Director's Secret Report XIII: Difference between revisions
My Humps
KrytenKoro (talk | contribs) (How the hell is coded set in the realm of darkness? How do you not understand what "absence" means?) |
(My Humps) |
||
Line 26: | Line 26: | ||
:At the same time Roxas awoke in Twilight Town, Naminé awoke in Castle Oblivion. Afterwards, the Organization discovered Naminé. The organization thought of Naminé's gift to manipulate memories as a way to resolve the actual circumstances surrounding each of their abilities and attributes. The memories of those who enter were used in the experiments on memories going on there. Above all else, the Organization's leader Xemnas was investigating the importance of memories. During these experiments, in order for these memories to be broken and then regenerated, those pods were made by the Organization. The pod Sora awoke from in Twilight Town and the pod Diz moved from Castle Oblivion to keep away from the Organization's pursuit are the same thing. Also, there is an additional scene where Xigbar talks about the "true goal of Castle Oblivion" and when this particular scene appears, I think all mystery surrounding Castle Oblivion should become clear. | :At the same time Roxas awoke in Twilight Town, Naminé awoke in Castle Oblivion. Afterwards, the Organization discovered Naminé. The organization thought of Naminé's gift to manipulate memories as a way to resolve the actual circumstances surrounding each of their abilities and attributes. The memories of those who enter were used in the experiments on memories going on there. Above all else, the Organization's leader Xemnas was investigating the importance of memories. During these experiments, in order for these memories to be broken and then regenerated, those pods were made by the Organization. The pod Sora awoke from in Twilight Town and the pod Diz moved from Castle Oblivion to keep away from the Organization's pursuit are the same thing. Also, there is an additional scene where Xigbar talks about the "true goal of Castle Oblivion" and when this particular scene appears, I think all mystery surrounding Castle Oblivion should become clear. | ||
"My Humps" | |||
What you gon' do with all that junk? | |||
All that junk inside your trunk? | |||
I'ma get, get, get, get, you drunk, | |||
Get you love drunk off my hump. | |||
My hump, my hump, my hump, my hump, my hump, | |||
My hump, my hump, my hump, my lovely little lumps (Check it out) | |||
I drive these brothers crazy, | |||
I do it on the daily, | |||
They treat me really nicely, | |||
They buy me all these ices. | |||
Dolce & Gabbana, | |||
Fendi and NaDonna | |||
Karan, they be sharin' | |||
All their money got me wearin' fly | |||
Brother I ain't askin, | |||
They say they love my ass ‘n, | |||
Seven Jeans, True Religion's, | |||
I say no, but they keep givin' | |||
So I keep on takin' | |||
And no I ain't taken | |||
We can keep on datin' | |||
I keep on demonstrating. | |||
''' | My love (love), my love, my love, my love (love) | ||
You love my lady lumps (love), | |||
My hump, my hump, my hump (love), | |||
My humps they got you, | |||
She's got me spending. | |||
(Oh) Spendin' all your money on me and spending time on me. | |||
She's got me spendin'. | |||
(Oh) Spendin' all your money on me, up on me, on me | |||
What you gon' do with all that junk? | |||
All that junk inside that trunk? | |||
I'ma get, get, get, get, you drunk, | |||
Get you love drunk off my hump. | |||
What you gon' do with all that ass? | |||
All that ass inside them jeans? | |||
I'm a make, make, make, make you scream | |||
Make you scream, make you scream. | |||
Cos of my hump (ha), my hump, my hump, my hump (what). | |||
My hump, my hump, my hump (ha), my lovely lady lumps (Check it out) | |||
I met a girl down at the disco. | |||
She said hey, hey, hey yea let's go. | |||
I could be your baby, you can be my honey | |||
Let's spend time not money. | |||
I mix your milk wit my cocoa puff, | |||
Milky, milky cocoa, | |||
Mix your milk with my cocoa puff, milky, milky riiiiiiight. | |||
They say I'm really sexy, | |||
The boys they wanna sex me. | |||
They always standing next to me, | |||
Always dancing next to me, | |||
Tryin' a feel my hump, hump. | |||
Lookin' at my lump, lump. | |||
You can look but you can't touch it, | |||
If you touch it I'ma start some drama, | |||
You don't want no drama, | |||
No, no drama, no, no, no, no drama | |||
So don't pull on my hand boy, | |||
You ain't my man, boy, | |||
I'm just tryn'a dance boy, | |||
And move my hump. | |||
My hump, my hump, my hump, my hump, | |||
My hump, my hump, my hump, my hump, my hump, my hump. | |||
My lovely lady lumps (lumps) | |||
My lovely lady lumps (lumps) | |||
My lovely lady lumps (lumps) | |||
In the back and in the front (lumps) | |||
My lovin' got you, | |||
She's got me spendin'. | |||
(Oh) Spendin' all your money on me and spending time on me. | |||
She's got me spendin'. | |||
(Oh) Spendin' all your money on me, up on me, on me. | |||
What you gon' do with all that junk? | |||
All that junk inside that trunk? | |||
I'ma get, get, get, get you drunk, | |||
Get you love drunk off my hump. | |||
What you gon' do with all that ass? | |||
All that ass inside them jeans? | |||
I'ma make, make, make, make you scream | |||
Make you scream, make you scream. | |||
What you gon' do with all that junk? | |||
All that junk inside that trunk? | |||
I'ma get, get, get, get you drunk, | |||
Get you love drunk off this hump. | |||
What you gon' do wit all that breast? | |||
All that breast inside that shirt? | |||
I'ma make, make, make, make you work | |||
Make you work, work, make you work. | |||
(A-ha, a-ha, a-ha, a-ha) [x4] | |||
She's got me spendin'. | |||
(Oh) Spendin' all your money on me and spendin' time on me | |||
She's got me spendin'. | |||
(Oh) Spendin' all your money on me, up on me, on me. | |||
[Will.i.am] | |||
So real [x17] | |||
==Part 3 - About the Characters== | ==Part 3 - About the Characters== |