Kingdom Hearts III
Kingdom Hearts III Re Mind

List of unnamed tracks (KHIII): Difference between revisions

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  |filename=Unnamed Doesn't Sound Very Caring 02 KHIII.ogg
  |filename=Unnamed Doesn't Sound Very Caring 02 KHIII.ogg
}}
}}
This track is an arrangement of "[[Laughter and Merriment]]". It keeps the playful tone and adds a flute countermelody.
This track is an arrangement of "[[Laughter and Merriment]]". It keeps the playful tone and adds a flute countermelody. While the version in the cutscene "Doesn't Sound Very Caring" ends abruptly, leading into a dissonant string note as the conclusion, the song is played in full in "Enter the Black Coat", allowing the brass-led conclusion to be heard.


;Appearances
;Appearances
*[[Monstropolis]]: "Doesn't Sound Very Caring"
*[[Monstropolis]]: "Doesn't Sound Very Caring", "Enter the Black Coat"


==Randall's Revenge==
==Randall's Revenge==
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  |filename=Unnamed Randall's Revenge KHIII.ogg
  |filename=Unnamed Randall's Revenge KHIII.ogg
}}
}}
This is a lighter arrangement of "[[Broken Reality]]", with similar instrumentation to the original song.
This is a lighter arrangement of "[[Broken Reality]]", with similar instrumentation to the original song. While the arrangement loops in the cutscene "Randall's Revenge", the version in "Enter the Black Coat" resolves the tension of the piece with an added conclusion.


;Appearances
;Appearances
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*[[Monstropolis]]: "Boo the MVP"
*[[Monstropolis]]: "Boo the MVP"


==Enter the Black Coat==
{{Listen
|songname=Enter the Black Coat
|filename=Unnamed Enter the Black Coat KHIII.ogg
}}
This track is an arrangement of "[[Shaded Truths]]", arranged by Takeharu Ishimoto. It places slightly more emphasis on the driving percussion, but is otherwise similar in instrumentation and feel to the original song.
;Appearances
*[[Monstropolis]]: "Enter the Black Coat"
==Smell Ya Later==
===First track===
{{Listen
|songname=Smell Ya Later
|filename=Unnamed Smell Ya Later 01 KHIII.ogg
}}
This is a short original composition, about 25 seconds in length. The piece is generally playful, with strings, flute, clarinet, and mallet percussion; brass joins the instrumentation for the dramatic conclusion.
;Appearances
*[[Monstropolis]]: "Smell Ya Later"
===Second track===
{{Listen
|songname=CUTSCENENAME
|filename=Unnamed Smell Ya Later 02 KHIII.ogg
}}
This track is an original composition that loosely incorporates elements of "[[Monstropolis Now]]". The first portion of the piece has the melody played on strings and flute over a plucked string foundation, with brass and percussion joining for a triumphant ending.
;Appearances
*[[Monstropolis]]: "Smell Ya Later"
===Third track===
{{Listen
|songname=CUTSCENENAME
|filename=Unnamed Smell Ya Later 03 KHIII.ogg
}}
This is a short upbeat track, about 20 seconds long. Instrumentation consists of flute, strings, and trombone.
;Appearances
*[[Monstropolis]]: "Smell Ya Later"
==Extermination Complete==
{{Listen
|songname=Extermination Complete
|filename=Unnamed Extermination Complete KHIII.ogg
}}
This track is an arrangement of "[[Monstropolis Now]]". The first half is lighter in instrumentation, creating a carefree tone, while the second half adds brass to the strings, piano, and woodwinds of the first section to create an exultant finale.
;Appearances
*[[Monstropolis]]: "Extermination Complete"
==The Ice Palace==
{{Listen
|songname=The Ice Palace
|filename=Unnamed The Ice Palace KHIII.ogg
}}
This track is an arrangement of "[[Shaded Truths]]", arranged by Takeharu Ishimoto. The track begins with an unsettling tone, like the original, but becomes more and more frantic as the piece approaches the conclusion.
;Appearances
*[[Arendelle]]: "The Ice Palace"
==Thirteen Darknesses==
{{Listen
|songname=Thirteen Darknesses
|filename=Unnamed Thirteen Darknesses KHIII.ogg
}}
This is an original composition which incorporates elements of "[[Frozen Wonderland]]". It begins somber, with a solo piano over strings, before adding flute, clarinet, bells, chimes, and eventually brass and cymbals for the piece's ending.
;Appearances
*[[Arendelle]]: "Thirteen Darknesses"
==An Unexpected Encounter==
{{Listen
|songname=An Unexpected Encounter
|filename=Unnamed An Unexpected Encounter KHIII.ogg
}}
This track is an arrangement of "[[The Deep End]]". It begins with piano, strings, and metronomic percussion, building up suspense until the full instrumentation kicks in with a battle-like feel closer to the original piece.
;Appearances
*[[Realm of Darkness]]: "An Unexpected Encounter"
==The Organization's Origins==
{{Listen
|songname=The Organization's Origins
|filename=Unnamed The Organization's Origins KHIII.ogg
}}
This piece is an arrangement of "{{c|Organization XIII|track}}". It is similar in tone to the original track, while the vocal line of the original has been replaced with strings.
;Appearances
*[[Keyblade Graveyard]]: "The Organization's Origins"


