Kingdom Hearts III
Kingdom Hearts III Re Mind

List of unnamed tracks (KHIII): Difference between revisions

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(Formatting)
Line 19: Line 19:
*[[Scala ad Caelum]]: "Gambit"
*[[Scala ad Caelum]]: "Gambit"


{{-}}
==Prelude to Adventure==
==Prelude to Adventure==
===First track===
===First track===
Line 29: Line 30:
*[[The Mysterious Tower]]: "Prelude to Adventure", "A Fresh Start"
*[[The Mysterious Tower]]: "Prelude to Adventure", "A Fresh Start"


{{-}}
===Second track===
===Second track===
{{Listen
{{Listen
Line 38: Line 40:
*[[The Mysterious Tower]]: "Prelude to Adventure"
*[[The Mysterious Tower]]: "Prelude to Adventure"


{{-}}
===Third track===
===Third track===
{{Listen
{{Listen
Line 48: Line 51:
*[[Gummi Ship]]: "Heart Within a Heart"
*[[Gummi Ship]]: "Heart Within a Heart"


{{-}}
===Fourth track===
===Fourth track===
{{Listen
{{Listen
Line 57: Line 61:
*[[The Mysterious Tower]]: "Prelude to Adventure"
*[[The Mysterious Tower]]: "Prelude to Adventure"


{{-}}
==Return of the Titans==
==Return of the Titans==
===First Track===
===First Track===
Line 67: Line 72:
*[[Olympus]]: "Return of the Titans"
*[[Olympus]]: "Return of the Titans"


{{-}}
===Second Track===
===Second Track===
{{Listen
{{Listen
Line 76: Line 82:
*[[Olympus]]: "Return of the Titans"
*[[Olympus]]: "Return of the Titans"


{{-}}
==Maleficent's Desire==
==Maleficent's Desire==
{{Listen
{{Listen
Line 85: Line 92:
*[[Olympus]]: "Maleficent's Desire"
*[[Olympus]]: "Maleficent's Desire"


{{-}}
==The Collapsing Building==
==The Collapsing Building==
{{Listen
{{Listen
Line 94: Line 102:
*[[Olympus]]: "The Collapsing Building"
*[[Olympus]]: "The Collapsing Building"


{{-}}
==Xigbar's Admonition==
==Xigbar's Admonition==
===First track===
===First track===
Line 104: Line 113:
*[[Olympus]]: "Xigbar's Admonition"
*[[Olympus]]: "Xigbar's Admonition"


{{-}}
===Second track===
===Second track===
{{Listen
{{Listen
Line 113: Line 123:
*[[Olympus]]: "Xigbar's Admonition", "Strategic Moves"{{RM}}
*[[Olympus]]: "Xigbar's Admonition", "Strategic Moves"{{RM}}


{{-}}
==Olympus's Splendor==
==Olympus's Splendor==
{{Listen
{{Listen
Line 122: Line 133:
*[[Olympus]]: "Olympus's Splendor"
*[[Olympus]]: "Olympus's Splendor"


{{-}}
==Showdown with the Titans==
==Showdown with the Titans==
{{Listen
{{Listen
Line 131: Line 143:
*[[Olympus]]: "Showdown with the Titans"
*[[Olympus]]: "Showdown with the Titans"


{{-}}
==A Sore Loser==
==A Sore Loser==
{{Listen
{{Listen
Line 149: Line 162:
*[[Olympus]]: "Where He Belongs"
*[[Olympus]]: "Where He Belongs"


{{-}}
==A Fresh Start==
==A Fresh Start==
===First track===
===First track===
Line 159: Line 173:
*[[The Mysterious Tower]]: "A Fresh Start"
*[[The Mysterious Tower]]: "A Fresh Start"


{{-}}
===Second track===
===Second track===
{{Listen
{{Listen
Line 168: Line 183:
*[[The Mysterious Tower]]: "A Fresh Start"
*[[The Mysterious Tower]]: "A Fresh Start"


{{-}}
===Third track===
===Third track===
{{Listen
{{Listen
Line 177: Line 193:
*[[The Mysterious Tower]]: "A Fresh Start"
*[[The Mysterious Tower]]: "A Fresh Start"


{{-}}
===Fourth track===
===Fourth track===
{{Listen
{{Listen
Line 186: Line 203:
*[[The Mysterious Tower]]: "A Fresh Start"
*[[The Mysterious Tower]]: "A Fresh Start"


{{-}}
==Heart Within a Heart==
==Heart Within a Heart==
===First track===
===First track===
Line 196: Line 214:
*[[Gummi Ship]]: "Heart Within a Heart"
*[[Gummi Ship]]: "Heart Within a Heart"


{{-}}
===Second track===
===Second track===
{{Listen
{{Listen
Line 205: Line 224:
*[[Gummi Ship]]: "Heart Within a Heart"
*[[Gummi Ship]]: "Heart Within a Heart"


{{-}}
==The First of the Xehanorts==
==The First of the Xehanorts==
===First track===
===First track===
Line 215: Line 235:
*[[Toy Box]]: "The First of the Xehanorts"
*[[Toy Box]]: "The First of the Xehanorts"


{{-}}
===Second track===
===Second track===
{{Listen
{{Listen
Line 224: Line 245:
*[[Toy Box]]: "The First of the Xehanorts"
*[[Toy Box]]: "The First of the Xehanorts"


{{-}}
==Rex Impresses==
==Rex Impresses==
{{Listen
{{Listen
Line 233: Line 255:
*[[Toy Box]]: "Rex Impresses"
*[[Toy Box]]: "Rex Impresses"


{{-}}
==Buzz's Doubts==
==Buzz's Doubts==
{{Listen
{{Listen
Line 242: Line 265:
*[[Toy Box]]: "Buzz's Doubts"
*[[Toy Box]]: "Buzz's Doubts"


{{-}}
==Not Buzz, Too!==
==Not Buzz, Too!==
{{Listen
{{Listen
Line 251: Line 275:
*[[Toy Box]]: "Not Buzz, Too!"
*[[Toy Box]]: "Not Buzz, Too!"


