Lot", "Past Redux: The Gambler's Lot"{{RM}} | *[[Keyblade Graveyard]]: "The Gambler's Lot", "Past Redux: The Gambler's Lot"{{RM}} | ||
| Line 680: | Line 615: | ||
This is an arrangement of "{{c|Organization XIII|track}}". Flute, bells, and harp join the piano and strings, with extra piano notes filling out the piece. While not upbeat, this arrangement is far less sinister than the original. | This is an arrangement of "{{c|Organization XIII|track}}". Flute, bells, and harp join the piano and strings, with extra piano notes filling out the piece. While not upbeat, this arrangement is far less sinister than the original. | ||
*[[Keyblade Graveyard]]: "An Unspoken Secret", "Past Redux: An Unspoken Secret"{{RM}} | *[[Keyblade Graveyard]]: "An Unspoken Secret", "Past Redux: An Unspoken Secret"{{RM}} | ||
| Line 689: | Line 623: | ||
}} | }} | ||
This is an arrangement of "{{c|Organization XIII|track}}". It is characterized by light strings, wind chimes, and harp, with instrumentation also including flute, clarinet, and piano. This arrangement is calm and peaceful. | This is an arrangement of "{{c|Organization XIII|track}}". It is characterized by light strings, wind chimes, and harp, with instrumentation also including flute, clarinet, and piano. This arrangement is calm and peaceful. | ||
*[[Keyblade Graveyard]]: "Reclaiming His Identity", "Past Redux: Reclaiming His Identity"{{RM}} | *[[Keyblade Graveyard]]: "Reclaiming His Identity", "Past Redux: Reclaiming His Identity"{{RM}} | ||
| Line 700: | Line 634: | ||
This piece is a frantic arrangement of "[[Dismiss]]". A steady percussion beat drives the track forward, with the vocal line becoming far more prominent as well. | This piece is a frantic arrangement of "[[Dismiss]]". A steady percussion beat drives the track forward, with the vocal line becoming far more prominent as well. | ||
*[[Keyblade Graveyard]]: "From Chains to Bonds", "Terra's Heart"{{RM}} | *[[Keyblade Graveyard]]: "From Chains to Bonds", "Terra's Heart"{{RM}} | ||
| Line 710: | Line 643: | ||
This track is a dramatic arrangement of "{{c|Terra|track}}". Although the instrumentation is generally similar to the original, this arrangement has a grander feel, with a choir joining in for the finale. After the climax of the piece, the final phrase incorporates the melody of "[[Dearly Beloved]]". | This track is a dramatic arrangement of "{{c|Terra|track}}". Although the instrumentation is generally similar to the original, this arrangement has a grander feel, with a choir joining in for the finale. After the climax of the piece, the final phrase incorporates the melody of "[[Dearly Beloved]]". | ||
*[[Keyblade Graveyard]]: "From Chains to Bonds", "Terra's Heart"{{RM}} | *[[Keyblade Graveyard]]: "From Chains to Bonds", "Terra's Heart"{{RM}} | ||
| Line 721: | Line 653: | ||
The first section of this composition incorporates elements of "{{c|Organization XIII|track}}" and the first movement of "[[Darkness of the Unknown]]". This part is an intense battle theme, with strings, brass, piano, and percussion. The latter half of the track has a forlorn feel, with flute and clarinet replacing the brass and percussion of the first half. | The first section of this composition incorporates elements of "{{c|Organization XIII|track}}" and the first movement of "[[Darkness of the Unknown]]". This part is an intense battle theme, with strings, brass, piano, and percussion. The latter half of the track has a forlorn feel, with flute and clarinet replacing the brass and percussion of the first half. | ||
*[[Keyblade Graveyard]]: "The Last Light", "Roxas's Heart"{{RM}} | *[[Keyblade Graveyard]]: "The Last Light", "Roxas's Heart"{{RM}} | ||
| Line 731: | Line 662: | ||
This track is an arrangement of "[[Musique pour la tristesse de Xion]]" with elements of "[[Organization XIII]]". It is a flowing piece led by flute, clarinet, strings, and piano. | This track is an arrangement of "[[Musique pour la tristesse de Xion]]" with elements of "[[Organization XIII]]". It is a flowing piece led by flute, clarinet, strings, and piano. | ||
*[[Keyblade Graveyard]]: "The Last Light", "Roxas's Heart"{{RM}} | *[[Keyblade Graveyard]]: "The Last Light", "Roxas's Heart"{{RM}} | ||
| Line 741: | Line 671: | ||
This is an arrangement of "{{c|Organization XIII|track}}". While initially dark, the tone of the piece becomes calmer – almost sad – as the track progresses. | This is an arrangement of "{{c|Organization XIII|track}}". While initially dark, the tone of the piece becomes calmer – almost sad – as the track progresses. | ||
*[[Keyblade Graveyard]]: "More to Seek", "Journey's End"{{RM}} | *[[Keyblade Graveyard]]: "More to Seek", "Journey's End"{{RM}} | ||
| Line 751: | Line 680: | ||
This is an arrangement of "{{c|Organization XIII|track}}". It has a distorted feel throughout, and the first section accentuates this tone by playing primarily in the lower register. | This is an arrangement of "{{c|Organization XIII|track}}". It has a distorted feel throughout, and the first section accentuates this tone by playing primarily in the lower register. | ||
*[[Keyblade Graveyard]]: "A First Surge of Emotion", "The Power Within"{{RM}} | *[[Keyblade Graveyard]]: "A First Surge of Emotion", "The Power Within"{{RM}} | ||
| Line 761: | Line 689: | ||
This track is an arrangement of "{{c|Xehanort|track}}". There is constant natural percussion moving the piece forward, and the melody is played in a higher register. Increasingly frantic orchestra hits signal the piece's conclusion. | This track is an arrangement of "{{c|Xehanort|track}}". There is constant natural percussion moving the piece forward, and the melody is played in a higher register. Increasingly frantic orchestra hits signal the piece's conclusion. | ||
