Kingdom Hearts III
Kingdom Hearts III Re Mind

List of unnamed tracks (KHIII): Difference between revisions

From the Kingdom Hearts Wiki, the Kingdom Hearts encyclopedia
Jump to navigationJump to search
No edit summary
No edit summary
Line 6: Line 6:


Why new arrangements aren't on the original tracks' pages instead: Tracks like "Chains to Bonds" and "Return of the Titans" are simply new arrangements, but they are separate entities on the wiki. Also, this page is for unnamed tracks, and these arrangements are unnamed.
Why new arrangements aren't on the original tracks' pages instead: Tracks like "Chains to Bonds" and "Return of the Titans" are simply new arrangements, but they are separate entities on the wiki. Also, this page is for unnamed tracks, and these arrangements are unnamed.
The placeholder file naming scheme is "Untitled {Cutscene Name} KHIII.ogg" (using only the cutscene name causes conflicts, e.g. "Return of the Titans").
Maybe "Untitled track {Cutscene Name} KHIII.ogg" is better? Or "{Cutscene Name} untitled track KHIII.ogg", or "{Cutscene Name} (Untitled) KHIII.ogg"?


Most arrangers are unknown, but Takeharu Ishimoto signed all of their arrangements with a "_M" in the file name.
Most arrangers are unknown, but Takeharu Ishimoto signed all of their arrangements with a "_M" in the file name.
Line 19: Line 16:
{{Listen
{{Listen
  |songname=Gambit
  |songname=Gambit
  |filename=Chains to Bonds KHIII.ogg<!--(TEST ONLY) – Unnamed Gambit KHIII.ogg-->
  |filename=Chains to Bonds KHIII.ogg<!--(TEST ONLY) – Unnamed track (Gambit) 01 KHIII.ogg-->
}}
}}
This piece is a tranquil piano solo. The first half is an arrangement of "[[Destiny's Union]]", while the second half incorporates elements from the melody of "[[Dearly Beloved]]". The melody returns to "Destiny's Union" for the track's conclusion.
This piece is a tranquil piano solo. The first half is an arrangement of "[[Destiny's Union]]", while the second half incorporates elements from the melody of "[[Dearly Beloved]]". The melody returns to "Destiny's Union" for the track's conclusion.
Line 30: Line 27:
{{Listen
{{Listen
  |songname=Prelude to Adventure
  |songname=Prelude to Adventure
  |filename=Unnamed Prelude to Adventure 04 KHIII.ogg
  |filename=Unnamed track (Prelude to Adventure) 01 KHIII.ogg
}}
}}
This is a calm arrangement of "[[Magical Mystery]]". It led by piano with a constant string backing; instrumentation also includes plucked strings, horns, and bells. This same arrangement appears in the cutscene "A Fresh Start" with an additional dramatic introduction that lasts about 25 seconds.
This is a calm arrangement of "[[Magical Mystery]]". It led by piano with a constant string backing; instrumentation also includes plucked strings, horns, and bells. This same arrangement appears in the cutscene "A Fresh Start" with an additional dramatic introduction that lasts about 25 seconds.
Line 40: Line 37:
{{Listen
{{Listen
  |songname=Prelude to Adventure
  |songname=Prelude to Adventure
  |filename=Unnamed Prelude to Adventure 02 KHIII.ogg
  |filename=Unnamed track (Prelude to Adventure) 02 KHIII.ogg
}}
}}
The track is a brief arrangement of "{{c|Sora|track}}", lasting about 25 seconds. While its instrumentation is similar to the original track, this version omits the melody, leaving only the supporting voices.
The track is a brief arrangement of "{{c|Sora|track}}", lasting about 25 seconds. While its instrumentation is similar to the original track, this version omits the melody, leaving only the supporting voices.
Line 50: Line 47:
{{Listen
{{Listen
  |songname=Prelude to Adventure
  |songname=Prelude to Adventure
  |filename=Unnamed Prelude to Adventure 03 KHIII.ogg
  |filename=Unnamed track (Prelude to Adventure) 03 KHIII.ogg
}}
}}
This is a calm and playful arrangement of "{{c|Sora|track}}". The main melody is played by a flute and violin, while other voices include strings, piano, and clarinet.
This is a calm and playful arrangement of "{{c|Sora|track}}". The main melody is played by a flute and violin, while other voices include strings, piano, and clarinet.
Line 61: Line 58:
{{Listen
{{Listen
  |songname=Prelude to Adventure
  |songname=Prelude to Adventure
  |filename=Unnamed Prelude to Adventure 04 KHIII.ogg
  |filename=Unnamed track (Prelude to Adventure) 04 KHIII.ogg
}}
}}
This arrangement of "[[Hand in Hand]]" is brief and triumphant. It is similar in instrumentation to the original version of the track.
This arrangement of "[[Hand in Hand]]" is brief and triumphant. It is similar in instrumentation to the original version of the track.
Line 73: Line 70:
{{Listen
{{Listen
  |songname=Return of the Titans
  |songname=Return of the Titans
  |filename=Unnamed Return of the Titans 01 KHIII.ogg
  |filename=Unnamed track (Return of the Titans) 01 KHIII.ogg
}}
}}
This is a short fanfare that accompanies the world logo of [[Olympus]]. It incorporates elements of "{{c|Olympus Coliseum|track}}".
This is a short fanfare that accompanies the world logo of [[Olympus]]. It incorporates elements of "{{c|Olympus Coliseum|track}}".
Line 83: Line 80:
{{Listen
{{Listen
  |songname=Return of the Titans
  |songname=Return of the Titans
  |filename=Unnamed Return of the Titans 02 KHIII.ogg
  |filename=Unnamed track (Return of the Titans) 02 KHIII.ogg
}}
}}
This is a lighter arrangement of "[[Villains of a Sort]]". It consists entirely of strings, with plucked notes accenting the main bowed melody.
This is a lighter arrangement of "[[Villains of a Sort]]". It consists entirely of strings, with plucked notes accenting the main bowed melody.
Line 93: Line 90:
{{Listen
{{Listen
  |songname=Maleficent's Desire
  |songname=Maleficent's Desire
  |filename=Unnamed Maleficent's Desire KHIII.ogg
  |filename=Unnamed track (Maleficent's Desire) 01 KHIII.ogg
}}
}}