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Revision as of 02:05, 29 November 2022

The following is a list of music tracks introduced in Kingdom Hearts III and Kingdom Hearts III Re Mind that have not been released on an official album. Many of these tracks are arrangements of existing Kingdom Hearts songs, while others either incorporate elements from previous tracks or are wholly original compositions. As all of these tracks are untitled, the name of the cutscene they first appear in is used to distinguish them. Unless otherwise noted, the arranger of each individual track is unknown.


Gambit

Gambit

This piece is a tranquil piano solo. The first half is an arrangement of "Destiny's Union", while the second half incorporates elements from the melody of "Dearly Beloved". The melody returns to "Destiny's Union" for the track's conclusion.

Appearances

Prelude to Adventure

First track

Prelude to Adventure

This is a calm arrangement of "Magical Mystery". It led by piano with a constant string backing; instrumentation also includes plucked strings, horns, and bells. This same arrangement appears in the cutscene "A Fresh Start" with an additional dramatic introduction that lasts about 25 seconds.

Appearances

Second track

Prelude to Adventure

The track is a brief arrangement of "Sora", lasting about 25 seconds. While its instrumentation is similar to the original track, this version omits the melody, leaving only the supporting voices.

Appearances

Third track

Prelude to Adventure

This is a calm and playful arrangement of "Sora". The main melody is played by a flute and violin, while other voices include strings, piano, and clarinet.

Appearances

Fourth track

Prelude to Adventure

This arrangement of "Hand in Hand" is brief and triumphant. It is similar in instrumentation to the original version of the track.

Appearances

Return of the Titans

Return of the Titans

This is a lighter arrangement of "Villains of a Sort". It consists entirely of strings, with plucked notes accenting the main bowed melody.

Appearances

Maleficent's Desire

Maleficent's Desire

The first part is an arrangement of "No Time to Think", lasting for shortly over 20 seconds. The remaining 40 seconds of the piece contains an original melody that incorporates parts of "Olympus Coliseum". The track begins frantic and energetic and gradually becomes more triumphant as it approaches the climax.

Appearances

The Collapsing Building

The Collapsing Building

This track is suspenseful and energetic. The piece incorporates the melodies of "Olympus Coliseum" and "Hand in Hand", both transposed to a minor key. The instrumentation consists of brass, strings, and marching percussion.

Appearances

Xigbar's Admonition

First track

Xigbar's Admonition

This track is primarily based on "No Time to Think", with similar instrumentation to the original. Brass instruments layer on the melody of "Olympus Coliseum" in a minor key.