*[[Keyblade Graveyard]]: "Good-bye, Sora", "Good-bye, Sora"{{RM}} | *[[Keyblade Graveyard]]: "Good-bye, Sora", "Good-bye, Sora"{{RM}} | ||
| Line 772: | Line 699: | ||
This is an original arrangement based on various elements of "[[Destati]]". The piece incorporates a few notes from "{{c|Kairi|track}}", which lead into a moment of calm before the piece crescendos back into the climactic "Destati" introduction on strings and organ. | This is an original arrangement based on various elements of "[[Destati]]". The piece incorporates a few notes from "{{c|Kairi|track}}", which lead into a moment of calm before the piece crescendos back into the climactic "Destati" introduction on strings and organ. | ||
*[[Keyblade Graveyard]]: "Kingdom Hearts"<ref>Originally "[[Missing You]]" prior to the 1.07 update.</ref>, "Kairi's Whereabouts"{{RM}} | *[[Keyblade Graveyard]]: "Kingdom Hearts"<ref>Originally "[[Missing You]]" prior to the 1.07 update.</ref>, "Kairi's Whereabouts"{{RM}} | ||
| Line 782: | Line 708: | ||
This piece is an initially delicate arrangement of "[[The Key of Darkness]]". As the piece progresses, the string section is joined by organ, percussion, choir, and brass for a foreboding conclusion. | This piece is an initially delicate arrangement of "[[The Key of Darkness]]". As the piece progresses, the string section is joined by organ, percussion, choir, and brass for a foreboding conclusion. | ||
*[[Keyblade Graveyard]]: "Kingdom Hearts"<ref>Originally the ''Kingdom Hearts Birth by Sleep'' version of "The Key of Darkness" prior to the 1.07 update.</ref>, "Kairi's Whereabouts"{{RM}} | *[[Keyblade Graveyard]]: "Kingdom Hearts"<ref>Originally the ''Kingdom Hearts Birth by Sleep'' version of "The Key of Darkness" prior to the 1.07 update.</ref>, "Kairi's Whereabouts"{{RM}} | ||
| Line 792: | Line 717: | ||
This track begins with a piano phrase which uses the melody of "[[Musique pour la tristesse de Xion]]". The piece then transitions into an arrangement of "[[Always on My Mind]]", followed by an original melody, and finally a triumphant conclusion based on "[[Dearly Beloved]]". | This track begins with a piano phrase which uses the melody of "[[Musique pour la tristesse de Xion]]". The piece then transitions into an arrangement of "[[Always on My Mind]]", followed by an original melody, and finally a triumphant conclusion based on "[[Dearly Beloved]]". | ||
*[[Keyblade Graveyard]]: "Kingdom Hearts", "Kairi's Whereabouts"{{RM}} | *[[Keyblade Graveyard]]: "Kingdom Hearts", "Kairi's Whereabouts"{{RM}} | ||
| Line 802: | Line 726: | ||
This is primarily an arrangement of "{{c|Organization XIII|track}}", although the introduction is based on "[[Destati]]". Certain portions of the track incorporate a string rhythm similar to that of the "Organization XIII" arrangement introduced in the cutscene "Xigbar's Admonition". Instrumentation consists of piano, strings, and choir. | This is primarily an arrangement of "{{c|Organization XIII|track}}", although the introduction is based on "[[Destati]]". Certain portions of the track incorporate a string rhythm similar to that of the "Organization XIII" arrangement introduced in the cutscene "Xigbar's Admonition". Instrumentation consists of piano, strings, and choir. | ||
*[[Keyblade Graveyard]]: "The Plan"{{RM}} | *[[Keyblade Graveyard]]: "The Plan"{{RM}} | ||
| Line 812: | Line 735: | ||
The introduction to this track is an original composition that features piano, strings, timpani, and low woodwinds. About 45 seconds into the piece, the piano line begins to incorporate elements of the first movement of "[[Darkness of the Unknown]]", the melody of which is picked up by an organ shortly thereafter. The next section of the piece is based on "[[Organization XIII]]". The piece ends with a tension-building sting from the string section. | The introduction to this track is an original composition that features piano, strings, timpani, and low woodwinds. About 45 seconds into the piece, the piano line begins to incorporate elements of the first movement of "[[Darkness of the Unknown]]", the melody of which is picked up by an organ shortly thereafter. The next section of the piece is based on "[[Organization XIII]]". The piece ends with a tension-building sting from the string section. | ||
*[[Keyblade Graveyard]]: "Long Awaited Showdown"{{RM}} | *[[Keyblade Graveyard]]: "Long Awaited Showdown"{{RM}} | ||
| Line 822: | Line 744: | ||
This track is a sorrowful composition that grows more hopeful as it progresses. The piece features the melodies of "{{c|Organization XIII|track}}", "{{c|Kairi|track}}" and "[[Dearly Beloved]]". | This track is a sorrowful composition that grows more hopeful as it progresses. The piece features the melodies of "{{c|Organization XIII|track}}", "{{c|Kairi|track}}" and "[[Dearly Beloved]]". | ||
*[[Keyblade Graveyard]]: "Roxas's Heart"{{RM}} | *[[Keyblade Graveyard]]: "Roxas's Heart"{{RM}} | ||
| Line 833: | Line 754: | ||
This piece begins with the melody of "[[Musique pour la tristesse de Xion]]" before shifting into a section based on "{{c|Roxas|track}}". It maintains the wistful tone of both original songs. | This piece begins with the melody of "[[Musique pour la tristesse de Xion]]" before shifting into a section based on "{{c|Roxas|track}}". It maintains the wistful tone of both original songs. | ||
*[[Keyblade Graveyard]]: "The Final Key"{{RM}} | *[[Keyblade Graveyard]]: "The Final Key"{{RM}} | ||
| Line 843: | Line 763: | ||