{{-}}
==Marluxia's Request==
==Marluxia's Request==
{{Listen
{{Listen
Line 260: Line 285:
*[[Kingdom of Corona]]: "Marluxia's Request"
*[[Kingdom of Corona]]: "Marluxia's Request"


{{-}}
==The New Seven Hearts==
==The New Seven Hearts==
===First track===
===First track===
Line 270: Line 296:
*[[Kingdom of Corona]]: "The New Seven Hearts"
*[[Kingdom of Corona]]: "The New Seven Hearts"


{{-}}
===Second track===
===Second track===
{{Listen
{{Listen
Line 279: Line 306:
*[[Kingdom of Corona]]: "The New Seven Hearts"
*[[Kingdom of Corona]]: "The New Seven Hearts"


{{-}}
==To the Tower!==
==To the Tower!==
===First track===
===First track===
Line 289: Line 317:
*[[Kingdom of Corona]]: "To the Tower!"
*[[Kingdom of Corona]]: "To the Tower!"


{{-}}
===Second track===
===Second track===
{{Listen
{{Listen
Line 298: Line 327:
*[[Kingdom of Corona]]: "To the Tower!"
*[[Kingdom of Corona]]: "To the Tower!"


{{-}}
===Third track===
===Third track===
{{Listen
{{Listen
Line 307: Line 337:
*[[Kingdom of Corona]]: "To the Tower!"
*[[Kingdom of Corona]]: "To the Tower!"


{{-}}
==Doesn't Sound Very Caring==
==Doesn't Sound Very Caring==
===First track===
===First track===
Line 317: Line 348:
*[[Monstropolis]]: "Doesn't Sound Very Caring"
*[[Monstropolis]]: "Doesn't Sound Very Caring"


{{-}}
===Second track===
===Second track===
{{Listen
{{Listen
Line 326: Line 358:
*[[Monstropolis]]: "Doesn't Sound Very Caring", "Enter the Black Coat"
*[[Monstropolis]]: "Doesn't Sound Very Caring", "Enter the Black Coat"


{{-}}
==Randall's Revenge==
==Randall's Revenge==
{{Listen
{{Listen
Line 335: Line 368:
*[[Monstropolis]]: "Randall's Revenge", "Enter the Black Coat"
*[[Monstropolis]]: "Randall's Revenge", "Enter the Black Coat"


{{-}}
==A Splash of Color==
==A Splash of Color==
{{Listen
{{Listen
Line 344: Line 378:
*[[Monstropolis]]: "A Splash of Color", "Boo the MVP"
*[[Monstropolis]]: "A Splash of Color", "Boo the MVP"


{{-}}
==Boo the MVP==
==Boo the MVP==
{{Listen
{{Listen
Line 353: Line 388:
*[[Monstropolis]]: "Boo the MVP"
*[[Monstropolis]]: "Boo the MVP"


{{-}}
==Enter the Black Coat==
==Enter the Black Coat==
{{Listen
{{Listen
Line 362: Line 398:
*[[Monstropolis]]: "Enter the Black Coat"
*[[Monstropolis]]: "Enter the Black Coat"


{{-}}
==Smell Ya Later==
==Smell Ya Later==
===First track===
===First track===
Line 372: Line 409:
*[[Monstropolis]]: "Smell Ya Later"
*[[Monstropolis]]: "Smell Ya Later"


{{-}}
===Second track===
===Second track===
{{Listen
{{Listen
Line 381: Line 419:
*[[Monstropolis]]: "Smell Ya Later"
*[[Monstropolis]]: "Smell Ya Later"


{{-}}
===Third track===
===Third track===
{{Listen
{{Listen
Line 390: Line 429:
*[[Monstropolis]]: "Smell Ya Later"
*[[Monstropolis]]: "Smell Ya Later"


{{-}}
==Extermination Complete==
==Extermination Complete==
{{Listen
{{Listen
Line 399: Line 439:
*[[Monstropolis]]: "Extermination Complete"
*[[Monstropolis]]: "Extermination Complete"


{{-}}
==The Ice Palace==
==The Ice Palace==
{{Listen
{{Listen
Line 408: Line 449:
*[[Arendelle]]: "The Ice Palace"
*[[Arendelle]]: "The Ice Palace"


{{-}}
==Thirteen Darknesses==
==Thirteen Darknesses==
{{Listen
{{Listen
Line 417: Line 459:
*[[Arendelle]]: "Thirteen Darknesses"
*[[Arendelle]]: "Thirteen Darknesses"


{{-}}
==An Unexpected Encounter==
==An Unexpected Encounter==
{{Listen
{{Listen
Line 426: Line 469:
*[[Realm of Darkness]]: "An Unexpected Encounter"
*[[Realm of Darkness]]: "An Unexpected Encounter"


{{-}}
==100 Acre Wood Mini-games==
==100 Acre Wood Mini-games==
{{Listen
{{Listen
Line 435: Line 479:
*[[100 Acre Wood]]: [[Tigger's Vegetable Spree]], [[Lumpy's Fruit Parade]], [[Pooh's Hunny Harvest]]
*[[100 Acre Wood]]: [[Tigger's Vegetable Spree]], [[Lumpy's Fruit Parade]], [[Pooh's Hunny Harvest]]


{{-}}
==The Organization's Origins==
==The Organization's Origins==
{{Listen
{{Listen
Line 444: Line 489:
*[[Keyblade Graveyard]]: "The Organization's Origins"
*[[Keyblade Graveyard]]: "The Organization's Origins"


{{-}}
==Running Out of Sea==
==Running Out of Sea==
{{Listen
{{Listen
Line 453: Line 499:
*[[The Caribbean]]: "Running Out of Sea"
*[[The Caribbean]]: "Running Out of Sea"


{{-}}
==The Dead Man's Chest==
==The Dead Man's Chest==
{{Listen
{{Listen
Line 462: Line 509:
*[[The Caribbean]]: "The Dead Man's Chest"
*[[The Caribbean]]: "The Dead Man's Chest"


{{-}}
==That's Desertion!==
==That's Desertion!==
{{Listen
{{Listen
Line 471: Line 519:
*[[The Caribbean]]: "That's Desertion!"
*[[The Caribbean]]: "That's Desertion!"