The first part is an arrangement of "[[No Time to Think]]", lasting for shortly over 20 seconds. The remaining 40 seconds of the piece contains an original melody that incorporates parts of "{{c|Olympus Coliseum|track}}". The track begins frantic and energetic and gradually becomes more triumphant as it approaches the climax.
The first part is an arrangement of "[[No Time to Think]]", lasting for shortly over 20 seconds. The remaining 40 seconds of the piece contains an original melody that incorporates parts of "{{c|Olympus Coliseum|track}}". The track begins frantic and energetic and gradually becomes more triumphant as it approaches the climax.
Line 103: Line 100:
{{Listen
{{Listen
  |songname=The Collapsing Building
  |songname=The Collapsing Building
  |filename=Unnamed The Collapsing Building KHIII.ogg
  |filename=Unnamed track (The Collapsing Building) 01 KHIII.ogg
}}
}}
This track is suspenseful and energetic. The piece incorporates the melodies of "{{c|Olympus Coliseum|track}}" and "[[Hand in Hand]]", both transposed to a minor key. The instrumentation consists of brass, strings, and marching percussion.
This track is suspenseful and energetic. The piece incorporates the melodies of "{{c|Olympus Coliseum|track}}" and "[[Hand in Hand]]", both transposed to a minor key. The instrumentation consists of brass, strings, and marching percussion.
Line 114: Line 111:
{{Listen
{{Listen
  |songname=Xigbar's Admonition
  |songname=Xigbar's Admonition
  |filename=Unnamed Xigbar's Admonition 01 KHIII.ogg
  |filename=Unnamed track (Xigbar's Admonition) 01 KHIII.ogg
}}
}}
This track is primarily based on "[[No Time to Think]]", with similar instrumentation to the original. Brass instruments layer on the melody of "{{c|Olympus Coliseum|track}}" in a minor key.
This track is primarily based on "[[No Time to Think]]", with similar instrumentation to the original. Brass instruments layer on the melody of "{{c|Olympus Coliseum|track}}" in a minor key.
Line 124: Line 121:
{{Listen
{{Listen
  |songname=Xigbar's Admonition
  |songname=Xigbar's Admonition
  |filename=Unnamed Xigbar's Admonition 02 KHIII.ogg
  |filename=Unnamed track (Xigbar's Admonition) 02 KHIII.ogg
}}
}}
This is an arrangement of "{{c|Organization XIII|track}}". It incorporates parts of the string accompaniment from "{{c|Xigbar|track}}", itself an arrangement of "Organization XIII". The melody is passed between piano, strings, and a choir section led by a female voice.
This is an arrangement of "{{c|Organization XIII|track}}". It incorporates parts of the string accompaniment from "{{c|Xigbar|track}}", itself an arrangement of "Organization XIII". The melody is passed between piano, strings, and a choir section led by a female voice.
Line 134: Line 131:
{{Listen
{{Listen
  |songname=Olympus's Splendor
  |songname=Olympus's Splendor
  |filename=Unnamed Olympus's Splendor KHIII.ogg
  |filename=Unnamed track (Olympus's Splendor) 01 KHIII.ogg
}}
}}
The piece is an entirely original composition of about 20 seconds. It is cheerful fanfare led by brass, choir, and strings.
The piece is an entirely original composition of about 20 seconds. It is cheerful fanfare led by brass, choir, and strings.
Line 144: Line 141:
{{Listen
{{Listen
  |songname=Showdown with the Titans
  |songname=Showdown with the Titans
  |filename=Unnamed Showdown with the Titans KHIII.ogg
  |filename=Unnamed track (Showdown with the Titans) 01 KHIII.ogg
}}
}}
This is a medley of "[[Road to a Hero]]", "[[Villains of a Sort]]", and "[[Hand in Hand]]", with an original melody woven throughout. The instrumentation consists of brass, strings, and percussion.  
This is a medley of "[[Road to a Hero]]", "[[Villains of a Sort]]", and "[[Hand in Hand]]", with an original melody woven throughout. The instrumentation consists of brass, strings, and percussion.  
Line 154: Line 151:
{{Listen
{{Listen
  |songname=A Sore Loser
  |songname=A Sore Loser
  |filename=Unnamed A Sore Loser KHIII.ogg
  |filename=Unnamed track (A Sore Loser) 01 KHIII.ogg
}}
}}
This first 30 seconds of this track is an arrangement of "[[The Deep End]]", while the remainder of the piece switches between an original melody and sections based on "{{c|Olympus Coliseum|track}}", with a hint of the melody of "[[Villains of a Sort]]". Like much of the fanfare in Olympus, this piece is led by brass, strings, and percussion.
This first 30 seconds of this track is an arrangement of "[[The Deep End]]", while the remainder of the piece switches between an original melody and sections based on "{{c|Olympus Coliseum|track}}", with a hint of the melody of "[[Villains of a Sort]]". Like much of the fanfare in Olympus, this piece is led by brass, strings, and percussion.
Line 164: Line 161:
{{Listen
{{Listen
  |songname=Where He Belongs
  |songname=Where He Belongs
  |filename=Unnamed Where He Belongs KHIII.ogg
  |filename=Unnamed track (Where He Belongs) 01 KHIII.ogg
}}
}}
This is an arrangement of "{{c|Olympus Coliseum|track}}". It is about a minute long; the first half stays close to the original arrangement, while the second half works the melody into a triumphant conclusion.
This is an arrangement of "{{c|Olympus Coliseum|track}}". It is about a minute long; the first half stays close to the original arrangement, while the second half works the melody into a triumphant conclusion.
Line 175: Line 172:
{{Listen
{{Listen
  |songname=A Fresh Start
  |songname=A Fresh Start
  |filename=Unnamed A Fresh Start KHIII.ogg
  |filename=Unnamed track (A Fresh Start) 01 KHIII.ogg
}}
}}
This is an original composition. It is playful in tone, consisting of a cheerful flute melody and light string support.
This is an original composition. It is playful in tone, consisting of a cheerful flute melody and light string support.
Line 185: Line 182:
{{Listen
{{Listen
  |songname=A Fresh Start
  |songname=A Fresh Start
