List of unnamed tracks
The following is a list of music tracks introduced in Kingdom Hearts III and Kingdom Hearts III Re Mind that have not been released on an official album. Many of these tracks are arrangements of existing Kingdom Hearts songs, while others either incorporate elements from previous tracks or are wholly original compositions. As all of these tracks are untitled, the name of the cutscene they first appear in is used to distinguish them. Unless otherwise noted, the arranger of each individual track is unknown.
Gambit
| Gambit |
|---|
This piece is a tranquil piano solo. The first half is an arrangement of "Destiny's Union", while the second half incorporates elements from the melody of "Dearly Beloved". The melody returns to "Destiny's Union" for the track's conclusion.
- Appearances
- Scala ad Caelum: "Gambit"
Prelude to Adventure
First track
| Prelude to Adventure |
|---|
This is a calm arrangement of "Magical Mystery". It led by piano with a constant string backing; instrumentation also includes plucked strings, horns, and bells. This same arrangement appears in the cutscene "A Fresh Start" with an additional dramatic introduction that lasts about 25 seconds.
- Appearances
- The Mysterious Tower: "Prelude to Adventure", "A Fresh Start"
Second track
| Prelude to Adventure |
|---|
The track is a brief arrangement of "Sora", lasting about 25 seconds. While its instrumentation is similar to the original track, this version omits the melody, leaving only the supporting voices.
- Appearances
- The Mysterious Tower: "Prelude to Adventure"
Third track
| Prelude to Adventure |
|---|
This is a calm and playful arrangement of "Sora". The main melody is played by a flute and violin, while other voices include strings, piano, and clarinet.
- Appearances
- The Mysterious Tower: "Prelude to Adventure"
- Gummi Ship:"Heart Within a Heart"
Fourth track
| Prelude to Adventure |
|---|
This arrangement of "Hand in Hand" is brief and triumphant. It is similar in instrumentation to the original version of the track.
- Appearances
- The Mysterious Tower: "Prelude to Adventure"
Return of the Titans
First Track
| Return of the Titans |
|---|
This is a short fanfare that accompanies the world logo of Olympus. It incorporates elements of "Olympus Coliseum".
- Appearances
- Olympus: "Return of the Titans"
Second Track
| Return of the Titans |
|---|
This is a lighter arrangement of "Villains of a Sort". It consists entirely of strings, with plucked notes accenting the main bowed melody.
- Appearances
- Olympus: "Return of the Titans"
Maleficent's Desire
| Maleficent's Desire |
|---|
The first part is an arrangement of "No Time to Think", lasting for shortly over 20 seconds. The remaining 40 seconds of the piece contains an original melody that incorporates parts of "Olympus Coliseum". The track begins frantic and energetic and gradually becomes more triumphant as it approaches the climax.
- Appearances
- Olympus: "Maleficent's Desire"
The Collapsing Building
| The Collapsing Building |
|---|
This track is suspenseful and energetic. The piece incorporates the melodies of "Olympus Coliseum" and "Hand in Hand", both transposed to a minor key. The instrumentation consists of brass, strings, and marching percussion.
- Appearances
- Olympus: "The Collapsing Building"
Xigbar's Admonition
First track
| Xigbar's Admonition |
|---|
This track is primarily based on "No Time to Think", with similar instrumentation to the original. Brass instruments layer on the melody of "Olympus Coliseum" in a minor key.
- Appearances
- Olympus: "Xigbar's Admonition"
Second track
| Xigbar's Admonition |
|---|
This is an arrangement of "Organization XIII". It incorporates parts of the string accompaniment from "Xigbar", itself an arrangement of "Organization XIII". The melody is passed between piano, strings, and a choir section led by a female voice.
- Appearances
- Olympus: "Xigbar's Admonition"
Olympus's Splendor
| Olympus's Splendor |
|---|
The piece is an entirely original composition of about 20 seconds. It is cheerful fanfare led by brass, choir, and strings.
- Appearances
- Olympus: "Olympus's Splendor"
Showdown with the Titans
| Showdown with the Titans |
|---|
This is a medley of "Road to a Hero", "Villains of a Sort", and "Hand in Hand", with an original melody woven throughout. The instrumentation consists of brass, strings, and percussion.