{{-}}
==An Arrangement==
==An Arrangement==
{|style="float:right;text-align:center;border:1px solid #A9A9A9;border-radius:10px;margin:0 0 0.5em 1em" width="300px"
{|style="float:right;text-align:center;border:1px solid #A9A9A9;border-radius:10px;margin:0 0 0.5em 1em" width="300px"
Line 482: Line 531:
*[[The Caribbean]]: "An Arrangement"
*[[The Caribbean]]: "An Arrangement"


{{-}}
==Parley with Luxord==
==Parley with Luxord==
{{Listen
{{Listen
Line 491: Line 541:
*[[The Caribbean]]: "Parley with Luxord"
*[[The Caribbean]]: "Parley with Luxord"


{{-}}
==Atonement==
==Atonement==
{{Listen
{{Listen
Line 500: Line 551:
*[[Twilight Town]]: "Atonement"
*[[Twilight Town]]: "Atonement"


{{-}}
==The AR Device==
==The AR Device==
{{Listen
{{Listen
Line 509: Line 561:
*[[San Fransokyo]]: "The AR Device"
*[[San Fransokyo]]: "The AR Device"


{{-}}
==Finding an Edge==
==Finding an Edge==
{{Listen
{{Listen
Line 518: Line 571:
*[[San Fransokyo]]: "Finding an Edge"
*[[San Fransokyo]]: "Finding an Edge"


{{-}}
==Upgraded==
==Upgraded==
===First Track===
===First Track===
Line 528: Line 582:
*[[San Fransokyo]]: "Upgraded"
*[[San Fransokyo]]: "Upgraded"


{{-}}
===Second Track===
===Second Track===
{{Listen
{{Listen
Line 537: Line 592:
*[[San Fransokyo]]: "Upgraded"
*[[San Fransokyo]]: "Upgraded"


{{-}}
==Making Up the Difference==
==Making Up the Difference==
{{Listen
{{Listen
Line 546: Line 602:
*[[San Fransokyo]]: "Making Up the Difference"
*[[San Fransokyo]]: "Making Up the Difference"


{{-}}
==Enter the Supervillain==
==Enter the Supervillain==
{{Listen
{{Listen
Line 555: Line 612:
*[[San Fransokyo]]: "Enter the Supervillain"
*[[San Fransokyo]]: "Enter the Supervillain"


{{-}}
==A Riku From the Past?==
==A Riku From the Past?==
{{Listen
{{Listen
Line 564: Line 622:
*[[San Fransokyo]]: "A Riku From the Past?"
*[[San Fransokyo]]: "A Riku From the Past?"


{{-}}
==Braving the Darkness==
==Braving the Darkness==
{{Listen
{{Listen
Line 573: Line 632:
*[[Realm of Darkness]]: "Braving the Darkness"
*[[Realm of Darkness]]: "Braving the Darkness"


{{-}}
==An End to Slumber==
==An End to Slumber==
{{Listen
{{Listen
Line 582: Line 642:
*[[Land of Departure]]: "An End to Slumber"
*[[Land of Departure]]: "An End to Slumber"


{{-}}
==A World of Only Hearts==
==A World of Only Hearts==
{{Listen
{{Listen
Line 591: Line 652:
*[[The Final World]]: "A World of Only Hearts", "As The Heart Commands"{{RM}}
*[[The Final World]]: "A World of Only Hearts", "As The Heart Commands"{{RM}}


{{-}}
==A Corridor of Light==
==A Corridor of Light==
{{Listen
{{Listen
Line 600: Line 662:
*[[Keyblade Graveyard]]: "A Corridor of Light"
*[[Keyblade Graveyard]]: "A Corridor of Light"


{{-}}
==A Vain Promise==
==A Vain Promise==
{{Listen
{{Listen
Line 609: Line 672:
*[[Keyblade Graveyard]]: "A Vain Promise", "Past Redux: A Vain Promise"{{RM}}
*[[Keyblade Graveyard]]: "A Vain Promise", "Past Redux: A Vain Promise"{{RM}}


{{-}}
==The Gambler's Lot==
==The Gambler's Lot==
{{Listen
{{Listen
Line 618: Line 682:
*[[Keyblade Graveyard]]: "The Gambler's Lot", "Past Redux: The Gambler's Lot"{{RM}}
*[[Keyblade Graveyard]]: "The Gambler's Lot", "Past Redux: The Gambler's Lot"{{RM}}


{{-}}
==An Unspoken Secret==
==An Unspoken Secret==
{{Listen
{{Listen
Line 627: Line 692:
*[[Keyblade Graveyard]]: "An Unspoken Secret", "Past Redux: An Unspoken Secret"{{RM}}
*[[Keyblade Graveyard]]: "An Unspoken Secret", "Past Redux: An Unspoken Secret"{{RM}}


{{-}}
==Reclaiming His Identity==
==Reclaiming His Identity==
{{Listen
{{Listen
Line 636: Line 702:
*[[Keyblade Graveyard]]: "Reclaiming His Identity", "Past Redux: Reclaiming His Identity"{{RM}}
*[[Keyblade Graveyard]]: "Reclaiming His Identity", "Past Redux: Reclaiming His Identity"{{RM}}