  |filename=Unnamed A Fresh Start 02 KHIII.ogg
  |filename=Unnamed track (A Fresh Start) 02 KHIII.ogg
}}
}}
This track is an arrangement of "{{c|Aqua|track}}". Like the original, it is a somber piece. This version has lighter instrumentation, consisting only of piano and strings.
This track is an arrangement of "{{c|Aqua|track}}". Like the original, it is a somber piece. This version has lighter instrumentation, consisting only of piano and strings.
Line 195: Line 192:
{{Listen
{{Listen
  |songname=A Fresh Start
  |songname=A Fresh Start
  |filename=Unnamed A Fresh Start 03 KHIII.ogg
  |filename=Unnamed track (A Fresh Start) 03 KHIII.ogg
}}
}}
After a brief introduction based on the melody of "{{c|Sora|track}}", this piece transitions into an original composition. It is a collected piece led by strings and piano.
After a brief introduction based on the melody of "{{c|Sora|track}}", this piece transitions into an original composition. It is a collected piece led by strings and piano.
Line 205: Line 202:
{{Listen
{{Listen
  |songname=A Fresh Start
  |songname=A Fresh Start
  |filename=Unnamed A Fresh Start 04 KHIII.ogg
  |filename=Unnamed track (A Fresh Start) 04 KHIII.ogg
}}
}}
This is an arrangement of "{{c|Sora|track}}" with certain phrases transposed to a minor key, building tension in an otherwise light and cheerful arrangement. After about 50 seconds, the piece becomes an arrangement of "[[Link to All]]". The first part is performed by flute, strings, piano, and percussion, while the second part uses clarinet, strings, and piano.
This is an arrangement of "{{c|Sora|track}}" with certain phrases transposed to a minor key, building tension in an otherwise light and cheerful arrangement. After about 50 seconds, the piece becomes an arrangement of "[[Link to All]]". The first part is performed by flute, strings, piano, and percussion, while the second part uses clarinet, strings, and piano.
Line 215: Line 212:
{{Listen
{{Listen
  |songname=Heart Within a Heart
  |songname=Heart Within a Heart
  |filename=Unnamed Heart Within a Heart KHIII.ogg
  |filename=Unnamed track (Heart Within a Heart) 01 KHIII.ogg
}}
}}
This track is an arrangement of "[[Shipmeisters' Humoresque]]", lasting about one minute. It is similar in tone and instrumentation to the original song.
This track is an arrangement of "[[Shipmeisters' Humoresque]]", lasting about one minute. It is similar in tone and instrumentation to the original song.
Line 226: Line 223:
{{Listen
{{Listen
  |songname=The First of the Xehanorts
  |songname=The First of the Xehanorts
  |filename=Unnamed The First of the Xehanorts 01 KHIII.ogg
  |filename=Unnamed track (The First of the Xehanorts) 01 KHIII.ogg
}}
}}
This is an entirely original composition, about 25 seconds in length. It has a playful introduction and incorporates brass, strings, and cymbals.
This is an entirely original composition, about 25 seconds in length. It has a playful introduction and incorporates brass, strings, and cymbals.
Line 236: Line 233:
{{Listen
{{Listen
  |songname=The First of the Xehanorts
  |songname=The First of the Xehanorts
  |filename=Unnamed The First of the Xehanorts 02 KHIII.ogg
  |filename=Unnamed track (The First of the Xehanorts) 02 KHIII.ogg
}}
}}
This track alternates between sections based on "{{c|Xehanort|track}}" and an original melody. It begins as an unsettling piece before shifting to a more battle-like tone. The ending incorporates the melody of "{{c|Sora|track}}".
This track alternates between sections based on "{{c|Xehanort|track}}" and an original melody. It begins as an unsettling piece before shifting to a more battle-like tone. The ending incorporates the melody of "{{c|Sora|track}}".
Line 246: Line 243:
{{Listen
{{Listen
  |songname=Rex Impresses
  |songname=Rex Impresses
  |filename=Unnamed Rex Impresses KHIII.ogg
  |filename=Unnamed track (Rex Impresses) 01 KHIII.ogg
}}
}}
This is a brief arrangement of "[[No Time to Think]]", shortly over 20 seconds long. The percussion and string melody pause around halfway through the piece, leaving only a sustained dissonance on the supporting strings, before all instruments return for the track's conclusion.
This is a brief arrangement of "[[No Time to Think]]", shortly over 20 seconds long. The percussion and string melody pause around halfway through the piece, leaving only a sustained dissonance on the supporting strings, before all instruments return for the track's conclusion.
Line 256: Line 253:
{{Listen
{{Listen
  |songname=Buzz's Doubts
  |songname=Buzz's Doubts
  |filename=Unnamed Buzz's Doubts KHIII.ogg
  |filename=Unnamed track (Buzz's Doubts) 01 KHIII.ogg
}}
}}
This is an original piece, forlorn in nature. Strings are the main focus, supported by piano and muted brass.
This is an original piece, forlorn in nature. Strings are the main focus, supported by piano and muted brass.
Line 266: Line 263:
{{Listen
{{Listen
  |songname=Not Buzz, Too!
  |songname=Not Buzz, Too!
  |filename=Unnamed Not Buzz, Too! KHIII.ogg
  |filename=Unnamed track (Not Buzz, Too!) 01 KHIII.ogg
}}
}}
This track is a new version of "[[Shaded Truths]]", arranged by Takeharu Ishimoto. It is similar in style and instrumentation to the original piece.
This track is a new version of "[[Shaded Truths]]", arranged by Takeharu Ishimoto. It is similar in style and instrumentation to the original piece.
Line 276: Line 273:
{{Listen
{{Listen
  |songname=Marluxia's Request
  |songname=Marluxia's Request
  |filename=Unnamed Marluxia's Request KHIII.ogg
  |filename=Unnamed track (Marluxia's Request) 01 KHIII.ogg
}}
}}
This is an arrangement of "[[Thirteenth Discretion]]". It is lighter than the original song, but still mysterious in tone.
This is an arrangement of "[[Thirteenth Discretion]]". It is lighter than the original song, but still mysterious in tone.
Line 284: Line 281:


==The New Seven Hearts==
==The New Seven Hearts==
===First track===
{{Listen
{{Listen
  |songname=The New Seven Hearts
  |songname=The New Seven Hearts
  |filename=Unnamed The New Seven Hearts KHIII.ogg
  |filename=Unnamed track (The New Seven Hearts) 01 KHIII.ogg
}}
}}
The first part of this track is an arrangement of "[[Drops of Poison]]", while the second half is a calmer original melody.
The first part of this track is an arrangement of "[[Drops of Poison]]", while the second half is a calmer original melody.
;Appearances
*[[Kingdom of Corona]]: "The New Seven Hearts"
===Second track===
{{Listen
|songname=The New Seven Hearts
|filename=Unnamed track (The New Seven Hearts) 02 KHIII.ogg
}}
This is an arrangement of "[[The Nightmare]]". The first half is restrained, while the second half introduces a percussive beat and a frantic string section. However, only the first portion of the track plays in the cutscene, leaving the rest unused.


;Appearances
;Appearances
Line 297: Line 305:
{{Listen
{{Listen
  |songname=To the Tower!
  |songname=To the Tower!
  |filename=Unnamed To the Tower! 01 KHIII.ogg
  |filename=Unnamed track (To the Tower!) 01 KHIII.ogg
}}
}}
This piece is an original composition. The introduction of the piece is dramatic and incorporates elements of "[[Happy Hair Day]]" in a minor key, while the second half is far calmer. After a brief pause, the track concludes with a short phrase based on "[[Laughter and Merriment]]".
This piece is an original composition. The introduction of the piece is dramatic and incorporates elements of "[[Happy Hair Day]]" in a minor key, while the second half is far calmer. After a brief pause, the track concludes with a short phrase based on "[[Laughter and Merriment]]".
Line 307: Line 315:
{{Listen
{{Listen
  |songname=To the Tower!
  |songname=To the Tower!
  |filename=Unnamed To the Tower! 02 KHIII.ogg
  |filename=Unnamed track (To the Tower!) 02 KHIII.ogg
}}
}}
This track is an arrangement of "{{c|Sora|track}}". The accompaniment is played in a higher octave than the original, giving this version of the song a lighthearted feel.
This track is an arrangement of "{{c|Sora|track}}". The accompaniment is played in a higher octave than the original, giving this version of the song a lighthearted feel.
Line 317: Line 325:
{{Listen
{{Listen
  |songname=To the Tower!
  |songname=To the Tower!
  |filename=Unnamed To the Tower! 03 KHIII.ogg
  |filename=Unnamed track (To the Tower!) 03 KHIII.ogg
}}
}}
The introduction of this piece incorporates parts of "[[Happy Hair Day]]" in a minor key, while the remainder is an original melody. It is a tense and energetic composition.
The introduction of this piece incorporates parts of "[[Happy Hair Day]]" in a minor key, while the remainder is an original melody. It is a tense and energetic composition.
Line 328: Line 336:
{{Listen
{{Listen
  |songname=Doesn't Sound Very Caring
  |songname=Doesn't Sound Very Caring
  |filename=Unnamed Doesn't Sound Very Caring 01 KHIII.ogg
  |filename=Unnamed track (Doesn't Sound Very Caring) 01 KHIII.ogg
}}
}}
This is a fun and jazzy composition which incorporates elements of "[[Monstropolis Now]]". Instrumentation consists of piano, saxophone, muted horns, strings, and drum set.
This is a fun and jazzy composition which incorporates elements of "[[Monstropolis Now]]". Instrumentation consists of piano, saxophone, muted horns, strings, and drum set.
Line 338: Line 346:
{{Listen
{{Listen
  |songname=Doesn't Sound Very Caring
  |songname=Doesn't Sound Very Caring
  |filename=Unnamed Doesn't Sound Very Caring 02 KHIII.ogg
  |filename=Unnamed track (Doesn't Sound Very Caring) 02 KHIII.ogg
}}
}}
This track is an arrangement of "[[Laughter and Merriment]]". It keeps the playful tone and adds a flute countermelody. While the version in the cutscene "Doesn't Sound Very Caring" ends abruptly, leading into a dissonant string note as the conclusion, the song is played in full in "Enter the Black Coat", allowing the brass-led conclusion to be heard.
This track is an arrangement of "[[Laughter and Merriment]]". It keeps the playful tone and adds a flute countermelody. While the version in the cutscene "Doesn't Sound Very Caring" ends abruptly, leading into a dissonant string note as the conclusion, the song is played in full in "Enter the Black Coat", allowing the brass-led conclusion to be heard.
Line 348: Line 356:
{{Listen
{{Listen
  |songname=Randall's Revenge
  |songname=Randall's Revenge
  |filename=Unnamed Randall's Revenge KHIII.ogg
  |filename=Unnamed track (Randall's Revenge) 01 KHIII.ogg
}}
}}
This is a lighter arrangement of "[[Broken Reality]]", with similar instrumentation to the original song. While the arrangement loops in the cutscene "Randall's Revenge", the version in "Enter the Black Coat" resolves the tension of the piece with an added conclusion.
This is a lighter arrangement of "[[Broken Reality]]", with similar instrumentation to the original song. While the arrangement loops in the cutscene "Randall's Revenge", the version in "Enter the Black Coat" resolves the tension of the piece with an added conclusion.
Line 358: Line 366:
{{Listen
{{Listen
  |songname=A Splash of Color
  |songname=A Splash of Color
  |filename=Unnamed A Splash of Color KHIII.ogg
  |filename=Unnamed track (A Splash of Color) 01 KHIII.ogg
}}
}}
This piece is an arrangement of "[[Innocent Times]]". The tone and instrumentation is similar to the original arrangement.
This piece is an arrangement of "[[Innocent Times]]". The tone and instrumentation is similar to the original arrangement.
Line 368: Line 376:
{{Listen
{{Listen
  |songname=Boo the MVP
  |songname=Boo the MVP
  |filename=Unnamed Boo the MVP KHIII.ogg
  |filename=Unnamed track (Boo the MVP) 01 KHIII.ogg
}}
}}
This track is an original composition with a lighthearted tone. The piece's instrumentation is almost entirely strings, with an occasional clarinet or bell interjection.