Appearances

Second track

Xigbar's Admonition

This is an arrangement of "Organization XIII". It incorporates parts of the string accompaniment from "Xigbar", itself an arrangement of "Organization XIII". The melody is passed between piano, strings, and a choir section led by a female voice.

Appearances

Olympus's Splendor

Olympus's Splendor

The piece is an entirely original composition of about 20 seconds. It is cheerful fanfare led by brass, choir, and strings.

Appearances

Showdown with the Titans

Showdown with the Titans

This is a medley of "Road to a Hero", "Villains of a Sort", and "Hand in Hand", with an original melody woven throughout. The instrumentation consists of brass, strings, and percussion.

Appearances
  • Olympus: "Showdown with the Titans"

A Sore Loser

A Sore Loser

This first 30 seconds of this track is an arrangement of "The Deep End", while the remainder of the piece switches between an original melody and sections based on "Olympus Coliseum", with a hint of the melody of "Villains of a Sort". Like much of the fanfare in Olympus, this piece is led by brass, strings, and percussion.

Appearances

Where He Belongs

Where He Belongs

This is an arrangement of "Olympus Coliseum". It is about a minute long; the first half stays close to the original arrangement, while the second half works the melody into a triumphant conclusion.

Appearances

A Fresh Start

First track

A Fresh Start

This is an original composition. It is playful in tone, consisting of a cheerful flute melody and light string support.

Appearances

Second track

A Fresh Start

This track is an arrangement of "Aqua". Like the original, it is a somber piece. This version has lighter instrumentation, consisting only of piano and strings.

Appearances

Third track

A Fresh Start

After a brief introduction based on the melody of "Sora", this piece transitions into an original composition. It is a collected piece led by strings and piano.

Appearances

Fourth track

A Fresh Start

This is an arrangement of "Sora" with certain phrases transposed to a minor key, building tension in an otherwise light and cheerful arrangement. After about 50 seconds, the piece becomes an arrangement of "Link to All". The first part is performed by flute, strings, piano, and percussion, while the second part uses clarinet, strings, and piano.

Appearances

Heart Within a Heart

Heart Within a Heart

This track is an arrangement of "Shipmeisters' Humoresque", lasting about one minute. It is similar in tone and instrumentation to the original song.

Appearances

The First of the Xehanorts

First track

The First of the Xehanorts

This is an entirely original composition, about 25 seconds in length. It has a playful introduction and incorporates brass, strings, and cymbals.

Appearances
  • Toy Box: "The First of the Xehanorts"

Second track

The First of the Xehanorts

This track alternates between sections based on "Xehanort" and an original melody. It begins as an unsettling piece before shifting to a more battle-like tone. The ending incorporates the melody of "Sora".

Appearances
  • Toy Box: "The First of the Xehanorts"

Rex Impresses

Rex Impresses

This is a brief arrangement of "No Time to Think", shortly over 20 seconds long. The percussion and string melody pause around halfway through the piece, leaving only a sustained dissonance on the supporting strings, before all instruments return for the track's conclusion.

Appearances

Buzz's Doubts

Buzz's Doubts

This is an original piece, forlorn in nature. Strings are the main focus, supported by piano and muted brass.

Appearances

Not Buzz, Too!

Not Buzz, Too!

This track is a new version of "Shaded Truths", arranged by Takeharu Ishimoto. It is similar in style and instrumentation to the original piece.

Appearances

Marluxia's Request

Marluxia's Request

This is an arrangement of "Thirteenth Discretion". It is lighter than the original song, but still mysterious in tone.

Appearances

The New Seven Hearts

The New Seven Hearts

The first part of this track is an arrangement of "Drops of Poison", while the second half is a calmer original melody.

Appearances

To the Tower!

First track

To the Tower!