{{-}}
==From Chains to Bonds==
==From Chains to Bonds==
===First track===
===First track===
Line 646: Line 713:
*[[Keyblade Graveyard]]: "From Chains to Bonds", "Terra's Heart"{{RM}}
*[[Keyblade Graveyard]]: "From Chains to Bonds", "Terra's Heart"{{RM}}


{{-}}
===Second track===
===Second track===
{{Listen
{{Listen
Line 655: Line 723:
*[[Keyblade Graveyard]]: "From Chains to Bonds", "Terra's Heart"{{RM}}
*[[Keyblade Graveyard]]: "From Chains to Bonds", "Terra's Heart"{{RM}}


{{-}}
==The Last Light==
==The Last Light==
===First track===
===First track===
Line 665: Line 734:
*[[Keyblade Graveyard]]: "The Last Light", "Roxas's Heart"{{RM}}
*[[Keyblade Graveyard]]: "The Last Light", "Roxas's Heart"{{RM}}


{{-}}
===Second track===
===Second track===
{{Listen
{{Listen
Line 674: Line 744:
*[[Keyblade Graveyard]]: "The Last Light", "Roxas's Heart"{{RM}}
*[[Keyblade Graveyard]]: "The Last Light", "Roxas's Heart"{{RM}}


{{-}}
==More to Seek==
==More to Seek==
{{Listen
{{Listen
Line 683: Line 754:
*[[Keyblade Graveyard]]: "More to Seek", "Journey's End"{{RM}}
*[[Keyblade Graveyard]]: "More to Seek", "Journey's End"{{RM}}


{{-}}
==A First Surge of Emotion==
==A First Surge of Emotion==
{{Listen
{{Listen
Line 692: Line 764:
*[[Keyblade Graveyard]]: "A First Surge of Emotion", "The Power Within"{{RM}}
*[[Keyblade Graveyard]]: "A First Surge of Emotion", "The Power Within"{{RM}}


{{-}}
==Good-bye, Sora==
==Good-bye, Sora==
{{Listen
{{Listen
Line 701: Line 774:
*[[Keyblade Graveyard]]: "Good-bye, Sora", "Good-bye, Sora"{{RM}}
*[[Keyblade Graveyard]]: "Good-bye, Sora", "Good-bye, Sora"{{RM}}


{{-}}
==Kingdom Hearts==
==Kingdom Hearts==
===First track===
===First track===
Line 711: Line 785:
*[[Keyblade Graveyard]]: "Kingdom Hearts"<ref>Originally "[[Missing You]]" prior to the 1.07 update.</ref>, "Kairi's Whereabouts"{{RM}}
*[[Keyblade Graveyard]]: "Kingdom Hearts"<ref>Originally "[[Missing You]]" prior to the 1.07 update.</ref>, "Kairi's Whereabouts"{{RM}}


{{-}}
===Second track===
===Second track===
{{Listen
{{Listen
Line 720: Line 795:
*[[Keyblade Graveyard]]: "Kingdom Hearts"<ref>Originally the ''Kingdom Hearts Birth by Sleep'' version of "The Key of Darkness" prior to the 1.07 update.</ref>, "Kairi's Whereabouts"{{RM}}
*[[Keyblade Graveyard]]: "Kingdom Hearts"<ref>Originally the ''Kingdom Hearts Birth by Sleep'' version of "The Key of Darkness" prior to the 1.07 update.</ref>, "Kairi's Whereabouts"{{RM}}


{{-}}
===Third track===
===Third track===
{{Listen
{{Listen
Line 729: Line 805:
*[[Keyblade Graveyard]]: "Kingdom Hearts", "Kairi's Whereabouts"{{RM}}
*[[Keyblade Graveyard]]: "Kingdom Hearts", "Kairi's Whereabouts"{{RM}}


{{-}}
==The Plan==
==The Plan==
{{Listen
{{Listen
Line 738: Line 815:
*[[Keyblade Graveyard]]: "The Plan"{{RM}}
*[[Keyblade Graveyard]]: "The Plan"{{RM}}


{{-}}
==Long Awaited Showdown==
==Long Awaited Showdown==
{{Listen
{{Listen
Line 747: Line 825:
*[[Keyblade Graveyard]]: "Long Awaited Showdown"{{RM}}
*[[Keyblade Graveyard]]: "Long Awaited Showdown"{{RM}}


{{-}}
==Roxas's Heart==
==Roxas's Heart==
{{Listen
{{Listen
Line 756: Line 835:
*[[Keyblade Graveyard]]: "Roxas's Heart"{{RM}}
*[[Keyblade Graveyard]]: "Roxas's Heart"{{RM}}


{{-}}
==The Final Key==
==The Final Key==
===First track===
===First track===
Line 766: Line 846:
*[[Keyblade Graveyard]]: "The Final Key"{{RM}}
*[[Keyblade Graveyard]]: "The Final Key"{{RM}}


{{-}}
===Second Track===
===Second Track===
{{Listen
{{Listen
Line 775: Line 856:
*[[Keyblade Graveyard]]: "The Final Key"{{RM}}
*[[Keyblade Graveyard]]: "The Final Key"{{RM}}


{{-}}
==The Sigil==
==The Sigil==
===First track===
===First track===
Line 785: Line 867:
*[[Keyblade Graveyard]]: "The Sigil"{{RM}}
*[[Keyblade Graveyard]]: "The Sigil"{{RM}}


{{-}}
===Second track===
===Second track===
{{Listen
{{Listen
Line 794: Line 877:
*[[Keyblade Graveyard]]: "The Sigil"{{RM}}
*[[Keyblade Graveyard]]: "The Sigil"{{RM}}