This track is an original composition with a lighthearted tone. The piece's instrumentation is almost entirely strings, with an occasional clarinet or bell interjection.
Line 378: Line 386:
{{Listen
{{Listen
  |songname=Enter the Black Coat
  |songname=Enter the Black Coat
  |filename=Unnamed Enter the Black Coat KHIII.ogg
  |filename=Unnamed track (Enter the Black Coat) 01 KHIII.ogg
}}
}}
This track is an arrangement of "[[Shaded Truths]]", arranged by Takeharu Ishimoto. It places slightly more emphasis on the driving percussion, but is otherwise similar in instrumentation and feel to the original song.
This track is an arrangement of "[[Shaded Truths]]", arranged by Takeharu Ishimoto. It places slightly more emphasis on the driving percussion, but is otherwise similar in instrumentation and feel to the original song.
Line 389: Line 397:
{{Listen
{{Listen
  |songname=Smell Ya Later
  |songname=Smell Ya Later
  |filename=Unnamed Smell Ya Later 01 KHIII.ogg
  |filename=Unnamed track (Smell Ya Later) 01 KHIII.ogg
}}
}}
This is a short original composition, about 25 seconds in length. The piece is generally playful, with strings, flute, clarinet, and mallet percussion; brass joins the instrumentation for the dramatic conclusion.
This is a short original composition, about 25 seconds in length. The piece is generally playful, with strings, flute, clarinet, and mallet percussion; brass joins the instrumentation for the dramatic conclusion.
Line 399: Line 407:
{{Listen
{{Listen
  |songname=Smell Ya Later
  |songname=Smell Ya Later
  |filename=Unnamed Smell Ya Later 02 KHIII.ogg
  |filename=Unnamed track (Smell Ya Later) 02 KHIII.ogg
}}
}}
This track is an original composition that loosely incorporates elements of "[[Monstropolis Now]]". The first portion of the piece has the melody played on strings and flute over a plucked string foundation, with brass and percussion joining for a triumphant ending.
This track is an original composition that loosely incorporates elements of "[[Monstropolis Now]]". The first portion of the piece has the melody played on strings and flute over a plucked string foundation, with brass and percussion joining for a triumphant ending.
Line 409: Line 417:
{{Listen
{{Listen
  |songname=Smell Ya Later
  |songname=Smell Ya Later
  |filename=Unnamed Smell Ya Later 03 KHIII.ogg
  |filename=Unnamed track (Smell Ya Later) 03 KHIII.ogg
}}
}}
This is a short upbeat track, about 20 seconds long. Instrumentation consists of flute, strings, and trombone.
This is a short upbeat track, about 20 seconds long. Instrumentation consists of flute, strings, and trombone.
Line 419: Line 427:
{{Listen
{{Listen
  |songname=Extermination Complete
  |songname=Extermination Complete
  |filename=Unnamed Extermination Complete KHIII.ogg
  |filename=Unnamed track (Extermination Complete) 01 KHIII.ogg
}}
}}
This track is an arrangement of "[[Monstropolis Now]]". The first half is lighter in instrumentation, creating a carefree tone, while the second half adds brass to the strings, piano, and woodwinds of the first section to create an exultant finale.
This track is an arrangement of "[[Monstropolis Now]]". The first half is lighter in instrumentation, creating a carefree tone, while the second half adds brass to the strings, piano, and woodwinds of the first section to create an exultant finale.
Line 429: Line 437:
{{Listen
{{Listen
  |songname=The Ice Palace
  |songname=The Ice Palace
  |filename=Unnamed The Ice Palace KHIII.ogg
  |filename=Unnamed track (The Ice Palace) 01 KHIII.ogg
}}
}}
This track is an arrangement of "[[Shaded Truths]]", arranged by Takeharu Ishimoto. The track begins with an unsettling tone, like the original, but becomes more and more frantic as the piece approaches the conclusion.
This track is an arrangement of "[[Shaded Truths]]", arranged by Takeharu Ishimoto. The track begins with an unsettling tone, like the original, but becomes more and more frantic as the piece approaches the conclusion.
Line 439: Line 447:
{{Listen
{{Listen
  |songname=Thirteen Darknesses
  |songname=Thirteen Darknesses
  |filename=Unnamed Thirteen Darknesses KHIII.ogg
  |filename=Unnamed track (Thirteen Darknesses) 01 KHIII.ogg
}}
}}
This is an original composition which incorporates elements of "[[Frozen Wonderland]]". It begins somber, with a solo piano over strings, before adding flute, clarinet, bells, chimes, and eventually brass and cymbals for the piece's ending.
This is an original composition which incorporates elements of "[[Frozen Wonderland]]". It begins somber, with a solo piano over strings, before adding flute, clarinet, bells, chimes, and eventually brass and cymbals for the piece's ending.
Line 449: Line 457:
{{Listen
{{Listen
  |songname=An Unexpected Encounter
  |songname=An Unexpected Encounter
  |filename=Unnamed An Unexpected Encounter KHIII.ogg
  |filename=Unnamed track (An Unexpected Encounter) 01 KHIII.ogg
}}
}}
This track is an arrangement of "[[The Deep End]]". It begins with piano, strings, and metronomic percussion, building up suspense until the full instrumentation kicks in with a battle-like feel closer to the original piece.
This track is an arrangement of "[[The Deep End]]". It begins with piano, strings, and metronomic percussion, building up suspense until the full instrumentation kicks in with a battle-like feel closer to the original piece.
Line 455: Line 463:
;Appearances
;Appearances
*[[Realm of Darkness]]: "An Unexpected Encounter"
*[[Realm of Darkness]]: "An Unexpected Encounter"
==100 Acre Wood Mini-games==
{{Listen
|songname=100 Acre Wood Mini-games
|filename=Unnamed track (HAW Mini-games) KHIII.ogg
}}
Uniquely, this unnamed track does not appear in a cutscene, but rather in [[mini-game]]s. It is a fast-paced and energetic piece that plays when time is low. Instrumentation consists of a full array of strings, along with flute, tambourine, and mallet percussion.
;Appearances
*[[100 Acre Wood]]: [[Tigger's Vegetable Spree]], [[Lumpy's Fruit Parade]], [[Pooh's Hunny Harvest]]