The introduction of this piece is based on an original section of the track from the cutscene "Long Awaited Showdown", about 20 seconds long. After the introduction, the piece builds on the melody of the first movement of "[[Darkness of the Unknown]]", incorporating parts of "{{c|Organization XIII|track}}" as well. This section builds up until a sudden pause about halfway through the track. The next section is a darker arrangement which uses elements of "{{c|Sora|track}}", dipping into a somber tone before the conclusion. | The introduction of this piece is based on an original section of the track from the cutscene "Long Awaited Showdown", about 20 seconds long. After the introduction, the piece builds on the melody of the first movement of "[[Darkness of the Unknown]]", incorporating parts of "{{c|Organization XIII|track}}" as well. This section builds up until a sudden pause about halfway through the track. The next section is a darker arrangement which uses elements of "{{c|Sora|track}}", dipping into a somber tone before the conclusion. | ||
*[[Keyblade Graveyard]]: "The Final Key"{{RM}} | *[[Keyblade Graveyard]]: "The Final Key"{{RM}} | ||
| Line 854: | Line 773: | ||
This is a short composition, about 25 seconds long. It is a strong arrangement of "{{c|Roxas|track}}" that gradually crescendos to the climax at the end of the piece, which subtly incorporates elements of "{{c|Organization XIII|track}}" in a similar manner to "[[Hearts as One]]". | This is a short composition, about 25 seconds long. It is a strong arrangement of "{{c|Roxas|track}}" that gradually crescendos to the climax at the end of the piece, which subtly incorporates elements of "{{c|Organization XIII|track}}" in a similar manner to "[[Hearts as One]]". | ||
*[[Keyblade Graveyard]]: "The Sigil"{{RM}} | *[[Keyblade Graveyard]]: "The Sigil"{{RM}} | ||
| Line 864: | Line 782: | ||
This track is an original composition that incorporates elements of many different tracks: "{{c|Kairi|track}}", "{{c|Roxas|track}}", "{{c|Sora|track}}", "{{c|Organization XIII|track}}", and "[[Musique pour la tristesse de Xion]]". It is a flowing piece that features piano, strings, flute, clarinet, and various percussion instruments. | This track is an original composition that incorporates elements of many different tracks: "{{c|Kairi|track}}", "{{c|Roxas|track}}", "{{c|Sora|track}}", "{{c|Organization XIII|track}}", and "[[Musique pour la tristesse de Xion]]". It is a flowing piece that features piano, strings, flute, clarinet, and various percussion instruments. | ||
*[[Keyblade Graveyard]]: "The Sigil"{{RM}} | *[[Keyblade Graveyard]]: "The Sigil"{{RM}} | ||
| Line 874: | Line 791: | ||
This is a tense and ominous piece that centers around the descending pattern of "{{c|Replicas|track}}". It is led by strings, with brass and percussion joining in as the piece crescendos. | This is a tense and ominous piece that centers around the descending pattern of "{{c|Replicas|track}}". It is led by strings, with brass and percussion joining in as the piece crescendos. | ||
*[[Keyblade Graveyard]]: "Battle of the Guardians"{{RM}} | *[[Keyblade Graveyard]]: "Battle of the Guardians"{{RM}} | ||
| Line 884: | Line 800: | ||
The first part of this track has an ethereal feel, with synth, wind chimes, piano, and light strings. The second half, based on "[[Destati]]", is significantly faster and more aggressive. Strings and horns push the piece forward, with percussion joining at the end. | The first part of this track has an ethereal feel, with synth, wind chimes, piano, and light strings. The second half, based on "[[Destati]]", is significantly faster and more aggressive. Strings and horns push the piece forward, with percussion joining at the end. | ||
*[[Scala ad Caelum]]: "Sora and Kairi"{{RM}} | *[[Scala ad Caelum]]: "Sora and Kairi"{{RM}} | ||
| Line 895: | Line 810: | ||
This track begins with a section based on "{{c|Guardians of Light|track}}". The piece then accelerates, transitioning into a section based on "[[Dearly Beloved]]" before slowing down once more for the finale. Overall, it is an light and excited composition. | This track begins with a section based on "{{c|Guardians of Light|track}}". The piece then accelerates, transitioning into a section based on "[[Dearly Beloved]]" before slowing down once more for the finale. Overall, it is an light and excited composition. | ||
*[[Scala ad Caelum]]: "Connecting Hearts"{{RM}} | *[[Scala ad Caelum]]: "Connecting Hearts"{{RM}} | ||
| Line 905: | Line 819: | ||
This is a conclusive arrangement of "[[Link to All]]" with an emphasis on brass fanfare. | This is a conclusive arrangement of "[[Link to All]]" with an emphasis on brass fanfare. | ||
*[[Scala ad Caelum]]: "Connecting Hearts"{{RM}} | *[[Scala ad Caelum]]: "Connecting Hearts"{{RM}} | ||
| Line 915: | Line 828: | ||
This is an original composition with a calm, almost weightless feel. Following an introduction led by a female voice, the piece has a lot of emptiness. There is a soft piano melody which loosely quotes the melody of "{{c|Sora|track}}". The conclusion of the piece has a fuller sound, adding bursts of energy to an otherwise serene track. | This is an original composition with a calm, almost weightless feel. Following an introduction led by a female voice, the piece has a lot of emptiness. There is a soft piano melody which loosely quotes the melody of "{{c|Sora|track}}". The conclusion of the piece has a fuller sound, adding bursts of energy to an otherwise serene track. | ||
*[[The Final World]]: "Sora and Yozora"{{RM}} | *[[The Final World]]: "Sora and Yozora"{{RM}} | ||
| Line 927: | Line 839: | ||
This is a solemn composition that incorporates elements of "[[Nachtflügel]]" on violin. The conclusion of the piece features the melody of "[[Dearly Beloved]]", ending on a pensive note. Instrumentation is primarily led by strings and piano, while the introduction uses vocals as well. | This is a solemn composition that incorporates elements of "[[Nachtflügel]]" on violin. The conclusion of the piece features the melody of "[[Dearly Beloved]]", ending on a pensive note. Instrumentation is primarily led by strings and piano, while the introduction uses vocals as well. | ||