{{-}}
==Battle of the Guardians==
==Battle of the Guardians==
{{Listen
{{Listen
Line 803: Line 887:
*[[Keyblade Graveyard]]: "Battle of the Guardians"{{RM}}
*[[Keyblade Graveyard]]: "Battle of the Guardians"{{RM}}


{{-}}
==Sora and Kairi==
==Sora and Kairi==
{{Listen
{{Listen
Line 812: Line 897:
*[[Scala ad Caelum]]: "Sora and Kairi"{{RM}}
*[[Scala ad Caelum]]: "Sora and Kairi"{{RM}}


{{-}}
==Connecting Hearts==
==Connecting Hearts==
===First track===
===First track===
Line 822: Line 908:
*[[Scala ad Caelum]]: "Connecting Hearts"{{RM}}
*[[Scala ad Caelum]]: "Connecting Hearts"{{RM}}


{{-}}
===Second track===
===Second track===
{{Listen
{{Listen
Line 831: Line 918:
*[[Scala ad Caelum]]: "Connecting Hearts"{{RM}}
*[[Scala ad Caelum]]: "Connecting Hearts"{{RM}}


{{-}}
==Sora and Yozora==
==Sora and Yozora==
{{Listen
{{Listen
Line 840: Line 928:
*[[The Final World]]: "Sora and Yozora"{{RM}}
*[[The Final World]]: "Sora and Yozora"{{RM}}


{{-}}
==I've Been Having These Weird Thoughts Lately==
==I've Been Having These Weird Thoughts Lately==
{|style="float:right;text-align:center;border:1px solid #A9A9A9;border-radius:10px;margin:0 0 0.5em 1em" width="300px"
{|style="float:right;text-align:center;border:1px solid #A9A9A9;border-radius:10px;margin:0 0 0.5em 1em" width="300px"
Line 851: Line 940:
*[[Quadratum]]: "[[I've Been Having These Weird Thoughts Lately]]"{{RM}}
*[[Quadratum]]: "[[I've Been Having These Weird Thoughts Lately]]"{{RM}}


{{-}}
==Like, Is Any of This for Real or Not?==
==Like, Is Any of This for Real or Not?==
{|style="float:right;text-align:center;border:1px solid #A9A9A9;border-radius:10px;margin:0 0 0.5em 1em" width="300px"
{|style="float:right;text-align:center;border:1px solid #A9A9A9;border-radius:10px;margin:0 0 0.5em 1em" width="300px"

Revision as of 04:59, 1 December 2022

The following is a list of music tracks introduced in Kingdom Hearts III and Kingdom Hearts III Re Mind that have not been released on an official album. Many of these tracks are arrangements of existing Kingdom Hearts songs, while others either incorporate elements from previous tracks or are wholly original compositions. As all of these tracks are untitled, the name of the cutscene they first appear in is used to distinguish them. Unless otherwise noted, the arranger of each individual track is unknown.


Gambit

Gambit

This piece is a tranquil piano solo. The first half is an arrangement of "Destiny's Union", while the second half incorporates elements from the melody of "Dearly Beloved". The melody returns to "Destiny's Union" for the track's conclusion.

Prelude to Adventure

First track

Prelude to Adventure

This is a calm arrangement of "Magical Mystery". It led by piano with a constant string backing; instrumentation also includes plucked strings, horns, and bells. This same arrangement appears in the cutscene "A Fresh Start" with an additional dramatic introduction that lasts about 25 seconds.

Second track

Prelude to Adventure

The track is a brief arrangement of "Sora", lasting about 25 seconds. While its instrumentation is similar to the original track, this version omits the melody, leaving only the supporting voices.

Third track

Prelude to Adventure

This is a calm and playful arrangement of "Sora". The main melody is played by a flute and violin, while other voices include strings, piano, and clarinet.

Fourth track

Prelude to Adventure

This arrangement of "Hand in Hand" is brief and triumphant. It is similar in instrumentation to the original version of the track.

Return of the Titans

First Track

Return of the Titans

This is a short tack that accompanies the world logo of Olympus. It incorporates elements of "Olympus Coliseum". The fanfare is cheerful for most of the piece, but ends on a sinister note.

Second Track

Return of the Titans

This is a lighter arrangement of "Villains of a Sort". It is played by strings with woodwind support, plucked notes accenting the main bowed melody.

Maleficent's Desire

Maleficent's Desire

The first part is an arrangement of "No Time to Think", lasting for shortly over 20 seconds. The remaining 40 seconds of the piece contains an original melody that incorporates parts of "Olympus Coliseum". The track begins frantic and energetic and gradually becomes more triumphant as it approaches the climax.

The Collapsing Building

The Collapsing Building

This track is suspenseful and energetic. The piece incorporates the melodies of "Olympus Coliseum" and "Hand in Hand", both transposed to a minor key. The instrumentation consists of brass, strings, and marching percussion.

Xigbar's Admonition

First track

Xigbar's Admonitio

This track is primarily based on "No Time to Think", with similar instrumentation to the original. Brass instruments layer on the melody of "Olympus Coliseum" in a minor key.

Second track

Xigbar's Admonition

This is an arrangement of "Organization XIII". It incorporates parts of the string accompaniment from "Xigbar", itself an arrangement of "Organization XIII". The melody is passed between piano, strings, and a choir section led by a female voice.

Olympus's Splendor

Olympus's Splendor

The piece is an entirely original composition of about 20 seconds. It is cheerful fanfare led by brass, choir, and strings.

Showdown with the Titans

Showdown with the Titans

This is a medley of "Road to a Hero", "Villains of a Sort", and "Hand in Hand", with an original melody woven throughout. The instrumentation consists of brass, strings, and percussion.

  • Olympus: "Showdown with the Titans"

A Sore Loser

A Sore Loser

This first 30 seconds of this track is an arrangement of "The Deep End", while the remainder of the piece switches between an original melody and sections based on "Olympus Coliseum", with a hint of the melody of "Villains of a Sort". Like much of the fanfare in Olympus, this piece is led by brass, strings, and percussion.