- Appearances
- Olympus: "Showdown with the Titans"
A Sore Loser
| A Sore Loser |
|---|
This first 30 seconds of this track is an arrangement of "The Deep End", while the remainder of the piece switches between an original melody and sections based on "Olympus Coliseum", with a hint of the melody of "Villains of a Sort". Like much of the fanfare in Olympus, this piece is led by brass, strings, and percussion.
- Appearances
- Olympus: "A Sore Loser"
Where He Belongs
| Where He Belongs |
|---|
This is an arrangement of "Olympus Coliseum". It is about a minute long; the first half stays close to the original arrangement, while the second half works the melody into a triumphant conclusion.
- Appearances
- Olympus: "Where He Belongs"
A Fresh Start
First track
| A Fresh Start |
|---|
This is an original composition. It is playful in tone, consisting of a cheerful flute melody and light string support.
- Appearances
- The Mysterious Tower: "A Fresh Start"
Second track
| A Fresh Start |
|---|
This track is an arrangement of "Aqua". Like the original, it is a somber piece. This version has lighter instrumentation, consisting only of piano and strings.
- Appearances
- The Mysterious Tower: "A Fresh Start"
Third track
| A Fresh Start |
|---|
After a brief introduction based on the melody of "Sora", this piece transitions into an original composition. It is a collected piece led by strings and piano.
- Appearances
- The Mysterious Tower: "A Fresh Start"
Fourth track
| A Fresh Start |
|---|
This is an arrangement of "Sora" with certain phrases transposed to a minor key, building tension in an otherwise light and cheerful arrangement. After about 50 seconds, the piece becomes an arrangement of "Link to All". The first part is performed by flute, strings, piano, and percussion, while the second part uses clarinet, strings, and piano.
- Appearances
- The Mysterious Tower: "A Fresh Start"
Heart Within a Heart
| Heart Within a Heart |
|---|
This track is an arrangement of "Shipmeisters' Humoresque", lasting about one minute. It is similar in tone and instrumentation to the original song.
- Appearances
- Gummi Ship: "Heart Within a Heart"
The First of the Xehanorts
First track
| The First of the Xehanorts |
|---|
This is an entirely original composition, about 25 seconds in length. It has a playful introduction and incorporates brass, strings, and cymbals.
- Appearances
- Toy Box: "The First of the Xehanorts"
Second track
| The First of the Xehanorts |
|---|
This track alternates between sections based on "Xehanort" and an original melody. It begins as an unsettling piece before shifting to a more battle-like tone. The ending incorporates the melody of "Sora".
- Appearances
- Toy Box: "The First of the Xehanorts"
Rex Impresses
| Rex Impresses |
|---|
This is a brief arrangement of "No Time to Think", shortly over 20 seconds long. The percussion and string melody pause around halfway through the piece, leaving only a sustained dissonance on the supporting strings, before all instruments return for the track's conclusion.
- Appearances
- Toy Box: "Rex Impresses"
Buzz's Doubts
| Buzz's Doubts |
|---|
This is an original piece, forlorn in nature. Strings are the main focus, supported by piano and muted brass.
- Appearances
- Toy Box: "Buzz's Doubts"
Not Buzz, Too!
| Not Buzz, Too! |
|---|
This track is a new version of "Shaded Truths", arranged by Takeharu Ishimoto. It is similar in style and instrumentation to the original piece.
- Appearances
- Toy Box: "Not Buzz, Too!"
Marluxia's Request
| Marluxia's Request |
|---|
This is an arrangement of "Thirteenth Discretion". It is lighter than the original song, but still mysterious in tone.
- Appearances
- Kingdom of Corona: "Marluxia's Request"
The New Seven Hearts
| The New Seven Hearts |
|---|
The first part of this track is an arrangement of "Drops of Poison", while the second half is a calmer original melody.
- Appearances
- Kingdom of Corona: "The New Seven Hearts"
To the Tower!
First track
| To the Tower! |
|---|
This piece is an original composition. The introduction of the piece is dramatic and incorporates elements of "Happy Hair Day" in a minor key, while the second half is far calmer. After a brief pause, the track concludes with a short phrase based on "Laughter and Merriment".