*[[Quadratum]]: "[[I've Been Having These Weird Thoughts Lately]]"{{RM}} | *[[Quadratum]]: "[[I've Been Having These Weird Thoughts Lately]]"{{RM}} | ||
| Line 939: | Line 850: | ||
This composition mirrors that of "I've Been Having These Weird Thoughts Lately". The first section has more focus on piano, likewise incorporating parts of "[[Nachtflügel]]". The ending section resolves the melody of "[[Dearly Beloved]]", contributing to a more complete and satisfied tone. | This composition mirrors that of "I've Been Having These Weird Thoughts Lately". The first section has more focus on piano, likewise incorporating parts of "[[Nachtflügel]]". The ending section resolves the melody of "[[Dearly Beloved]]", contributing to a more complete and satisfied tone. | ||
*[[Quadratum]]: "[[Like, Is Any of This for Real or Not?]]"{{RM}} | *[[Quadratum]]: "[[Like, Is Any of This for Real or Not?]]"{{RM}} | ||
Revision as of 00:11, 1 December 2022
The following is a list of music tracks introduced in Kingdom Hearts III and Kingdom Hearts III Re Mind that have not been released on an official album. Many of these tracks are arrangements of existing Kingdom Hearts songs, while others either incorporate elements from previous tracks or are wholly original compositions. As all of these tracks are untitled, the name of the cutscene they first appear in is used to distinguish them. Unless otherwise noted, the arranger of each individual track is unknown.
Gambit
| Gambit |
|---|
This piece is a tranquil piano solo. The first half is an arrangement of "Destiny's Union", while the second half incorporates elements from the melody of "Dearly Beloved". The melody returns to "Destiny's Union" for the track's conclusion.
- Scala ad Caelum: "Gambit"
Prelude to Adventure
First track
| Prelude to Adventure |
|---|
This is a calm arrangement of "Magical Mystery". It led by piano with a constant string backing; instrumentation also includes plucked strings, horns, and bells. This same arrangement appears in the cutscene "A Fresh Start" with an additional dramatic introduction that lasts about 25 seconds.
- The Mysterious Tower: "Prelude to Adventure", "A Fresh Start"
Second track
| Prelude to Adventure |
|---|
The track is a brief arrangement of "Sora", lasting about 25 seconds. While its instrumentation is similar to the original track, this version omits the melody, leaving only the supporting voices.
- The Mysterious Tower: "Prelude to Adventure"
Third track
| Prelude to Adventure |
|---|
This is a calm and playful arrangement of "Sora". The main melody is played by a flute and violin, while other voices include strings, piano, and clarinet.
- The Mysterious Tower: "Prelude to Adventure"
- Gummi Ship: "Heart Within a Heart"
Fourth track
| Prelude to Adventure |
|---|
This arrangement of "Hand in Hand" is brief and triumphant. It is similar in instrumentation to the original version of the track.
- The Mysterious Tower: "Prelude to Adventure"
Return of the Titans
First Track
| Return of the Titans |
|---|
This is a short fanfare that accompanies the world logo of Olympus. It incorporates elements of "Olympus Coliseum".
- Olympus: "Return of the Titans"
Second Track
| Return of the Titans |
|---|
This is a lighter arrangement of "Villains of a Sort". It consists entirely of strings, with plucked notes accenting the main bowed melody.
- Olympus: "Return of the Titans"
Maleficent's Desire
| Maleficent's Desire |
|---|
The first part is an arrangement of "No Time to Think", lasting for shortly over 20 seconds. The remaining 40 seconds of the piece contains an original melody that incorporates parts of "Olympus Coliseum". The track begins frantic and energetic and gradually becomes more triumphant as it approaches the climax.
- Olympus: "Maleficent's Desire"
The Collapsing Building
| The Collapsing Building |
|---|
This track is suspenseful and energetic. The piece incorporates the melodies of "Olympus Coliseum" and "Hand in Hand", both transposed to a minor key. The instrumentation consists of brass, strings, and marching percussion.
- Olympus: "The Collapsing Building"
Xigbar's Admonition
First track
| Xigbar's Admonitio |
|---|
This track is primarily based on "No Time to Think", with similar instrumentation to the original. Brass instruments layer on the melody of "Olympus Coliseum" in a minor key.
Second track
| Xigbar's Admonition |
|---|
This is an arrangement of "Organization XIII". It incorporates parts of the string accompaniment from "Xigbar", itself an arrangement of "Organization XIII". The melody is passed between piano, strings, and a choir section led by a female voice.
- Olympus: "Xigbar's Admonition"
Olympus's Splendor
| Olympus's Splendor |
|---|
The piece is an entirely original composition of about 20 seconds. It is cheerful fanfare led by brass, choir, and strings.
- Olympus: "Olympus's Splendor"
Showdown with the Titans
| Showdown with the Titans |
|---|
This is a medley of "Road to a Hero", "Villains of a Sort", and "Hand in Hand", with an original melody woven throughout. The instrumentation consists of brass, strings, and percussion.
- Olympus: "Showdown with the Titans"
A Sore Loser
| A Sore Loser |
|---|
This first 30 seconds of this track is an arrangement of "The Deep End", while the remainder of the piece switches between an original melody and sections based on "Olympus Coliseum", with a hint of the melody of "Villains of a Sort". Like much of the fanfare in Olympus, this piece is led by brass, strings, and percussion.