Where He Belongs

Where He Belongs

This is an arrangement of "Olympus Coliseum". It is about a minute long; the first half stays close to the original arrangement, while the second half works the melody into a triumphant conclusion.

A Fresh Start

First track

A Fresh Start

This is an original composition. It is playful in tone, consisting of a cheerful flute melody and light string support.

Second track

A Fresh Start

This track is an arrangement of "Aqua". Like the original, it is a somber piece. This version has lighter instrumentation, consisting only of piano and strings.

Third track

A Fresh Start

After a brief introduction based on the melody of "Sora", this piece transitions into an original composition. It is a collected piece led by strings and piano.

Fourth track

A Fresh Start

This is an arrangement of "Sora" with certain phrases transposed to a minor key, building tension in an otherwise light and cheerful arrangement. After about 50 seconds, the piece becomes an arrangement of "Link to All". The first part is performed by flute, strings, piano, and percussion, while the second part uses clarinet, strings, and piano.

Heart Within a Heart

First track

Heart Within a Heart

This track is an arrangement of "Shipmeisters' Humoresque", lasting about one minute. It is similar in tone and instrumentation to the original song.

Second track

Heart Within a Heart

This track is an arrangement "Sora". It begins calm and builds to a triumphant finish.

The First of the Xehanorts

First track

The First of the Xehanorts

This is an entirely original composition, about 25 seconds in length. It has a playful introduction and incorporates brass, strings, and cymbals.

  • Toy Box: "The First of the Xehanorts"

Second track

The First of the Xehanorts

This track alternates between sections based on "Xehanort" and an original melody. It begins as an unsettling piece before shifting to a more battle-like tone. The ending incorporates the melody of "Sora".

  • Toy Box: "The First of the Xehanorts"

Rex Impresses

Rex Impresses

This is a brief arrangement of "No Time to Think", shortly over 20 seconds long. The percussion and string melody pause around halfway through the piece, leaving only a sustained dissonance on the supporting strings, before all instruments return for the track's conclusion.

Buzz's Doubts

Buzz's Doubts

This is an original piece, forlorn in nature. Strings are the main focus, supported by piano and muted brass.

Not Buzz, Too!

Not Buzz, Too!

This track is a new version of "Shaded Truths", arranged by Takeharu Ishimoto. It is similar in style and instrumentation to the original piece.

Marluxia's Request

Marluxia's Request

This is an arrangement of "Thirteenth Discretion". It is lighter than the original song, but still mysterious in tone.

The New Seven Hearts

First track

The New Seven Hearts

The first part of this track is an arrangement of "Drops of Poison", while the second half is a calmer original melody.

Second track

The New Seven Hearts

This is an arrangement of "The Nightmare". The first half is restrained, while the second half introduces a percussive beat and a frantic string section. However, only the first portion of the track plays in the cutscene, leaving the rest unused.[1]

To the Tower!

First track

To the Tower!

This piece is an original composition. The introduction of the piece is dramatic and incorporates elements of "Happy Hair Day" in a minor key, while the second half is far calmer. After a brief pause, the track concludes with a short phrase based on "Laughter and Merriment".

Second track

To the Tower!

This track is an arrangement of "Sora". The accompaniment is played in a higher octave than the original, giving this version of the song a lighthearted feel.

Third track

To the Tower!

The introduction of this piece incorporates parts of "Happy Hair Day" in a minor key, while the remainder is an original melody. It is a tense and energetic composition.

Doesn't Sound Very Caring

First track

Doesn't Sound Very Caring

This is a fun and jazzy composition which incorporates elements of "Monstropolis Now". Instrumentation consists of piano, bass, saxophone, muted horns, strings, and drum set.

Second track

Doesn't Sound Very Caring

This track is an arrangement of "Laughter and Merriment". It keeps the playful tone and adds a flute countermelody. While the version in the cutscene "Doesn't Sound Very Caring" ends abruptly, leading into a dissonant string note as the conclusion, the song is played in full in "Enter the Black Coat", allowing the brass-led conclusion to be heard.

  • Monstropolis: "Doesn't Sound Very Caring", "Enter the Black Coat"

Randall's Revenge

Randall's Revenge

This is a lighter arrangement of "Broken Reality", with similar instrumentation to the original song. While the arrangement loops in the cutscene "Randall's Revenge", the version in "Enter the Black Coat" resolves the tension of the piece with an added conclusion.

A Splash of Color

A Splash of Color

This piece is an arrangement of "Innocent Times". The tone and instrumentation is similar to the original arrangement.

Boo the MVP

Boo the MVP

This track is an original composition with a lighthearted tone. The piece's instrumentation is almost entirely strings, with an occasional clarinet or bell interjection.

Enter the Black Coat

Enter the Black Coat

This track is an arrangement of "Shaded Truths", arranged by Takeharu Ishimoto. It places slightly more emphasis on the driving percussion, but is otherwise similar in instrumentation and feel to the original song.

Smell Ya Later

First track

Smell Ya Later

This is a short original composition, about 25 seconds in length. The piece is generally playful, with strings, flute, clarinet, and mallet percussion; brass joins the instrumentation for the dramatic conclusion.

Second track

Smell Ya Later

This track is an original composition that loosely incorporates elements of "Monstropolis Now". The first portion of the piece has the melody played on strings and flute over a plucked string foundation, with brass and percussion joining for a triumphant ending.

Third track

Smell Ya Later

This is a short upbeat track, about 20 seconds long. Instrumentation consists of flute, strings, and trombone.

Extermination Complete

Extermination Complete

This track is an arrangement of "Monstropolis Now". The first half is lighter in instrumentation, creating a carefree tone, while the second half adds brass to the strings, piano, and woodwinds of the first section to create an exultant finale.