- Appearances
- Kingdom of Corona: "To the Tower!"
Second track
| To the Tower! |
|---|
This track is an arrangement of "Sora". The accompaniment is played in a higher octave than the original, giving this version of the song a lighthearted feel.
- Appearances
- Kingdom of Corona: "To the Tower!"
Third track
| To the Tower! |
|---|
The introduction of this piece incorporates parts of "Happy Hair Day" in a minor key, while the remainder is an original melody. It is a tense and energetic composition.
- Appearances
- Kingdom of Corona: "To the Tower!"
Doesn't Sound Very Caring
First track
| Doesn't Sound Very Caring |
|---|
This is a fun and jazzy composition which incorporates elements of "Monstropolis Now". Instrumentation consists of piano, saxophone, muted horns, strings, and drum set.
- Appearances
- Monstropolis: "Doesn't Sound Very Caring"
Second track
| Doesn't Sound Very Caring |
|---|
This track is an arrangement of "Laughter and Merriment". It keeps the playful tone and adds a flute countermelody. While the version in the cutscene "Doesn't Sound Very Caring" ends abruptly, leading into a dissonant string note as the conclusion, the song is played in full in "Enter the Black Coat", allowing the brass-led conclusion to be heard.
- Appearances
- Monstropolis: "Doesn't Sound Very Caring", "Enter the Black Coat"
Randall's Revenge
| Randall's Revenge |
|---|
This is a lighter arrangement of "Broken Reality", with similar instrumentation to the original song. While the arrangement loops in the cutscene "Randall's Revenge", the version in "Enter the Black Coat" resolves the tension of the piece with an added conclusion.
- Appearances
- Monstropolis: "Randall's Revenge", "Enter the Black Coat"
A Splash of Color
| A Splash of Color |
|---|
This piece is an arrangement of "Innocent Times". The tone and instrumentation is similar to the original arrangement.
- Appearances
- Monstropolis: "A Splash of Color", "Boo the MVP"
Boo the MVP
| Boo the MVP |
|---|
This track is an original composition with a lighthearted tone. The piece's instrumentation is almost entirely strings, with an occasional clarinet or bell interjection.
- Appearances
- Monstropolis: "Boo the MVP"
Enter the Black Coat
| Enter the Black Coat |
|---|
This track is an arrangement of "Shaded Truths", arranged by Takeharu Ishimoto. It places slightly more emphasis on the driving percussion, but is otherwise similar in instrumentation and feel to the original song.
- Appearances
- Monstropolis: "Enter the Black Coat"
Smell Ya Later
First track
| Smell Ya Later |
|---|
This is a short original composition, about 25 seconds in length. The piece is generally playful, with strings, flute, clarinet, and mallet percussion; brass joins the instrumentation for the dramatic conclusion.
- Appearances
- Monstropolis: "Smell Ya Later"
Second track
| Smell Ya Later |
|---|
This track is an original composition that loosely incorporates elements of "Monstropolis Now". The first portion of the piece has the melody played on strings and flute over a plucked string foundation, with brass and percussion joining for a triumphant ending.
- Appearances
- Monstropolis: "Smell Ya Later"
Third track
| Smell Ya Later |
|---|
This is a short upbeat track, about 20 seconds long. Instrumentation consists of flute, strings, and trombone.
- Appearances
- Monstropolis: "Smell Ya Later"
Extermination Complete
| Extermination Complete |
|---|
This track is an arrangement of "Monstropolis Now". The first half is lighter in instrumentation, creating a carefree tone, while the second half adds brass to the strings, piano, and woodwinds of the first section to create an exultant finale.
- Appearances
- Monstropolis: "Extermination Complete"
The Ice Palace
| The Ice Palace |
|---|
This track is an arrangement of "Shaded Truths", arranged by Takeharu Ishimoto. The track begins with an unsettling tone, like the original, but becomes more and more frantic as the piece approaches the conclusion.
- Appearances
- Arendelle: "The Ice Palace"
Thirteen Darknesses
| Thirteen Darknesses |
|---|
This is an original composition which incorporates elements of "Frozen Wonderland". It begins somber, with a solo piano over strings, before adding flute, clarinet, bells, chimes, and eventually brass and cymbals for the piece's ending.