- Olympus: "A Sore Loser"
Where He Belongs
| Where He Belongs |
|---|
This is an arrangement of "Olympus Coliseum". It is about a minute long; the first half stays close to the original arrangement, while the second half works the melody into a triumphant conclusion.
- Olympus: "Where He Belongs"
A Fresh Start
First track
| A Fresh Start |
|---|
This is an original composition. It is playful in tone, consisting of a cheerful flute melody and light string support.
- The Mysterious Tower: "A Fresh Start"
Second track
| A Fresh Start |
|---|
This track is an arrangement of "Aqua". Like the original, it is a somber piece. This version has lighter instrumentation, consisting only of piano and strings.
- The Mysterious Tower: "A Fresh Start"
Third track
| A Fresh Start |
|---|
After a brief introduction based on the melody of "Sora", this piece transitions into an original composition. It is a collected piece led by strings and piano.
- The Mysterious Tower: "A Fresh Start"
Fourth track
| A Fresh Start |
|---|
This is an arrangement of "Sora" with certain phrases transposed to a minor key, building tension in an otherwise light and cheerful arrangement. After about 50 seconds, the piece becomes an arrangement of "Link to All". The first part is performed by flute, strings, piano, and percussion, while the second part uses clarinet, strings, and piano.
- The Mysterious Tower: "A Fresh Start"
Heart Within a Heart
| Heart Within a Heart |
|---|
This track is an arrangement of "Shipmeisters' Humoresque", lasting about one minute. It is similar in tone and instrumentation to the original song.
- Gummi Ship: "Heart Within a Heart"
The First of the Xehanorts
First track
| The First of the Xehanorts |
|---|
This is an entirely original composition, about 25 seconds in length. It has a playful introduction and incorporates brass, strings, and cymbals.
- Toy Box: "The First of the Xehanorts"
Second track
| The First of the Xehanorts |
|---|
This track alternates between sections based on "Xehanort" and an original melody. It begins as an unsettling piece before shifting to a more battle-like tone. The ending incorporates the melody of "Sora".
- Toy Box: "The First of the Xehanorts"
Rex Impresses
| Rex Impresses |
|---|
This is a brief arrangement of "No Time to Think", shortly over 20 seconds long. The percussion and string melody pause around halfway through the piece, leaving only a sustained dissonance on the supporting strings, before all instruments return for the track's conclusion.
- Toy Box: "Rex Impresses"
Buzz's Doubts
| Buzz's Doubts |
|---|
This is an original piece, forlorn in nature. Strings are the main focus, supported by piano and muted brass.
- Toy Box: "Buzz's Doubts"
Not Buzz, Too!
| Not Buzz, Too! |
|---|
This track is a new version of "Shaded Truths", arranged by Takeharu Ishimoto. It is similar in style and instrumentation to the original piece.
- Toy Box: "Not Buzz, Too!"
Marluxia's Request
| Marluxia's Request |
|---|
This is an arrangement of "Thirteenth Discretion". It is lighter than the original song, but still mysterious in tone.
- Kingdom of Corona: "Marluxia's Request"
The New Seven Hearts
First track
| The New Seven Hearts |
|---|
The first part of this track is an arrangement of "Drops of Poison", while the second half is a calmer original melody.
- Kingdom of Corona: "The New Seven Hearts"
Second track
| The New Seven Hearts |
|---|
This is an arrangement of "The Nightmare". The first half is restrained, while the second half introduces a percussive beat and a frantic string section. However, only the first portion of the track plays in the cutscene, leaving the rest unused.[1]
- Kingdom of Corona: "The New Seven Hearts"
To the Tower!
First track
| To the Tower! |
|---|
This piece is an original composition. The introduction of the piece is dramatic and incorporates elements of "Happy Hair Day" in a minor key, while the second half is far calmer. After a brief pause, the track concludes with a short phrase based on "Laughter and Merriment".
- Kingdom of Corona: "To the Tower!"
Second track
| To the Tower! |
|---|
This track is an arrangement of "Sora". The accompaniment is played in a higher octave than the original, giving this version of the song a lighthearted feel.
- Kingdom of Corona: "To the Tower!"
Third track
| To the Tower! |
|---|
The introduction of this piece incorporates parts of "Happy Hair Day" in a minor key, while the remainder is an original melody. It is a tense and energetic composition.
- Kingdom of Corona: "To the Tower!"
Doesn't Sound Very Caring
First track
| Doesn't Sound Very Caring |
|---|
This is a fun and jazzy composition which incorporates elements of "Monstropolis Now". Instrumentation consists of piano, saxophone, muted horns, strings, and drum set.
- Monstropolis: "Doesn't Sound Very Caring"
Second track
| Doesn't Sound Very Caring |
|---|
This track is an arrangement of "Laughter and Merriment". It keeps the playful tone and adds a flute countermelody. While the version in the cutscene "Doesn't Sound Very Caring" ends abruptly, leading into a dissonant string note as the conclusion, the song is played in full in "Enter the Black Coat", allowing the brass-led conclusion to be heard.
- Monstropolis: "Doesn't Sound Very Caring", "Enter the Black Coat"
Randall's Revenge
| Randall's Revenge |
|---|
This is a lighter arrangement of "Broken Reality", with similar instrumentation to the original song. While the arrangement loops in the cutscene "Randall's Revenge", the version in "Enter the Black Coat" resolves the tension of the piece with an added conclusion.
- Monstropolis: "Randall's Revenge", "Enter the Black Coat"
A Splash of Color
| A Splash of Color |
|---|
This piece is an arrangement of "Innocent Times". The tone and instrumentation is similar to the original arrangement.