The Ice Palace

The Ice Palace

This track is an arrangement of "Shaded Truths", arranged by Takeharu Ishimoto. The track begins with an unsettling tone, like the original, but becomes more and more frantic as the piece approaches the conclusion.

Thirteen Darknesses

Thirteen Darknesses

This is an original composition which incorporates elements of "Frozen Wonderland". It begins somber, with a solo piano over strings, before adding flute, clarinet, bells, chimes, and eventually brass and cymbals for the piece's ending.

An Unexpected Encounter

An Unexpected Encounter

This track is an arrangement of "The Deep End". It begins with piano, strings, and metronomic percussion, building up suspense until the full instrumentation kicks in with a battle-like feel closer to the original piece.

100 Acre Wood Mini-games

100 Acre Wood Mini-games

Uniquely, this unnamed track does not appear in a cutscene, but rather in mini-games. It is a fast-paced and energetic piece that plays when time is low. Instrumentation consists of a full array of strings, along with flute, tambourine, and mallet percussion.

The Organization's Origins

The Organization's Origins

This piece is an arrangement of "Organization XIII". It is similar in tone to the original track, while the vocal line of the original has been replaced with strings.

Running Out of Sea

Running Out of Sea

The first part of this track is an arrangement of "No Time to Think", with emphasis placed on the low brass and percussive hits. After about 12 seconds, this section gives way to the theme that accompanies the world logo of The Caribbean, which incorporates elements of "Hearts of Courage".

The Dead Man's Chest

The Dead Man's Chest

This is an arrangement of "Drops of Poison". While the supporting instruments are much softer compared to the original, reducing the dissonance of the track, it retains the unsettling tone of the original arrangement.

That's Desertion!

That's Desertion!

This is a brief track, about 25 second long. The first half is triumphant and similar in composition and instrumentation to "The Victorious", while the second half is more mysterious.

An Arrangement

An Arrangement
No proper recording of this track exists.

This is an original ambient arrangement. The instrumentation consists solely of strings.

Parley with Luxord

Parley with Luxord

This piece is an arrangement of "Strange Whispers". It alternates twice between a soft section with strings and a louder section which features brass and male choir, with the second half adding piano to both sections.

Atonement

Atonement

This is an energetic arrangement of "Apprehension". The melody is played by strings over light percussion and a new rhythmic string foundation. Brass accents and cymbals are added as the piece climaxes.

The AR Device

The AR Device

This is a very short theme based on the melody of "Sora", lasting only about five seconds.

Finding an Edge

Finding an Edge

This is an arrangement "Sora" with electronic touches. It is very similar in composition to "Hero Upgrade", which plays immediately following this theme.

Upgraded

First Track

Upgraded

This piece is an arrangement of "Road to a Hero". It has significantly less percussion than the original and adds electronic flourishes to the piece.

Second Track

Upgraded

This is a subdued arrangement of "Strange Whispers". Instrumentation primarily consists of piano and synth, giving an almost muffled feel.

Making Up the Difference

Making Up the Difference

This track is an arrangement of "Distant from You...". It shares an identical piano line to the first part of "Baymax Rebooted", which is also an arrangement of "Distant from You...", but differs from that piece in where the string, flute, and clarinet parts accompany the piano.

Enter the Supervillain

Enter the Supervillain

This is a haunting arrangement of "Strange Whispers". An added guitar, a distant vocal line, and the gradual growth of an electronic beat make this piece mysterious and unnerving.

A Riku From the Past?

A Riku From the Past?

This piece is an arrangement of "Xehanort -The Early Years-". The melody is played on strings, while the electronic feel of the original backing has been toned down.

Braving the Darkness

Braving the Darkness

This track begins as an arrangement of "Sora" before shifting to the melody of "Dearly Beloved" about halfway through. Overall, the piece has a hopeful and relieved tone.

An End to Slumber

An End to Slumber

This piece is an arrangement of "Ventus". The arrangement maintains the wistful tone of the original, adding two grand crescendos near the finale.

A World of Only Hearts

A World of Only Hearts

This is an arrangement of "Dream Eaters". It is slightly slower than the original and has a far fuller sound, with instrumentation consisting of strings and choir.

A Corridor of Light

A Corridor of Light

This piece features and original melody, while using the melody of "Magical Mystery" as a backing rhythm. The use of horns gives this track a grand feel. The conclusion of the piece incorporates the melody of "Hand in Hand".

A Vain Promise

A Vain Promise

This is an arrangement of "Organization XIII". It is notably slower than the original version. The melody is played on piano, accompanied by strings and occasional notes from a bell set.

The Gambler's Lot

The Gambler's Lot

This is an arrangement of "Organization XIII". The melody is played by strings and clarinet in addition to piano, while the piece incorporates many unique flourishes. The arrangement frequently shifts to a major key, giving this version a far more peaceful feel.

An Unspoken Secret

An Unspoken Secret

This is an arrangement of "Organization XIII". Flute, bells, and harp join the piano and strings, with extra piano notes filling out the piece. While not upbeat, this arrangement is far less sinister than the original.

Reclaiming His Identity

Reclaiming His Identity

This is an arrangement of "Organization XIII". It is characterized by light strings, wind chimes, and harp, with instrumentation also including flute, clarinet, and piano. This arrangement is calm and peaceful.

From Chains to Bonds

First track

From Chains to Bonds

This piece is a frantic arrangement of "Dismiss". A steady percussion beat drives the track forward, with the vocal line becoming far more prominent as well.

Second track

From Chains to Bonds

This track is a dramatic arrangement of "Terra". Although the instrumentation is generally similar to the original, this arrangement has a grander feel, with a choir joining in for the finale. After the climax of the piece, the final phrase incorporates the melody of "Dearly Beloved".