- Appearances
- Arendelle: "Thirteen Darknesses"
An Unexpected Encounter
| An Unexpected Encounter |
|---|
This track is an arrangement of "The Deep End". It begins with piano, strings, and metronomic percussion, building up suspense until the full instrumentation kicks in with a battle-like feel closer to the original piece.
- Appearances
- Realm of Darkness: "An Unexpected Encounter"
The Organization's Origins
| The Organization's Origins |
|---|
This piece is an arrangement of "Organization XIII". It is similar in tone to the original track, while the vocal line of the original has been replaced with strings.
- Appearances
- Keyblade Graveyard: "The Organization's Origins"
Running Out of Sea
| Running Out of Sea |
|---|
The first part of this track is an arrangement of "No Time to Think", with emphasis placed on the low brass and percussive hits. After about 12 seconds, this section gives way to the theme that accompanies the world logo of The Caribbean, which incorporates elements of "Hearts of Courage".
- Appearances
- The Caribbean: "Running Out of Sea"
The Dead Man's Chest
| The Dead Man's Chest |
|---|
This is an arrangement of "Drops of Poison". While the supporting instruments are much softer compared to the original, reducing the dissonance of the track, it retains the unsettling tone of the original arrangement.
- Appearances
- The Caribbean: "The Dead Man's Chest"
That's Desertion!
| That's Desertion! |
|---|
This is a brief track, about 25 second long. The first half is triumphant and similar in composition and instrumentation to "The Victorious", while the second half is more quiet and mysterious.
- Appearances
- The Caribbean: "That's Desertion!"
Parley with Luxord
| Parley with Luxord |
|---|
This piece is an arrangement of "Strange Whispers". It alternates twice between a soft section with strings and a louder section which features brass and male choir, with the second half adding piano to both sections.
- Appearances
- The Caribbean: "Parley with Luxord"
Atonement
| Atonement |
|---|
This is an energetic arrangement of "Apprehension". The melody is played by strings over light percussion and a new rhythmic string foundation. Brass accents and cymbals are added as the piece climaxes.
- Appearances
- Twilight Town: "Atonement"
The AR Device
| The AR Device |
|---|
This is a very short theme based on the melody of "Sora", lasting only about five seconds.
- Appearances
- San Fransokyo: "The AR Device"
Finding an Edge
| Finding an Edge |
|---|
This is an arrangement "Sora" with electronic touches. It is very similar in composition to "Hero Upgrade", which plays immediately following this theme.
- Appearances
- San Fransokyo: "Finding an Edge"
Upgraded
First Track
| Upgraded |
|---|
This piece is an arrangement of "Road to a Hero". It has significantly less percussion than the original, while adding electronic flourishes to the piece.
- Appearances
- San Fransokyo: "Upgraded"
Second Track
| Upgraded |
|---|
This is a subdued arrangement of "Strange Whispers". Instrumentation primarily consists of piano and synth, giving an almost muffled feel.
- Appearances
- San Fransokyo: "Upgraded"
Making Up the Difference
| Making Up the Difference |
|---|
This track is an arrangement of "Distant from You...". It shares an identical piano line to the first part of "Baymax Rebooted", which is also an arrangement of "Distant from You...", but differs from that piece in where the string, flute, and clarinet parts accompany the piano.
- Appearances
- San Fransokyo: "Making Up the Difference"
Enter the Supervillain
| Enter the Supervillain |
|---|
This is a haunting arrangement of "Strange Whispers". An added guitar, a distant vocal line, and the gradual growth of an electronic beat make this piece mysterious and unnerving.
- Appearances
- San Fransokyo: "Enter the Supervillain"
A Riku From the Past?
| A Riku From the Past? |
|---|
This piece is an arrangement of "Xehanort -The Early Years-". The melody is played on strings, while the electronic feel of the original backing has been toned down.
- Appearances
- San Fransokyo: "A Riku From the Past?"
Braving the Darkness
| Braving the Darkness |
|---|
This track begins as an arrangement of "Sora" before shifting to the melody of "Dearly Beloved" about halfway through. Overall, the piece has a hopeful and relieved tone.
- Appearances
- Realm of Darkness: "Braving the Darkness"