- Monstropolis: "A Splash of Color", "Boo the MVP"
Boo the MVP
| Boo the MVP |
|---|
This track is an original composition with a lighthearted tone. The piece's instrumentation is almost entirely strings, with an occasional clarinet or bell interjection.
- Monstropolis: "Boo the MVP"
Enter the Black Coat
| Enter the Black Coat |
|---|
This track is an arrangement of "Shaded Truths", arranged by Takeharu Ishimoto. It places slightly more emphasis on the driving percussion, but is otherwise similar in instrumentation and feel to the original song.
- Monstropolis: "Enter the Black Coat"
Smell Ya Later
First track
| Smell Ya Later |
|---|
This is a short original composition, about 25 seconds in length. The piece is generally playful, with strings, flute, clarinet, and mallet percussion; brass joins the instrumentation for the dramatic conclusion.
- Monstropolis: "Smell Ya Later"
Second track
| Smell Ya Later |
|---|
This track is an original composition that loosely incorporates elements of "Monstropolis Now". The first portion of the piece has the melody played on strings and flute over a plucked string foundation, with brass and percussion joining for a triumphant ending.
- Monstropolis: "Smell Ya Later"
Third track
| Smell Ya Later |
|---|
This is a short upbeat track, about 20 seconds long. Instrumentation consists of flute, strings, and trombone.
- Monstropolis: "Smell Ya Later"
Extermination Complete
| Extermination Complete |
|---|
This track is an arrangement of "Monstropolis Now". The first half is lighter in instrumentation, creating a carefree tone, while the second half adds brass to the strings, piano, and woodwinds of the first section to create an exultant finale.
- Monstropolis: "Extermination Complete"
The Ice Palace
| The Ice Palace |
|---|
This track is an arrangement of "Shaded Truths", arranged by Takeharu Ishimoto. The track begins with an unsettling tone, like the original, but becomes more and more frantic as the piece approaches the conclusion.
- Arendelle: "The Ice Palace"
Thirteen Darknesses
| Thirteen Darknesses |
|---|
This is an original composition which incorporates elements of "Frozen Wonderland". It begins somber, with a solo piano over strings, before adding flute, clarinet, bells, chimes, and eventually brass and cymbals for the piece's ending.
- Arendelle: "Thirteen Darknesses"
An Unexpected Encounter
| An Unexpected Encounter |
|---|
This track is an arrangement of "The Deep End". It begins with piano, strings, and metronomic percussion, building up suspense until the full instrumentation kicks in with a battle-like feel closer to the original piece.
- Realm of Darkness: "An Unexpected Encounter"
100 Acre Wood Mini-games
| 100 Acre Wood Mini-games |
|---|
Uniquely, this unnamed track does not appear in a cutscene, but rather in mini-games. It is a fast-paced and energetic piece that plays when time is low. Instrumentation consists of a full array of strings, along with flute, tambourine, and mallet percussion.
The Organization's Origins
| The Organization's Origins |
|---|
This piece is an arrangement of "Organization XIII". It is similar in tone to the original track, while the vocal line of the original has been replaced with strings.
- Keyblade Graveyard: "The Organization's Origins"
Running Out of Sea
| Running Out of Sea |
|---|
The first part of this track is an arrangement of "No Time to Think", with emphasis placed on the low brass and percussive hits. After about 12 seconds, this section gives way to the theme that accompanies the world logo of The Caribbean, which incorporates elements of "Hearts of Courage".
- The Caribbean: "Running Out of Sea"
The Dead Man's Chest
| The Dead Man's Chest |
|---|
This is an arrangement of "Drops of Poison". While the supporting instruments are much softer compared to the original, reducing the dissonance of the track, it retains the unsettling tone of the original arrangement.
- The Caribbean: "The Dead Man's Chest"
That's Desertion!
| That's Desertion! |
|---|
This is a brief track, about 25 second long. The first half is triumphant and similar in composition and instrumentation to "The Victorious", while the second half is more quiet and mysterious.
- The Caribbean: "That's Desertion!"
An Arrangement
| An Arrangement |
|---|
| No proper recording of this track exists. |
This is an original ambient arrangement. The instrumentation consists solely of strings.
- The Caribbean: "An Arrangement"
Parley with Luxord
| Parley with Luxord |
|---|
This piece is an arrangement of "Strange Whispers". It alternates twice between a soft section with strings and a louder section which features brass and male choir, with the second half adding piano to both sections.
- The Caribbean: "Parley with Luxord"
Atonement
| Atonement |
|---|
This is an energetic arrangement of "Apprehension". The melody is played by strings over light percussion and a new rhythmic string foundation. Brass accents and cymbals are added as the piece climaxes.
- Twilight Town: "Atonement"
The AR Device
| The AR Device |
|---|
This is a very short theme based on the melody of "Sora", lasting only about five seconds.
- San Fransokyo: "The AR Device"
Finding an Edge
| Finding an Edge |
|---|
This is an arrangement "Sora" with electronic touches. It is very similar in composition to "Hero Upgrade", which plays immediately following this theme.
- San Fransokyo: "Finding an Edge"
Upgraded
First Track
| Upgraded |
|---|
This piece is an arrangement of "Road to a Hero". It has significantly less percussion than the original and adds electronic flourishes to the piece.
- San Fransokyo: "Upgraded"
Second Track
| Upgraded |
|---|
This is a subdued arrangement of "Strange Whispers". Instrumentation primarily consists of piano and synth, giving an almost muffled feel.
- San Fransokyo: "Upgraded"
Making Up the Difference
| Making Up the Difference |
|---|
This track is an arrangement of "Distant from You...". It shares an identical piano line to the first part of "Baymax Rebooted", which is also an arrangement of "Distant from You...", but differs from that piece in where the string, flute, and clarinet parts accompany the piano.