==The Organization's Origins==
==The Organization's Origins==
{{Listen
{{Listen
  |songname=The Organization's Origins
  |songname=The Organization's Origins
  |filename=Unnamed The Organization's Origins KHIII.ogg
  |filename=Unnamed track (The Organization's Origins) 01 KHIII.ogg
}}
}}
This piece is an arrangement of "{{c|Organization XIII|track}}". It is similar in tone to the original track, while the vocal line of the original has been replaced with strings.
This piece is an arrangement of "{{c|Organization XIII|track}}". It is similar in tone to the original track, while the vocal line of the original has been replaced with strings.
Line 469: Line 487:
{{Listen
{{Listen
  |songname=Running Out of Sea
  |songname=Running Out of Sea
  |filename=Unnamed Running Out of Sea KHIII.ogg
  |filename=Unnamed track (Running Out of Sea) 01 KHIII.ogg
}}
}}
The first part of this track is an arrangement of "[[No Time to Think]]", with emphasis placed on the low brass and percussive hits. After about 12 seconds, this section gives way to the theme that accompanies the world logo of [[The Caribbean]], which incorporates elements of "[[Hearts of Courage]]".
The first part of this track is an arrangement of "[[No Time to Think]]", with emphasis placed on the low brass and percussive hits. After about 12 seconds, this section gives way to the theme that accompanies the world logo of [[The Caribbean]], which incorporates elements of "[[Hearts of Courage]]".
Line 479: Line 497:
{{Listen
{{Listen
  |songname=The Dead Man's Chest
  |songname=The Dead Man's Chest
  |filename=Unnamed The Dead Man's Chest KHIII.ogg
  |filename=Unnamed track (The Dead Man's Chest) 01 KHIII.ogg
}}
}}
This is an arrangement of "[[Drops of Poison]]". While the supporting instruments are much softer compared to the original, reducing the dissonance of the track, it retains the unsettling tone of the original arrangement.
This is an arrangement of "[[Drops of Poison]]". While the supporting instruments are much softer compared to the original, reducing the dissonance of the track, it retains the unsettling tone of the original arrangement.
Line 489: Line 507:
{{Listen
{{Listen
  |songname=That's Desertion!
  |songname=That's Desertion!
  |filename=Unnamed That's Desertion! KHIII.ogg
  |filename=Unnamed track (That's Desertion!) 01 KHIII.ogg
}}
}}
This is a brief track, about 25 second long. The first half is triumphant and similar in composition and instrumentation to "[[The Victorious]]", while the second half is more quiet and mysterious.
This is a brief track, about 25 second long. The first half is triumphant and similar in composition and instrumentation to "[[The Victorious]]", while the second half is more quiet and mysterious.
Line 499: Line 517:
{{Listen
{{Listen
  |songname=Parley with Luxord
  |songname=Parley with Luxord
  |filename=Unnamed Parley with Luxord KHIII.ogg
  |filename=Unnamed track (Parley with Luxord) 01 KHIII.ogg
}}
}}
This piece is an arrangement of "[[Strange Whispers]]". It alternates twice between a soft section with strings and a louder section which features brass and male choir, with the second half adding piano to both sections.
This piece is an arrangement of "[[Strange Whispers]]". It alternates twice between a soft section with strings and a louder section which features brass and male choir, with the second half adding piano to both sections.
Line 509: Line 527:
{{Listen
{{Listen
  |songname=Atonement
  |songname=Atonement
  |filename=Unnamed Atonement KHIII.ogg
  |filename=Unnamed track (Atonement) 01 KHIII.ogg
}}
}}
This is an energetic arrangement of "[[Apprehension]]". The melody is played by strings over light percussion and a new rhythmic string foundation. Brass accents and cymbals are added as the piece climaxes.
This is an energetic arrangement of "[[Apprehension]]". The melody is played by strings over light percussion and a new rhythmic string foundation. Brass accents and cymbals are added as the piece climaxes.
Line 519: Line 537:
{{Listen
{{Listen
  |songname=The AR Device
  |songname=The AR Device
  |filename=Unnamed The AR Device KHIII.ogg
  |filename=Unnamed track (The AR Device) 01 KHIII.ogg
}}
}}
This is a very short theme based on the melody of "{{c|Sora|track}}", lasting only about five seconds.
This is a very short theme based on the melody of "{{c|Sora|track}}", lasting only about five seconds.
Line 529: Line 547:
{{Listen
{{Listen
  |songname=Finding an Edge
  |songname=Finding an Edge
  |filename=Unnamed Finding an Edge KHIII.ogg
  |filename=Unnamed track (Finding an Edge) 01 KHIII.ogg
}}
}}
This is an arrangement "{{c|Sora|track}}" with electronic touches. It is very similar in composition to "[[Hero Upgrade]]", which plays immediately following this theme.
This is an arrangement "{{c|Sora|track}}" with electronic touches. It is very similar in composition to "[[Hero Upgrade]]", which plays immediately following this theme.
Line 540: Line 558:
{{Listen
{{Listen
  |songname=Upgraded
  |songname=Upgraded
  |filename=Unnamed Upgraded 01 KHIII.ogg
  |filename=Unnamed track (Upgraded) 01 KHIII.ogg
}}
}}
This piece is an arrangement of "[[Road to a Hero]]". It has significantly less percussion than the original, while adding electronic flourishes to the piece.
This piece is an arrangement of "[[Road to a Hero]]". It has significantly less percussion than the original, while adding electronic flourishes to the piece.
Line 550: Line 568:
{{Listen
{{Listen
  |songname=Upgraded
  |songname=Upgraded
  |filename=Unnamed Upgraded 02 KHIII.ogg
  |filename=Unnamed track (Upgraded) 02 KHIII.ogg
}}
}}
This is a subdued arrangement of "[[Strange Whispers]]". Instrumentation primarily consists of piano and synth, giving an almost muffled feel.
This is a subdued arrangement of "[[Strange Whispers]]". Instrumentation primarily consists of piano and synth, giving an almost muffled feel.
Line 560: Line 578:
{{Listen
{{Listen
  |songname=Making Up the Difference
  |songname=Making Up the Difference
  |filename=Unnamed Making Up the Difference KHIII.ogg
  |filename=Unnamed track (Making Up the Difference) 01 KHIII.ogg
}}
}}
This track is an arrangement of "[[Distant from You...]]". It shares an identical piano line to the first part of "[[Baymax Rebooted]]", which is also an arrangement of "Distant from You...", but differs from that piece in where the string, flute, and clarinet parts accompany the piano.
This track is an arrangement of "[[Distant from You...]]". It shares an identical piano line to the first part of "[[Baymax Rebooted]]", which is also an arrangement of "Distant from You...", but differs from that piece in where the string, flute, and clarinet parts accompany the piano.
Line 570: Line 588:
{{Listen
{{Listen
  |songname=Enter the Supervillain
  |songname=Enter the Supervillain
  |filename=Unnamed Enter the Supervillain KHIII.ogg
  |filename=Unnamed track (Enter the Supervillain) 01 KHIII.ogg
}}
}}
This is a haunting arrangement of "[[Strange Whispers]]". An added guitar, a distant vocal line, and the gradual growth of an electronic beat make this piece mysterious and unnerving.
This is a haunting arrangement of "[[Strange Whispers]]". An added guitar, a distant vocal line, and the gradual growth of an electronic beat make this piece mysterious and unnerving.
Line 580: Line 598:
{{Listen
{{Listen
  |songname=A Riku From the Past?
  |songname=A Riku From the Past?
  |filename=Unnamed A Riku From the Past? KHIII.ogg
  |filename=Unnamed track (A Riku From the Past?) 01 KHIII.ogg
}}
}}
This piece is an arrangement of "[[Xehanort -The Early Years-]]". The melody is played on strings, while the electronic feel of the original backing has been toned down.
This piece is an arrangement of "[[Xehanort -The Early Years-]]". The melody is played on strings, while the electronic feel of the original backing has been toned down.
Line 590: Line 608:
{{Listen
{{Listen
  |songname=Braving the Darkness
  |songname=Braving the Darkness
  |filename=Unnamed Braving the Darkness KHIII.ogg
  |filename=Unnamed track (Braving the Darkness) 01 KHIII.ogg
}}
}}
This track begins as an arrangement of "{{c|Sora|track}}" before shifting to the melody of "[[Dearly Beloved]]" about halfway through. Overall, the piece has a hopeful and relieved tone.
This track begins as an arrangement of "{{c|Sora|track}}" before shifting to the melody of "[[Dearly Beloved]]" about halfway through. Overall, the piece has a hopeful and relieved tone.
Line 596: Line 614:
;Appearances
;Appearances
*[[Realm of Darkness]]: "Braving the Darkness"
*[[Realm of Darkness]]: "Braving the Darkness"
==An End to Slumber==
{{Listen
|songname=An End to Slumber
|filename=Unnamed track (An End to Slumber) KHIII.ogg
}}
This piece is an arrangement of "{{c|Ventus|track}}". The arrangement maintains the wistful tone of the original, adding two grand crescendos near the finale.
;Appearances
*[[Land of Departure]]: "An End to Slumber"
==A World of Only Hearts==
{{Listen
|songname=A World of Only Hearts
|filename=Unnamed track (A World of Only Hearts) KHIII.ogg
}}
This is an arrangement of "{{c|Dream Eaters|track}}". It is slightly slower than the original and has a far fuller sound, with instrumentation consisting of strings and choir.
;Appearances
*[[The Final World]]: "A World of Only Hearts", "As The Heart Commands"{{RM}}
==A Corridor of Light==
{{Listen
|songname=A Corridor of Light
|filename=Unnamed track (A Corridor of Light) KHIII.ogg
}}
This piece features and original melody, while using the melody of "[[Magical Mystery]]" as a backing rhythm. The use of horns gives this track a grand feel. The conclusion of the piece incorporates the melody of "[[Hand in Hand]]".
;Appearances
*[[Keyblade Graveyard]]: "A Corridor of Light"