The Last Light

First track

The Last Light

The first section of this composition incorporates elements of "Organization XIII" and the first movement of "Darkness of the Unknown". This part is an intense battle theme, with strings, brass, piano, and percussion. The latter half of the track has a forlorn feel, with flute and clarinet replacing the brass and percussion of the first half.

Second track

The Last Light

This track is an arrangement of "Musique pour la tristesse de Xion" with elements of "Organization XIII". It is a flowing piece led by flute, clarinet, strings, and piano.

More to Seek

More to Seek

This is an arrangement of "Organization XIII". While initially dark, the tone of the piece becomes calmer – almost sad – as the track progresses.

A First Surge of Emotion

A First Surge of Emotion

This is an arrangement of "Organization XIII". It has a distorted feel throughout, and the first section accentuates this tone by playing primarily in the lower register.

Good-bye, Sora

Good-bye, Sora

This track is an arrangement of "Xehanort". There is constant natural percussion moving the piece forward, and the melody is played in a higher register. Increasingly frantic orchestra hits signal the piece's conclusion.

Kingdom Hearts

First track

Kingdom Hearts

This is an original arrangement based on various elements of "Destati". The piece incorporates a few notes from "Kairi", which lead into a moment of calm before the piece crescendos back into the climactic "Destati" introduction on strings and organ.

Second track

Kingdom Hearts

This piece is an initially delicate arrangement of "The Key of Darkness". As the piece progresses, the string section is joined by organ, percussion, choir, and brass for a foreboding conclusion.

Third track

Kingdom Hearts

This track begins with a piano phrase which uses the melody of "Musique pour la tristesse de Xion". The piece then transitions into an arrangement of "Always on My Mind", followed by an original melody, and finally a triumphant conclusion based on "Dearly Beloved".

The Plan

The Plan

This is primarily an arrangement of "Organization XIII", although the introduction is based on "Destati". Certain portions of the track incorporate a string rhythm similar to that of the "Organization XIII" arrangement introduced in the cutscene "Xigbar's Admonition". Instrumentation consists of piano, strings, and choir.

Long Awaited Showdown

Long Awaited Showdown

The introduction to this track is an original composition that features piano, strings, timpani, and low woodwinds. About 45 seconds into the piece, the piano line begins to incorporate elements of the first movement of "Darkness of the Unknown", the melody of which is picked up by an organ shortly thereafter. The next section of the piece is based on "Organization XIII". The piece ends with a tension-building sting from the string section identical to that used in the cutscene "The Last Light".

Roxas's Heart

Roxas's Heart

This track is a sorrowful composition that grows more hopeful as it progresses. The piece features the melodies of "Organization XIII", "Kairi" and "Dearly Beloved".

The Final Key

First track

The Final Key

This piece begins with the melody of "Musique pour la tristesse de Xion" before shifting into a section based on "Roxas". It maintains the wistful tone of both original songs.

Second Track

The Final Key

The first part of this piece is shared with the first track in the cutscene "The Last Light" and, to a lesser degree, "Long Awaited Showdown". This piece continues to expand further on the melody of the first movement of "Darkness of the Unknown", incorporating parts of "Organization XIII" as well. This section builds up until a sudden pause about halfway through the track. The next section is a darker arrangement which uses elements of "Sora", dipping into a somber tone before the conclusion.

The Sigil

First track

The Sigil

This is a short composition, about 25 seconds long. It is a strong arrangement of "Roxas" that gradually crescendos to the climax at the end of the piece, which subtly incorporates elements of "Organization XIII" in a similar manner to "Hearts as One".

Second track

The Sigil

This track is an original composition that incorporates elements of many different tracks: "Kairi", "Roxas", "Sora", "Organization XIII", and "Musique pour la tristesse de Xion". It is a flowing piece that features piano, strings, flute, clarinet, and various percussion instruments.

Battle of the Guardians

Battle of the Guardians

This is a tense and ominous piece that centers around the descending pattern of "Replicas". It is led by strings, with brass and percussion joining in as the piece crescendos.

Sora and Kairi

Sora and Kairi

The first part of this track has an ethereal feel, with synth, wind chimes, piano, and light strings. The second half, based on "Destati", is significantly faster and more aggressive. Strings and horns push the piece forward, with percussion joining at the end.

Connecting Hearts

First track

Connecting Hearts

This track begins with a section based on "Guardians of Light". The piece then accelerates, transitioning into a section based on "Dearly Beloved" before slowing down once more for the finale. Overall, it is an light and excited composition.

Second track

Connecting Hearts

This is a conclusive arrangement of "Link to All" with an emphasis on brass fanfare.

Sora and Yozora

Sora and Yozora

This is an original composition with a calm, almost weightless feel. Following an introduction led by a female voice, the piece has a lot of emptiness. There is a soft piano melody which loosely quotes the melody of "Sora". The conclusion of the piece has a fuller sound, adding bursts of energy to an otherwise serene track.

I've Been Having These Weird Thoughts Lately

I've Been Having These Weird Thoughts Lately
No proper recording of this track exists.

This is a solemn composition that incorporates elements of "Nachtflügel" on violin. The conclusion of the piece features the melody of "Dearly Beloved", ending on a pensive note. Instrumentation is primarily led by strings and piano, while the introduction uses vocals as well.

Like, Is Any of This for Real or Not?

Like, Is Any of This for Real or Not?
No proper recording of this track exists.

This composition mirrors that of "I've Been Having These Weird Thoughts Lately". The first section has more focus on piano, likewise incorporating parts of "Nachtflügel". The ending section resolves the melody of "Dearly Beloved", contributing to a more complete and satisfied tone.

Notes and references

  1. ^ See Removed content for more information.
  2. ^ Originally "Missing You" prior to the 1.07 update.
  3. ^ Originally the Kingdom Hearts Birth by Sleep version of "The Key of Darkness" prior to the 1.07 update.