- San Fransokyo: "Making Up the Difference"
Enter the Supervillain
| Enter the Supervillain |
|---|
This is a haunting arrangement of "Strange Whispers". An added guitar, a distant vocal line, and the gradual growth of an electronic beat make this piece mysterious and unnerving.
- San Fransokyo: "Enter the Supervillain"
A Riku From the Past?
| A Riku From the Past? |
|---|
This piece is an arrangement of "Xehanort -The Early Years-". The melody is played on strings, while the electronic feel of the original backing has been toned down.
- San Fransokyo: "A Riku From the Past?"
Braving the Darkness
| Braving the Darkness |
|---|
This track begins as an arrangement of "Sora" before shifting to the melody of "Dearly Beloved" about halfway through. Overall, the piece has a hopeful and relieved tone.
- Realm of Darkness: "Braving the Darkness"
An End to Slumber
| An End to Slumber |
|---|
This piece is an arrangement of "Ventus". The arrangement maintains the wistful tone of the original, adding two grand crescendos near the finale.
- Land of Departure: "An End to Slumber"
A World of Only Hearts
| A World of Only Hearts |
|---|
This is an arrangement of "Dream Eaters". It is slightly slower than the original and has a far fuller sound, with instrumentation consisting of strings and choir.
- The Final World: "A World of Only Hearts", "As The Heart Commands"[KH III RM]
A Corridor of Light
| A Corridor of Light |
|---|
This piece features and original melody, while using the melody of "Magical Mystery" as a backing rhythm. The use of horns gives this track a grand feel. The conclusion of the piece incorporates the melody of "Hand in Hand".
- Keyblade Graveyard: "A Corridor of Light"
A Vain Promise
| A Vain Promise |
|---|
This is an arrangement of "Organization XIII". It is notably slower than the original version. The melody is played on piano, accompanied by strings and occasional notes from a bell set.
- Keyblade Graveyard: "A Vain Promise", "Past Redux: A Vain Promise"[KH III RM]
The Gambler's Lot
| The Gambler's Lot |
|---|
This is an arrangement of "Organization XIII". The melody is played by strings and clarinet in addition to piano, while the piece incorporates many unique flourishes. The arrangement frequently shifts to a major key, giving this version a far more peaceful feel.
- Keyblade Graveyard: "The Gambler's Lot", "Past Redux: The Gambler's Lot"[KH III RM]
An Unspoken Secret
| An Unspoken Secret |
|---|
This is an arrangement of "Organization XIII". Flute, bells, and harp join the piano and strings, with extra piano notes filling out the piece. While not upbeat, this arrangement is far less sinister than the original.
- Keyblade Graveyard: "An Unspoken Secret", "Past Redux: An Unspoken Secret"[KH III RM]
Reclaiming His Identity
| Reclaiming His Identity |
|---|
This is an arrangement of "Organization XIII". It is characterized by light strings, wind chimes, and harp, with instrumentation also including flute, clarinet, and piano. This arrangement is calm and peaceful.
- Keyblade Graveyard: "Reclaiming His Identity", "Past Redux: Reclaiming His Identity"[KH III RM]
From Chains to Bonds
First track
| From Chains to Bonds |
|---|
This piece is a frantic arrangement of "Dismiss". A steady percussion beat drives the track forward, with the vocal line becoming far more prominent as well.
- Keyblade Graveyard: "From Chains to Bonds", "Terra's Heart"[KH III RM]
Second track
| From Chains to Bonds |
|---|
This track is a dramatic arrangement of "Terra". Although the instrumentation is generally similar to the original, this arrangement has a grander feel, with a choir joining in for the finale. After the climax of the piece, the final phrase incorporates the melody of "Dearly Beloved".
- Keyblade Graveyard: "From Chains to Bonds", "Terra's Heart"[KH III RM]
The Last Light
First track
| The Last Light |
|---|
The first section of this composition incorporates elements of "Organization XIII" and the first movement of "Darkness of the Unknown". This part is an intense battle theme, with strings, brass, piano, and percussion. The latter half of the track has a forlorn feel, with flute and clarinet replacing the brass and percussion of the first half.
- Keyblade Graveyard: "The Last Light", "Roxas's Heart"[KH III RM]
Second track
| The Last Light |
|---|
This track is an arrangement of "Musique pour la tristesse de Xion" with elements of "Organization XIII". It is a flowing piece led by flute, clarinet, strings, and piano.
- Keyblade Graveyard: "The Last Light", "Roxas's Heart"[KH III RM]
More to Seek
| More to Seek |
|---|
This is an arrangement of "Organization XIII". While initially dark, the tone of the piece becomes calmer – almost sad – as the track progresses.
- Keyblade Graveyard: "More to Seek", "Journey's End"[KH III RM]
A First Surge of Emotion
| A First Surge of Emotion |
|---|
This is an arrangement of "Organization XIII". It has a distorted feel throughout, and the first section accentuates this tone by playing primarily in the lower register.
- Keyblade Graveyard: "A First Surge of Emotion", "The Power Within"[KH III RM]
Good-bye, Sora
| Good-bye, Sora |
|---|
This track is an arrangement of "Xehanort". There is constant natural percussion moving the piece forward, and the melody is played in a higher register. Increasingly frantic orchestra hits signal the piece's conclusion.
- Keyblade Graveyard: "Good-bye, Sora", "Good-bye, Sora"[KH III RM]
Kingdom Hearts
First track
| Kingdom Hearts |
|---|
This is an original arrangement based on various elements of "Destati". The piece incorporates a few notes from "Kairi", which lead into a moment of calm before the piece crescendos back into the climactic "Destati" introduction on strings and organ.