<!--
<!--
Line 604: Line 652:
{{Listen
{{Listen
  |songname=CUTSCENENAME
  |songname=CUTSCENENAME
  |filename=Unnamed CUTSCENENAME KHIII.ogg
  |filename=Unnamed track (CUTSCENENAME) KHIII.ogg
}}
}}
DESCRIPTION.
DESCRIPTION.

Revision as of 20:10, 29 November 2022

The following is a list of music tracks introduced in Kingdom Hearts III and Kingdom Hearts III Re Mind that have not been released on an official album. Many of these tracks are arrangements of existing Kingdom Hearts songs, while others either incorporate elements from previous tracks or are wholly original compositions. As all of these tracks are untitled, the name of the cutscene they first appear in is used to distinguish them. Unless otherwise noted, the arranger of each individual track is unknown.


Gambit

Gambit

This piece is a tranquil piano solo. The first half is an arrangement of "Destiny's Union", while the second half incorporates elements from the melody of "Dearly Beloved". The melody returns to "Destiny's Union" for the track's conclusion.

Appearances

Prelude to Adventure

First track

Prelude to Adventure

This is a calm arrangement of "Magical Mystery". It led by piano with a constant string backing; instrumentation also includes plucked strings, horns, and bells. This same arrangement appears in the cutscene "A Fresh Start" with an additional dramatic introduction that lasts about 25 seconds.

Appearances

Second track

Prelude to Adventure

The track is a brief arrangement of "Sora", lasting about 25 seconds. While its instrumentation is similar to the original track, this version omits the melody, leaving only the supporting voices.

Appearances

Third track

Prelude to Adventure

This is a calm and playful arrangement of "Sora". The main melody is played by a flute and violin, while other voices include strings, piano, and clarinet.

Appearances

Fourth track

Prelude to Adventure

This arrangement of "Hand in Hand" is brief and triumphant. It is similar in instrumentation to the original version of the track.

Appearances

Return of the Titans

First Track

Return of the Titans

This is a short fanfare that accompanies the world logo of Olympus. It incorporates elements of "Olympus Coliseum".

Appearances

Second Track

Return of the Titans

This is a lighter arrangement of "Villains of a Sort". It consists entirely of strings, with plucked notes accenting the main bowed melody.

Appearances

Maleficent's Desire

Maleficent's Desire

The first part is an arrangement of "No Time to Think", lasting for shortly over 20 seconds. The remaining 40 seconds of the piece contains an original melody that incorporates parts of "Olympus Coliseum". The track begins frantic and energetic and gradually becomes more triumphant as it approaches the climax.

Appearances

The Collapsing Building

The Collapsing Building

This track is suspenseful and energetic. The piece incorporates the melodies of "Olympus Coliseum" and "Hand in Hand", both transposed to a minor key. The instrumentation consists of brass, strings, and marching percussion.

Appearances

Xigbar's Admonition

First track

Xigbar's Admonition

This track is primarily based on "No Time to Think", with similar instrumentation to the original. Brass instruments layer on the melody of "Olympus Coliseum" in a minor key.

Appearances

Second track

Xigbar's Admonition

This is an arrangement of "Organization XIII". It incorporates parts of the string accompaniment from "Xigbar", itself an arrangement of "Organization XIII". The melody is passed between piano, strings, and a choir section led by a female voice.

Appearances

Olympus's Splendor

Olympus's Splendor

The piece is an entirely original composition of about 20 seconds. It is cheerful fanfare led by brass, choir, and strings.

Appearances

Showdown with the Titans

Showdown with the Titans

This is a medley of "Road to a Hero", "Villains of a Sort", and "Hand in Hand", with an original melody woven throughout. The instrumentation consists of brass, strings, and percussion.

Appearances
  • Olympus: "Showdown with the Titans"

A Sore Loser

A Sore Loser

This first 30 seconds of this track is an arrangement of "The Deep End", while the remainder of the piece switches between an original melody and sections based on "Olympus Coliseum", with a hint of the melody of "Villains of a Sort". Like much of the fanfare in Olympus, this piece is led by brass, strings, and percussion.

Appearances

Where He Belongs

Where He Belongs

This is an arrangement of "Olympus Coliseum". It is about a minute long; the first half stays close to the original arrangement, while the second half works the melody into a triumphant conclusion.

Appearances

A Fresh Start

First track

A Fresh Start

This is an original composition. It is playful in tone, consisting of a cheerful flute melody and light string support.

Appearances

Second track

A Fresh Start

This track is an arrangement of "Aqua". Like the original, it is a somber piece. This version has lighter instrumentation, consisting only of piano and strings.

Appearances

Third track

A Fresh Start

After a brief introduction based on the melody of "Sora", this piece transitions into an original composition. It is a collected piece led by strings and piano.

Appearances

Fourth track

A Fresh Start

This is an arrangement of "Sora" with certain phrases transposed to a minor key, building tension in an otherwise light and cheerful arrangement. After about 50 seconds, the piece becomes an arrangement of "Link to All". The first part is performed by flute, strings, piano, and percussion, while the second part uses clarinet, strings, and piano.

Appearances

Heart Within a Heart

Heart Within a Heart

This track is an arrangement of "Shipmeisters' Humoresque", lasting about one minute. It is similar in tone and instrumentation to the original song.

Appearances

The First of the Xehanorts

First track

The First of the Xehanorts

This is an entirely original composition, about 25 seconds in length. It has a playful introduction and incorporates brass, strings, and cymbals.

Appearances
  • Toy Box: "The First of the Xehanorts"

Second track

The First of the Xehanorts

This track alternates between sections based on "Xehanort" and an original melody. It begins as an unsettling piece before shifting to a more battle-like tone. The ending incorporates the melody of "Sora".

Appearances
  • Toy Box: "The First of the Xehanorts"

Rex Impresses

Rex Impresses

This is a brief arrangement of "No Time to Think", shortly over 20 seconds long. The percussion and string melody pause around halfway through the piece, leaving only a sustained dissonance on the supporting strings, before all instruments return for the track's conclusion.

Appearances

Buzz's Doubts

Buzz's Doubts

This is an original piece, forlorn in nature. Strings are the main focus, supported by piano and muted brass.

Appearances

Not Buzz, Too!

Not Buzz, Too!

This track is a new version of "Shaded Truths", arranged by Takeharu Ishimoto. It is similar in style and instrumentation to the original piece.

Appearances

Marluxia's Request

Marluxia's Request

This is an arrangement of "Thirteenth Discretion". It is lighter than the original song, but still mysterious in tone.

Appearances

The New Seven Hearts

First track

The New Seven Hearts

The first part of this track is an arrangement of "Drops of Poison", while the second half is a calmer original melody.

Appearances

Second track

The New Seven Hearts

This is an arrangement of "The Nightmare". The first half is restrained, while the second half introduces a percussive beat and a frantic string section. However, only the first portion of the track plays in the cutscene, leaving the rest unused.

Appearances

To the Tower!

First track

To the Tower!

This piece is an original composition. The introduction of the piece is dramatic and incorporates elements of "Happy Hair Day" in a minor key, while the second half is far calmer. After a brief pause, the track concludes with a short phrase based on "Laughter and Merriment".

Appearances

Second track

To the Tower!

This track is an arrangement of "Sora". The accompaniment is played in a higher octave than the original, giving this version of the song a lighthearted feel.

Appearances

Third track

To the Tower!

The introduction of this piece incorporates parts of "Happy Hair Day" in a minor key, while the remainder is an original melody. It is a tense and energetic composition.