This piece is an original composition. The introduction of the piece is dramatic and incorporates elements of "Happy Hair Day" in a minor key, while the second half is far calmer. After a brief pause, the track concludes with a short phrase based on "Laughter and Merriment".

Appearances

Second track

To the Tower!

This track is an arrangement of "Sora". The accompaniment is played in a higher octave than the original, giving this version of the song a lighthearted feel.

Appearances

Third track

To the Tower!

The introduction of this piece incorporates parts of "Happy Hair Day" in a minor key, while the remainder is an original melody. It is a tense and energetic composition.

Appearances

Doesn't Sound Very Caring

First track

Doesn't Sound Very Caring

This is a fun and jazzy composition which incorporates elements of "Monstropolis Now". Instrumentation consists of piano, saxophone, muted horns, strings, and drum set.

Appearances

Second track

Doesn't Sound Very Caring

This track is an arrangement of "Laughter and Merriment". It keeps the playful tone and adds a flute countermelody. While the version in the cutscene "Doesn't Sound Very Caring" ends abruptly, leading into a dissonant string note as the conclusion, the song is played in full in "Enter the Black Coat", allowing the brass-led conclusion to be heard.

Appearances
  • Monstropolis: "Doesn't Sound Very Caring", "Enter the Black Coat"

Randall's Revenge

Randall's Revenge

This is a lighter arrangement of "Broken Reality", with similar instrumentation to the original song. While the arrangement loops in the cutscene "Randall's Revenge", the version in "Enter the Black Coat" resolves the tension of the piece with an added conclusion.

Appearances

A Splash of Color

A Splash of Color

This piece is an arrangement of "Innocent Times". The tone and instrumentation is similar to the original arrangement.

Appearances

Boo the MVP

Boo the MVP

This track is an original composition with a lighthearted tone. The piece's instrumentation is almost entirely strings, with an occasional clarinet or bell interjection.

Appearances

Enter the Black Coat

Enter the Black Coat

This track is an arrangement of "Shaded Truths", arranged by Takeharu Ishimoto. It places slightly more emphasis on the driving percussion, but is otherwise similar in instrumentation and feel to the original song.

Appearances

Smell Ya Later

First track

Smell Ya Later

This is a short original composition, about 25 seconds in length. The piece is generally playful, with strings, flute, clarinet, and mallet percussion; brass joins the instrumentation for the dramatic conclusion.

Appearances

Second track

CUTSCENENAME

This track is an original composition that loosely incorporates elements of "Monstropolis Now". The first portion of the piece has the melody played on strings and flute over a plucked string foundation, with brass and percussion joining for a triumphant ending.

Appearances

Third track

CUTSCENENAME

This is a short upbeat track, about 20 seconds long. Instrumentation consists of flute, strings, and trombone.

Appearances

Extermination Complete

Extermination Complete

This track is an arrangement of "Monstropolis Now". The first half is lighter in instrumentation, creating a carefree tone, while the second half adds brass to the strings, piano, and woodwinds of the first section to create an exultant finale.

Appearances

The Ice Palace

The Ice Palace

This track is an arrangement of "Shaded Truths", arranged by Takeharu Ishimoto. The track begins with an unsettling tone, like the original, but becomes more and more frantic as the piece approaches the conclusion.

Appearances

Thirteen Darknesses

Thirteen Darknesses

This is an original composition which incorporates elements of "Frozen Wonderland". It begins somber, with a solo piano over strings, before adding flute, clarinet, bells, chimes, and eventually brass and cymbals for the piece's ending.

Appearances

An Unexpected Encounter

An Unexpected Encounter

This track is an arrangement of "The Deep End". It begins with piano, strings, and metronomic percussion, building up suspense until the full instrumentation kicks in with a battle-like feel closer to the original piece.

Appearances

The Organization's Origins

The Organization's Origins

This piece is an arrangement of "Organization XIII". It is similar in tone to the original track, while the vocal line of the original has been replaced with strings.

Appearances