- Keyblade Graveyard: "Kingdom Hearts"[2], "Kairi's Whereabouts"[KH III RM]
Second track
| Kingdom Hearts |
|---|
This piece is an initially delicate arrangement of "The Key of Darkness". As the piece progresses, the string section is joined by organ, percussion, choir, and brass for a foreboding conclusion.
- Keyblade Graveyard: "Kingdom Hearts"[3], "Kairi's Whereabouts"[KH III RM]
Third track
| Kingdom Hearts |
|---|
This track begins with a piano phrase which uses the melody of "Musique pour la tristesse de Xion". The piece then transitions into an arrangement of "Always on My Mind", followed by an original melody, and finally a triumphant conclusion based on "Dearly Beloved".
- Keyblade Graveyard: "Kingdom Hearts", "Kairi's Whereabouts"[KH III RM]
The Plan
| The Plan |
|---|
This is primarily an arrangement of "Organization XIII", although the introduction is based on "Destati". Certain portions of the track incorporate a string rhythm similar to that of the "Organization XIII" arrangement introduced in the cutscene "Xigbar's Admonition". Instrumentation consists of piano, strings, and choir.
- Keyblade Graveyard: "The Plan"[KH III RM]
Long Awaited Showdown
| Long Awaited Showdown |
|---|
The introduction to this track is an original composition that features piano, strings, timpani, and low woodwinds. About 45 seconds into the piece, the piano line begins to incorporate elements of the first movement of "Darkness of the Unknown", the melody of which is picked up by an organ shortly thereafter. The next section of the piece is based on "Organization XIII". The piece ends with a tension-building sting from the string section.
- Keyblade Graveyard: "Long Awaited Showdown"[KH III RM]
Roxas's Heart
| Roxas's Heart |
|---|
This track is a sorrowful composition that grows more hopeful as it progresses. The piece features the melodies of "Organization XIII", "Kairi" and "Dearly Beloved".
- Keyblade Graveyard: "Roxas's Heart"[KH III RM]
The Final Key
First track
| The Final Key |
|---|
This piece begins with the melody of "Musique pour la tristesse de Xion" before shifting into a section based on "Roxas". It maintains the wistful tone of both original songs.
- Keyblade Graveyard: "The Final Key"[KH III RM]
Second Track
| The Final Key |
|---|
The introduction of this piece is based on an original section of the track from the cutscene "Long Awaited Showdown", about 20 seconds long. After the introduction, the piece builds on the melody of the first movement of "Darkness of the Unknown", incorporating parts of "Organization XIII" as well. This section builds up until a sudden pause about halfway through the track. The next section is a darker arrangement which uses elements of "Sora", dipping into a somber tone before the conclusion.
- Keyblade Graveyard: "The Final Key"[KH III RM]
The Sigil
First track
| The Sigil |
|---|
This is a short composition, about 25 seconds long. It is a strong arrangement of "Roxas" that gradually crescendos to the climax at the end of the piece, which subtly incorporates elements of "Organization XIII" in a similar manner to "Hearts as One".
- Keyblade Graveyard: "The Sigil"[KH III RM]
Second track
| The Sigil |
|---|
This track is an original composition that incorporates elements of many different tracks: "Kairi", "Roxas", "Sora", "Organization XIII", and "Musique pour la tristesse de Xion". It is a flowing piece that features piano, strings, flute, clarinet, and various percussion instruments.
- Keyblade Graveyard: "The Sigil"[KH III RM]
Battle of the Guardians
| Battle of the Guardians |
|---|
This is a tense and ominous piece that centers around the descending pattern of "Replicas". It is led by strings, with brass and percussion joining in as the piece crescendos.
- Keyblade Graveyard: "Battle of the Guardians"[KH III RM]
Sora and Kairi
| Sora and Kairi |
|---|
The first part of this track has an ethereal feel, with synth, wind chimes, piano, and light strings. The second half, based on "Destati", is significantly faster and more aggressive. Strings and horns push the piece forward, with percussion joining at the end.
- Scala ad Caelum: "Sora and Kairi"[KH III RM]
Connecting Hearts
First track
| Connecting Hearts |
|---|
This track begins with a section based on "Guardians of Light". The piece then accelerates, transitioning into a section based on "Dearly Beloved" before slowing down once more for the finale. Overall, it is an light and excited composition.
- Scala ad Caelum: "Connecting Hearts"[KH III RM]
Second track
| Connecting Hearts |
|---|
This is a conclusive arrangement of "Link to All" with an emphasis on brass fanfare.
- Scala ad Caelum: "Connecting Hearts"[KH III RM]
Sora and Yozora
| Sora and Yozora |
|---|
This is an original composition with a calm, almost weightless feel. Following an introduction led by a female voice, the piece has a lot of emptiness. There is a soft piano melody which loosely quotes the melody of "Sora". The conclusion of the piece has a fuller sound, adding bursts of energy to an otherwise serene track.
- The Final World: "Sora and Yozora"[KH III RM]
I've Been Having These Weird Thoughts Lately
| I've Been Having These Weird Thoughts Lately |
|---|
| No proper recording of this track exists. |
This is a solemn composition that incorporates elements of "Nachtflügel" on violin. The conclusion of the piece features the melody of "Dearly Beloved", ending on a pensive note. Instrumentation is primarily led by strings and piano, while the introduction uses vocals as well.
Like, Is Any of This for Real or Not?
| Like, Is Any of This for Real or Not? |
|---|
| No proper recording of this track exists. |
This composition mirrors that of "I've Been Having These Weird Thoughts Lately". The first section has more focus on piano, likewise incorporating parts of "Nachtflügel". The ending section resolves the melody of "Dearly Beloved", contributing to a more complete and satisfied tone.
Notes and references
- ^ See Removed content for more information.
- ^ Originally "Missing You" prior to the 1.07 update.
- ^ Originally the Kingdom Hearts Birth by Sleep version of "The Key of Darkness" prior to the 1.07 update.