Appearances

Doesn't Sound Very Caring

First track

Doesn't Sound Very Caring

This is a fun and jazzy composition which incorporates elements of "Monstropolis Now". Instrumentation consists of piano, saxophone, muted horns, strings, and drum set.

Appearances

Second track

Doesn't Sound Very Caring

This track is an arrangement of "Laughter and Merriment". It keeps the playful tone and adds a flute countermelody. While the version in the cutscene "Doesn't Sound Very Caring" ends abruptly, leading into a dissonant string note as the conclusion, the song is played in full in "Enter the Black Coat", allowing the brass-led conclusion to be heard.

Appearances
  • Monstropolis: "Doesn't Sound Very Caring", "Enter the Black Coat"

Randall's Revenge

Randall's Revenge

This is a lighter arrangement of "Broken Reality", with similar instrumentation to the original song. While the arrangement loops in the cutscene "Randall's Revenge", the version in "Enter the Black Coat" resolves the tension of the piece with an added conclusion.

Appearances

A Splash of Color

A Splash of Color

This piece is an arrangement of "Innocent Times". The tone and instrumentation is similar to the original arrangement.

Appearances

Boo the MVP

Boo the MVP

This track is an original composition with a lighthearted tone. The piece's instrumentation is almost entirely strings, with an occasional clarinet or bell interjection.

Appearances

Enter the Black Coat

Enter the Black Coat

This track is an arrangement of "Shaded Truths", arranged by Takeharu Ishimoto. It places slightly more emphasis on the driving percussion, but is otherwise similar in instrumentation and feel to the original song.

Appearances

Smell Ya Later

First track

Smell Ya Later

This is a short original composition, about 25 seconds in length. The piece is generally playful, with strings, flute, clarinet, and mallet percussion; brass joins the instrumentation for the dramatic conclusion.

Appearances

Second track

Smell Ya Later

This track is an original composition that loosely incorporates elements of "Monstropolis Now". The first portion of the piece has the melody played on strings and flute over a plucked string foundation, with brass and percussion joining for a triumphant ending.

Appearances

Third track

Smell Ya Later

This is a short upbeat track, about 20 seconds long. Instrumentation consists of flute, strings, and trombone.

Appearances

Extermination Complete

Extermination Complete

This track is an arrangement of "Monstropolis Now". The first half is lighter in instrumentation, creating a carefree tone, while the second half adds brass to the strings, piano, and woodwinds of the first section to create an exultant finale.

Appearances

The Ice Palace

The Ice Palace

This track is an arrangement of "Shaded Truths", arranged by Takeharu Ishimoto. The track begins with an unsettling tone, like the original, but becomes more and more frantic as the piece approaches the conclusion.

Appearances

Thirteen Darknesses

Thirteen Darknesses

This is an original composition which incorporates elements of "Frozen Wonderland". It begins somber, with a solo piano over strings, before adding flute, clarinet, bells, chimes, and eventually brass and cymbals for the piece's ending.

Appearances

An Unexpected Encounter

An Unexpected Encounter

This track is an arrangement of "The Deep End". It begins with piano, strings, and metronomic percussion, building up suspense until the full instrumentation kicks in with a battle-like feel closer to the original piece.

Appearances

100 Acre Wood Mini-games

100 Acre Wood Mini-games

Uniquely, this unnamed track does not appear in a cutscene, but rather in mini-games. It is a fast-paced and energetic piece that plays when time is low. Instrumentation consists of a full array of strings, along with flute, tambourine, and mallet percussion.

Appearances

The Organization's Origins

The Organization's Origins

This piece is an arrangement of "Organization XIII". It is similar in tone to the original track, while the vocal line of the original has been replaced with strings.

Appearances

Running Out of Sea

Running Out of Sea

The first part of this track is an arrangement of "No Time to Think", with emphasis placed on the low brass and percussive hits. After about 12 seconds, this section gives way to the theme that accompanies the world logo of The Caribbean, which incorporates elements of "Hearts of Courage".

Appearances

The Dead Man's Chest

The Dead Man's Chest

This is an arrangement of "Drops of Poison". While the supporting instruments are much softer compared to the original, reducing the dissonance of the track, it retains the unsettling tone of the original arrangement.

Appearances

That's Desertion!

That's Desertion!

This is a brief track, about 25 second long. The first half is triumphant and similar in composition and instrumentation to "The Victorious", while the second half is more quiet and mysterious.

Appearances

Parley with Luxord

Parley with Luxord

This piece is an arrangement of "Strange Whispers". It alternates twice between a soft section with strings and a louder section which features brass and male choir, with the second half adding piano to both sections.

Appearances

Atonement

Atonement

This is an energetic arrangement of "Apprehension". The melody is played by strings over light percussion and a new rhythmic string foundation. Brass accents and cymbals are added as the piece climaxes.

Appearances

The AR Device

The AR Device

This is a very short theme based on the melody of "Sora", lasting only about five seconds.

Appearances

Finding an Edge

Finding an Edge

This is an arrangement "Sora" with electronic touches. It is very similar in composition to "Hero Upgrade", which plays immediately following this theme.

Appearances

Upgraded

First Track

Upgraded

This piece is an arrangement of "Road to a Hero". It has significantly less percussion than the original, while adding electronic flourishes to the piece.

Appearances

Second Track

Upgraded

This is a subdued arrangement of "Strange Whispers". Instrumentation primarily consists of piano and synth, giving an almost muffled feel.

Appearances

Making Up the Difference

Making Up the Difference

This track is an arrangement of "Distant from You...". It shares an identical piano line to the first part of "Baymax Rebooted", which is also an arrangement of "Distant from You...", but differs from that piece in where the string, flute, and clarinet parts accompany the piano.

Appearances

Enter the Supervillain

Enter the Supervillain

This is a haunting arrangement of "Strange Whispers". An added guitar, a distant vocal line, and the gradual growth of an electronic beat make this piece mysterious and unnerving.

Appearances

A Riku From the Past?

A Riku From the Past?

This piece is an arrangement of "Xehanort -The Early Years-". The melody is played on strings, while the electronic feel of the original backing has been toned down.

Appearances

Braving the Darkness

Braving the Darkness

This track begins as an arrangement of "Sora" before shifting to the melody of "Dearly Beloved" about halfway through. Overall, the piece has a hopeful and relieved tone.

Appearances

An End to Slumber

An End to Slumber

This piece is an arrangement of "Ventus". The arrangement maintains the wistful tone of the original, adding two grand crescendos near the finale.

Appearances

A World of Only Hearts

A World of Only Hearts

This is an arrangement of "Dream Eaters". It is slightly slower than the original and has a far fuller sound, with instrumentation consisting of strings and choir.

Appearances

A Corridor of Light

A Corridor of Light

This piece features and original melody, while using the melody of "Magical Mystery" as a backing rhythm. The use of horns gives this track a grand feel. The conclusion of the piece incorporates the melody of "Hand in Hand".

Appearances